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Posts Tagged ‘stock photography’

Tri-colored Heron, Cayman Brac, Cayman Islands
Nikon D500, Nikkor 200-500mm lens
ISO 400
f8 @ 1/640 sec

High-Key lighting in portraiture has a very classic look and feel in the resulting imagery, with bright white, distraction free backgrounds and minimal shadows on the intended subject. While on my recent trip to Cayman Brac I had a few opportunities to explore using this high key technique on some very co-operative birdlife that I encountered. Each of these high key images were created using the Nikkor 200-500mm lens on a Nikon D500. Each of the birds were photographed in a backlit situation whereby I simply dialed in additional exposure to open up the shadows, allowing the background to fall where it may, ignoring any blinkies (highlight warnings) on the background, but ensuring there were no blinkies on the subject. While making my initial edits to each of the images in Adobe Camera Raw I varied the amount of brightness in the backgrounds, allowing the endangered West Indian Whistling Duck portrait to be the brightest as I felt it complimented the lighter tone of the ducks feathers.

Please do remember to click on each of the photos to view the larger, sharper version.

 

West Indian Whistling Duck, Cayman Brac, Cayman Islands
Nikon D500, Nikkor 200-500mm Lens
ISO 800
f8 @ 1/125 sec

 

Green Heron, Cayman Brac, Cayman Islands
Nikon D500, Nikkor 200-500mm Lens
ISO 400
f8 @ 1/200 sec

 

Tri-colored Heron, Cayman Brac, Cayman Islands
Nikon D500, Nikkor 200-500mm Lens
ISO 400
f8 @ 1/640 sec

 

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Royal Bank Plaza, Toronto, Ontario, Canada

Royal Bank Plaza, Toronto, Ontario

On the morning of January 17th I decided to drive into the heart of downtown Toronto for some architectural photography. My chosen destination was to be in close proximity to the CN Tower and some of the impressive skyscrapers with their mirrored windows, as well as a visit to the Humber Bay Pedestrian Bridge over the Humber River. Although I was out of my comfort zone of woodlands and wetlands it was a most productive day however, the clear skies were quickly becoming over-cast due to inclement weather that was on the way. I worked quickly to capture a selection of imagery before the weather conditions worsened and to make a bee-line for my rural home north of the city, prior to the rush hour traffic that typically brings the traffic to a stand-still. Here is a small selection of the architectural photographs that I created during that day.

Please do remember to click on each of the images to view the larger sharper version.

Humber Bay Pedestrian Bridge, Toronto, Ontario, Canada (Cokin Blue+Yellow Polarizer used for creative effect)

Humber Bay Pedestrian Bridge, Toronto, Ontario
(Cokin Blue+Yellow Polarizing filter used for creative effect)

 

CN Tower Reflecting in the Delta Chelsea Hotel as window washers are at work. Toronto, Ontario, Canada

CN Tower Reflecting in the Delta Chelsea Hotel as window washers are at work. Toronto, Ontario

 

Royal Bank Plaza Abstract. Toronto, Ontario, Canada

Royal Bank Plaza Abstract. Toronto, Ontario

 

Humber Bay Pedestrian Bridge, Toronto, Ontario, Canada

Humber Bay Pedestrian Bridge, Toronto, Ontario

 

The Restored Union Station Plaza Clock. Toronto, Ontario, Canada (Originally from 1927)

The Restored Union Station Plaza Clock Toronto, Ontario, Canada
(Originally from 1927)

 

Abstract of Humber Bay Pedestrian Bridge and Condominium, Toronto, Ontario, Canada

Abstract of Humber Bay Pedestrian Bridge and Condominium, Toronto, Ontario

 

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Daybreak at Marie Louise Lake in Ontario's Sleeping Giant Provincial Park

Daybreak, Sleeping Giant Provincial Park, Ontario

 

Looking back over the past year I came to the realization that I created some of my own personal favorites during 2016. As this year comes to a close here is the selection of my most favorite images. From the stunning daybreak display above on Marie Louise Lake in Ontario’s Sleeping Giant Provincial Park, to the Bullfrogs on Horseshoe Lake, to beautiful vistas along the Niagara Escarpment in Bruce Peninsula National Park, to winter scenes close to home, and to the highest cliffs in Ontario at the Top of the Giant Trail over-looking Lake Superior. I arrived just in time to capture nature’s beauty when she was ready to put on a stellar show!

