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Posts Tagged ‘ontario’

Epipedobates anthonyi – captive

Without a doubt dart frogs, also known as poison arrow frogs, are among the most colorful animals on Earth. A fascinating fact about them is that in the wild they develop their deadly toxins from their food source of ants and termites. In captivity these amphibians are fed cultivated wingless fruit flies which results in them losing their toxicity, rendering them harmless. Nonetheless, they retain their vibrant coloration.

On Saturday May 13 at 10:00 a.m. you too can have an opportunity to photograph 20 different species of dart frogs in my exclusive Darts Frogs of the Amazon Rainforest being held at the Crinan Community Centre located at 13568 Dunborough Line in West Elgin, Ontario, near London, Ontario. For further information please check out the early blog announcement for this workshop by clicking here or by visiting my Workshops page on the website by clicking here.

This post features only a sampling of species we will be photographing in a comfortable setting with realistic studio set-ups. One lucky participant will also be walking away with a door prize supplied by Wimberley!

There are still a few spaces available for this workshop. Please contact me by clicking here to register for the workshop.

 

Dendrobates tinctorius (Citronella) – captive

 

Dendrobates leucomelas – captive

 

Phyllobates terribilis (mint) – captive

 

Ameerega pongoensis – captive

 

Dendrobates auratus campana – captive

 

Phyllobates terribilis – captive

 

Phyllobates vittatos – captive

 

Ranitomeya amazonica – captive

 

Ranitomeya fantastica – captive

 

Ranitomeya imitator – captive

 

Dendrobates tinctorius (Azureus) – captive

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The March / April 2017 issue of the on-line photography magazine Wildlife Photographic is now available on the Apple App Store & the Google Playstore. This issue features many great articles, by accomplished photographers and is accompanied by equally fantastic wildlife imagery. My Bullfrog image appears on the cover of the magazine and my FROG-scapes 101 article on how I go about creating my signature frog-scape photography. If you do not already subscribe to this magazine please use this code freetialwp to receive a free three month subscrition. At the end of the three month trial you will need to subscribe through regular methods to continue receiving this great magazine. Please follow these instructions to start your free three month trial:

Download Wildlife Photographic from the Apple App Store  http://bit.ly/1aKP3qR or on Google Play http://bit.ly/1JOhMcW

Tap ‘Subscribe’ on the app home page

Tap ‘Current Subscribers’ from the drop down menu

Enter code freetrialwp

This code will be available to use until April 30, 2017

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lake-traverse-2017

Please note that this workshop is now SOLD OUT with wait list only.

Join me for an exclusive, weekend workshop deep in the heart of Ontario’s Algonquin Provincial Park on scenic Lake Traverse for an opportunity to create stunning imagery from this remote, pristine landscape. This event will be held on September 15, 16, & 17. Lake Traverse is situated in a remote area of the park and is rich in both history and stunning scenery. To reach this remote location in Algonquin Provincial Park you must enter at the Sand Lake Gate. In the early 1900’s lumber baron J.R. Booth established a private lodge – The Booth Turtle Club on the shores of Lake Traverse. Today remnants of this lodge can be found in the woodlands such as impressive stone fireplaces and a rusted old wreck decaying in the forest. The timing of this event will allow for misty sunrises over Lake Traverse and assuming weather conditions co-operate we are in one of the best locations in all of Ontario to photograph the night sky and possibly the aurora borealis. Furthermore, we are situated a short walking distance from picturesque waterfalls on the Petawawa River.

Our accommodations for this event will be at the very comfortable Algonquin Radio Observatory, located on the shores of Lake Traverse. A tour of the immense satellite has been arranged during the mid-day hours when lighting for photography is generally at its worst. Also available to participants is the use of canoes and kayaks during the mid-day hours to explore the lake on your own.

This workshop will run rain or shine.

A quick note about the Algonquin Radio Observatory (from their website):

The Algonquin Radio Observatory (ARO) is Canada’s national radio observatory featuring Canada’s premiere Earth station facility. ARO is a division of space technology company Thoth Technology Inc.

Completed and commissioned in the 1965, ARO’s 46m antenna is the largest antenna in Canada and one of the largest in North America. The observatory is situated on a 100 acre wild and breathtakingly beautiful site in the North of Algonquin Provincial Park on Lake Traverse, deep inside the park. The observatory hosts a suite of state-of-the-art scientific equipment including its own atomic clock and still operates with a state-of-the-art technical capability.

ARO is the official ground station for Northern Light, Canada’s mission to Mars.

 

This workshop will be open to a maximum of 10 participants.