I am eagerly anticipating the arrival of 2017 as I will commence several new ventures with my photography, including a schedule of upcoming workshops that I will announce shortly.

I would like to take a moment to thank you all for your support of my work and to wish you all a very Happy New Year and all the best for the year ahead.

Please do remember to click on each of the images to view the sharper, larger version.

HAPPY NEW YEAR!!!

Bullfrog in Wetland on Horseshoe Lake, Ontario

Bullfrog in Wetland on Horseshoe Lake, Parry Sound, Ontario

 

Halfway Log Dump, Bruce Peninsula National Park, Ontario

Halfway Log Dump, Bruce Peninsula National Park, Ontario

 

Winter Stream in Thornton, Ontario

Winter Stream in Thornton, Ontario

 

Daybreak on Horseshoe Lake, Ontario

Daybreak on Horseshoe Lake, Parry Sound, Ontario

 

Red-eyed Tree Frog - captive

Red-eyed Tree Frog – captive

 

Top of the Giant, Sleeping Giant Provincial Park, Ontario

Top of the Giant, Sleeping Giant Provincial Park, Ontario

 

Interrupted ferns in autumn in woodland setting, Torrance Barrens, Ontario, Canada

Ferns in Autumn Woodland, Torrance Barrens, Ontario

 

Northern Water Snake, Horseshoe Lake, Ontario

Northern Water Snake, Horseshoe Lake, Parry Sound, Ontario

 

Night Scape on Marie Louise Lake in Sleeping Giant Provincial Park, Ontario, Canada. Minor crop applied to fix tilted horizon.

Night-scape, Sleeping Giant Provincial Park, Ontario

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Red-eyed Tree Frog - captive Nikon D800, Nikon 105mm Micro Lens Nikon SB400 on a Wimberley F-2 Macro Bracket ISO 100, f16 @ 1/60 sec

Red-eyed Tree Frog – captive
Nikon D800, Nikon 105mm Micro Lens
Nikon SB400 on a Wimberley F-2 Macro Bracket
ISO 100, f16 @ 1/60 sec

 

The recently concluded Frogs of the World Photographic Workshop was a great success with the amphibians being very co-operative. The workshop participants came away with a stunning selection of imagery, of which I will share with you in a soon to be published blog post. A beautiful selection of tropical plants was sourced out to maintain natural looking set-ups to mimic what would we would find in the native habitats of each species we were photographing. This past workshop featured a couple of new additions as well – Dendrobates auratus dart frog and a Fire Salamander! Here are a few of the images I created in between assisting the workshop participants with their compositions and off camera flash techniques.

I will be hosting the next workshop in January and will likely mix it up a bit with some amphibians and a couple of very colorful, non-poisonous snakes!!! Please send me an email at info@andrewmclachlan.ca to be added to the “early-bird sign-up list” and you to can be creating stunning images of these incredibly beautiful and colorful critters without slogging through the swamp!

Do remember to click on each of the images to see the larger, sharper version.

 

Red-eyed Tree Frog - captive Nikon D800, Nikon 105mm Micro Lens Nikon SB400 on a Wimberley F-2 Macro Bracket ISO 100, f16 @ 1/60 sec.

Red-eyed Tree Frog – captive
Nikon D800, Nikon 105mm Micro Lens
Nikon SB400 on a Wimberley F-2 Macro Bracket
ISO 100, f16 @ 1/60 sec.

 

Fire Salamander - captive Nikon D800, Nikon 105mm Micro Lens Nikon SB400 on a Wimberley F-2 Macro Bracket ISO 100, f16 @ 1/60 sec.

Fire Salamander – captive
Nikon D800, Nikon 105mm Micro Lens
Nikon SB400 on a Wimberley F-2 Macro Bracket
ISO 100, f16 @ 1/60 sec.

 

Fire Belly Toad - captive Nikon D800, Nikon 105mm Micro Lens Nikon SB400 on a Wimberley F-2 Macro Bracket ISO 100, f16 @ 1/60 sec.

Fire Belly Toad – captive
Nikon D800, Nikon 105mm Micro Lens
Nikon SB400 on a Wimberley F-2 Macro Bracket
ISO 100, f16 @ 1/60 sec.

 

Dendrobates auratus - captive Nikon D800, Nikon 105mm Micro Lens Nikon SB400 on a Wimberley F-2 Macro Bracket ISO 100, f16 @ 1/60 sec.

Dendrobates auratus – captive
Nikon D800, Nikon 105mm Micro Lens
Nikon SB400 on a Wimberley F-2 Macro Bracket
ISO 100, f16 @ 1/60 sec.

 

White's Tree Frog - captive Nikon D800, Nikon 105mm Micro Lens Nikon SB400 on a Wimberley F-2 Macro Bracket ISO 100, f16 @ 1/60 sec.

White’s Tree Frog – captive
Nikon D800, Nikon 105mm Micro Lens
Nikon SB400 on a Wimberley F-2 Macro Bracket
ISO 100, f16 @ 1/60 sec.

 

Red-eyed Tree Frog - captive Nikon D800, Nikon 105mm Micro Lens Nikon SB400 on a Wimberley F-2 Macro Bracket ISO 100, f16 @ 1/60 sec.

Red-eyed Tree Frog – captive
Nikon D800, Nikon 105mm Micro Lens
Nikon SB400 on a Wimberley F-2 Macro Bracket
ISO 100, f16 @ 1/60 sec.

 

Vietnamese Moss Frog - captive Nikon D800, Nikon 105mm Micro Lens Nikon SB400 on a Wimberley F-2 Macro Bracket ISO 100, f16 @ 1/60 sec.

Vietnamese Moss Frog – captive
Nikon D800, Nikon 105mm Micro Lens
Nikon SB400 on a Wimberley F-2 Macro Bracket
ISO 100, f16 @ 1/60 sec.

 

Dendrobates auratus - captive Nikon D800, Nikon 105mm Micro Lens Nikon SB400 on a Wimberley F-2 Macro Bracket ISO 100, f16 @ 1/60 sec.

Dendrobates auratus – captive
Nikon D800, Nikon 105mm Micro Lens
Nikon SB400 on a Wimberley F-2 Macro Bracket
ISO 100, f16 @ 1/60 sec.

 

Red-eyed Tree Frog - captive Nikon D800, Nikon 105mm Micro Lens Nikon SB400 on a Wimberley F-2 Macro Bracket ISO 100, f16 @ 1/60 sec.

Red-eyed Tree Frog – captive
Nikon D800, Nikon 105mm Micro Lens
Nikon SB400 on a Wimberley F-2 Macro Bracket
ISO 100, f16 @ 1/60 sec.

 

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Hattie Cove on Lake Superior in Pukaskwa National Park Sleeklens Light Rays Overlay Applied for Creative Effect

Hattie Cove on Lake Superior in Ontario’s Pukaskwa National Park
Sleeklens Light Rays Overlay Applied for Creative Effect

 

Recently I was given the opportunity to try some overlays by Sleeklens on my landscape imagery. I was drawn to the Light Leaks and Light Rays overlays for their effectiveness in regards to enhancing the sun for a “natural” creative look. When the right image is chosen to apply one of these overlays the result can be pleasing and not over-the-top in terms of it’s creative effect.

In the fisheye scene above of Hattie Cove on Lake Superior in Ontario’s Pukaskwa National Park I composed the early morning scene to catch a sunburst effect with the fisheye lens. By applying a Light Rays overlay I was able to give the sunburst a more pronounced and dramatic appearance within the scene. Converting the image to black & white was not my initial intention but I felt it brought the image together for a natural look.

In the below photograph of a misty morning on Horseshoe Lake near Parry Sound, Ontario I chose to apply the same Light Rays overlay that was used in the Hattie Cove image above. Once the overlay is brought into Photoshop I can easily maneuver the rays around using the Move Tool or the Transform Tool. Since the overlay is on its own layer the Opacity of that layer can be adjusted to taste easily as well. Here I chose to reduce the opacity significantly so that the rays of light were just becoming visible through the misty conditions of the morning.

Misty Morning Sunrise on Horseshoe Lake. Parry SOund, Ontario Sleeklens Light Rays Overlay Applied for Creative Effect

Misty Morning Sunrise on Horseshoe Lake. Parry Sound, Ontario
Sleeklens Light Rays Overlay Applied for Creative Effect

Below is a photo created along the Georgian Bay Rugged Hiking Trail in the town of Parry Sound, Ontario with a Light Leaks overlay applied. This image would express the most creative use I applied, but I do like the added interest it gives to this mid-day scene. To created the desaturated look to this image I originally was creating a B&W conversion in Nik’s Silver Effects 2 but later decided to reduce the opacity of the Silver Effects to bring back a touch of colour to the image.

Georgian Bay Rugger Hiking Trail. Parry Sound, Ontario Sleeklens Light Leaks Overlay Applied for Creative Effect

Georgian Bay Rugged Hiking Trail. Parry Sound, Ontario
Sleeklens Light Leaks Overlay Applied for Creative Effect

While these Light Rays and Light Leaks overlays may not be everybody’s cup of tea, they do work for me when applied to the right situation. I often create artistic renderings of many of my landscape and wildlife imagery and the Sleeklens overlays now give me another option in my toolkit to utilize along the creative pathway. If you also like to explore the artistic / creative rendering side of your imagery, then you may also find the Sleeklens Photoshop Overlays to be a useful tool and rewarding option too.

 

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Halfway Log Dump, Bruce Peninsula National Park Nikon D800, Nikon 18-35mm lens ISO 50, f16 @ 3 seconds Singh-Ray 3-Stop Reverse Graduated Neutral Density Filter

Halfway Log Dump, Bruce Peninsula National Park
Nikon D800, Nikon 18-35mm lens
ISO 50, f16 @ 3 seconds
Singh-Ray 3-Stop Reverse Graduated Neutral Density Filter

It has been roughly 10 years since my last trip to Ontario’s stunning Bruce Peninsula National Park. Last week I made a much needed return trip to to the park and spent several days exploring familiar locations within the park as well as discovering some new sections too. From the endless cobblestone beach at Halfway Log Dump, to the iconic view of Georgian Bay from atop Halfway Rock Point, to sunsets in the town of Tobermory, to finding new perspectives from which to photograph the extremely popular Indian Head Cove, this post highlights some initial edits of my favorite images from the trip. As you read the captions you will notice that I opted to use my Singh-Ray 3-Stop Reverse Graduated Neutral Density Filter for the sunrise and sunset images. I never leave home with this filter as it is the one piece of gear I consider critical to creating my sunrise and sunset imagery. You will also notice that I chose to use long shutter speeds for the sunrise and sunset scenes as this will cause the water to blur to a smooth, glass-like surface that will not distract the viewer or compete for attention within the image.

A few of the images within this post were created with the Sigma 12-24mm Lens, which I rented specifically for use during this trip. The stunning shoreline along Georgian Bay within the park begs for extreme wide-angle lenses to be used. I will do a review of the Sigma 12-24mm lens at a later date as time permits.

Please do click on the images to view the larger, sharper versions.

Halfway Log Dump, Bruce Peninsula National Park Nikon D800, Nikon 18-35mm lens ISO 100, f16 @ 1/6 sec Nikon Polarizing Filter

Halfway Log Dump, Bruce Peninsula National Park
Nikon D800, Nikon 18-35mm lens
ISO 100, f16 @ 1/6 sec
Nikon Polarizing Filter

 

Sunrise on Georgian Bay, Bruce Peninsula National Park Nikon D800, Nikon 18-35mm lens ISO 100, f16 @ 1.6 seconds Singh-Ray 3-Stop Reverse Graduated Neutral Density Filter

Sunrise on Georgian Bay, Bruce Peninsula National Park
Nikon D800, Nikon 18-35mm lens
ISO 100, f16 @ 1.6 seconds
Singh-Ray 3-Stop Reverse Graduated Neutral Density Filter

 

Halfway Rock Point, Bruce Peninsula National Park Nikon D800, Sigma 12-24mm lens ISO 100, f16 @ 1/5 sec

Halfway Rock Point, Bruce Peninsula National Park
Nikon D800, Sigma 12-24mm lens
ISO 100, f16 @ 1/5 sec

 

Halfway Rock Point, Bruce Peninsula National Park Nikon D800, Sigma 12-24mm lens

Halfway Rock Point, Bruce Peninsula National Park
Nikon D800, Sigma 12-24mm lens

 

Sunset on Georgian Bay, Tobermory, Ontario Nikon D800, Nikon 18-35mm lens ISO 100, f16 @ 8 seconds Singh-Ray 3-Stop Reverse Graduated Neutral Density Filter

Sunset on Georgian Bay, Tobermory, Ontario
Nikon D800, Nikon 18-35mm lens
ISO 100, f16 @ 8 seconds
Singh-Ray 3-Stop Reverse Graduated Neutral Density Filter

 

Indian Head Cove, Bruce Peninsula National Park Nikon D800, Nikon 18-35mm Lens ISO 100, f16 @ 1/8 sec.

Intimate View of Indian Head Cove, Bruce Peninsula National Park
Nikon D800, Nikon 18-35mm Lens
ISO 100, f16 @ 1/8 sec.

 

Indian Head Cove, Bruce Peninsula National Park Nikon D800, Nikon 18-35mm Lens ISO 100, f22 @ 0.4 sec. Nikon Polarizing Filter

Indian Head Cove, Bruce Peninsula National Park
Nikon D800, Nikon 18-35mm Lens
ISO 100, f22 @ 0.4 sec.
Nikon Polarizing Filter

 

Indian Head Cove details, Bruce Peninsula National Park Nikon D800, Nikon 18-35mm Lens ISO 100, f16 @ 1/8 sec.

Indian Head Cove details, Bruce Peninsula National Park
Nikon D800, Nikon 18-35mm Lens
ISO 100, f16 @ 1/8 sec.

 

Sunset on Georgian Bay, Tobermory, Ontario Nikon D800, Nikon 18-35mm Lens ISO 100, f16 @ 8 seconds. Singh-Ray 3-Stop Reverse Graduated Neutral Density Filter In-Camera HDR

Sunset on Georgian Bay, Tobermory, Ontario
Nikon D800, Nikon 18-35mm Lens
ISO 100, f16 @ 8 seconds.
Singh-Ray 3-Stop Reverse Graduated Neutral Density Filter
This image utilized In-Camera HDR feature on the Nikon D800

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Red-eyed Tree Frog - captive

Red-eyed Tree Frog – captive

 

The second installment of my Frogs of the World Workshop was held on Saturday April 30th and was quite successful. The participants had a great time capturing some amazing imagery of the frogs that were featured this time around. In a future post I will share some of the photos created my the participants of this workshop. The species that were featured for this workshop included:

  • Red-eyed Tree Frog (native to Central America)
  • Tomato Frog (native to Madagascar)
  • Green Tree Frog (native to the southern USA)
  • Vietnamese Moss Frog (native to Vietnam)
  • Fire Belly Toad (native to Asia)

A small assortment of tropical plants, and a custom designed mini-pond provided the settings for natural-looking photos in the controlled environment. Here are a few of the images I created during the workshop. Each image was captured using the Nikon D800 with a Nikon 105mm Micro lens and the discontinued Nikon SB400 Speedlight attached to a Wimberely F-2 Macro Bracket. The exposure setting was ISO 100 with an aperture of f22 @ 1/60 sec.

Do remember to click on each image to see the larger, sharper version. Which is your favorite?

Tomato Frog - captive

Tomato Frog – captive

 

Vietnamese Moss Frog - captive

Vietnamese Moss Frog – captive

 

Green Tree Frog - captive

Green Tree Frog – captive

 

Fire Belly Toad - captive

Fire Belly Toad – captive

 

Red-eyed Tree Frog - captive

Red-eyed Tree Frog – captive

 

Tomato Frog - captive

Tomato Frog – captive

 

Green Tree Frog - captive

Green Tree Frog – captive

 

Vietnamese Moss Frog - capitve

Vietnamese Moss Frog – capitve

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