The cost of this workshop is $495 based on double occupancy (single supplement $40). Payable by cheque or e-mail transfer.

A non-refundable deposit of $200 to secure a space in this workshop is required. Payable by cheque or e-mail transfer.

Participants with any special dietary needs must communicate them at time of booking so the necessary arrangements can be made to meet your requirements.

 

Itinerary:

Friday September 15:

Meet & Greet Dinner at 6:00 p.m. follow by photographic presentation and a nightscape photo session (assuming weather conditions co-operate)

Saturday September 16:

Morning Photo Session (6am – 10am) followed by breakfast, tour of satellite, Petawawa River Session, Rusty Old Wreck Session, Evening Photo Session, Nightscape Session (assuming weather conditions co-operate)

Sunday September 17:

Morning photo session (6am – 10am) followed by breakfast. Checkout is at 11:00 a.m. however, participants are permitted to explore other areas of the park at their leisure for the remainder of the day.

Do Note: Each location we will photograph at is only a short walking distance from our home base at the Algonquin Radio Observatory.

What’s Included:

  • Landscape photography instruction by yours truly
  • Lodging at Algonquin Radio Observatory
  • Friday – dinner
  • Saturday – breakfast, lunch, & dinner
  • Sunday – breakfast

What’s not included:

  • Transportation to Algonquin Radio Observatory
  • A 3 day, daily vehicle permit must be purchased at the Sand Lake Gate to enter the park (currently $17 per day. This would allow participants to remain in the park until 10:00 pm on Sunday)
  • Snacks
  • Alcoholic Beverages

In the event that the workshop does not meet the required minimum number of participants to run all deposits will be refunded in full.

To reserve your spot for this exclusive workshop please contact me at info@andrewmclachlan.ca

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Winter Tree, Innisfil, Ontario Nikon D800, Nikon 18-35mm

Winter Tree, Innisfil, Ontario
Nikon D800, Nikon 18-35mm

 

One of my most favorite winter subjects to photograph is the skeletal forms of tree in winter. Living in a rural area in Essa Township provides me with ample opportunities to photograph these winter trees. Often I will head out at either sunrise or sunset to photograph them and when doing so I always search for the trees that are a slight rise in the terrain so that I can compose them against the sky being very careful not to allow any of the branches on the tree to merge with the horizon. It can also be rewarding to create artistic renderings of winter trees with a variety of photoshop plug-ins. In this post I am revealing two such creations that utilized the Topaz Labs plug-in Simplify. For the two artistic renderings at the end of this blog post I selected one of the sketch presets in Simplify and tweaked the sliders until I achieved the strong black and white treatment.

Winter Tree, Innisfil, Ontario Nikon D800, Nikon 24-85mm

Winter Tree, Innisfil, Ontario
Nikon D800, Nikon 24-85mm

 

Winter Tree, Innisfil, Ontario Nikon D800, Nikon 24-85mm

Winter Tree, Innisfil, Ontario
Nikon D800, Nikon 24-85mm

 

Winter Tree - Topaz Simplify

Winter Tree – Topaz Simplify

 

Winter Tree - Topaz Simplify

Winter Tree – Topaz Simplify

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Pine Marten - Algonquin Provincial Park, Ontario Nikon D500, Nikkor 200-500mm lens @ 500mm ISO 1000 f8 @ 1/160 sec

Pine Marten – Algonquin Provincial Park, Ontario
Nikon D500, Nikkor 200-500mm lens @ 500mm (750mm equivalent)
ISO 1000
f8 @ 1/160 sec

 

On the morning of January 25th I awoke early and made the two hour trek north to Ontario’s Algonquin Provincial Park to spend the day photographing Pine Martens with my new Nikon D500. It turned out to be a very productive visit with many wonderful opportunities. I mounted my Nikkor 200-500mm lens on the Nikon D500 as this combination as been proving to be quite deadly, especially given the fact that the Nikon D500 has an APS-C size sensor, therefore the 200-500mm lens becomes the 35mm equivalent of a 300-750mm lens. Here are a few of the Pine Marten images that were created during this visit to Algonquin. All images were created with the Nikon D500 and Nikkor 200-500mm lens firmly mounted to my tripod with a Wimberely Sidekick attached to my ballhead.

Please do remember to click on each of the images to view the larger, sharper versions.

Pine Marten - Algonquin Provincial Park, Ontario Nikon D500, Nikkor 200-500mm lens @ 220mm ISO 1000 f8 @ 1/800 sec

Pine Marten – Algonquin Provincial Park, Ontario
Nikon D500, Nikkor 200-500mm lens @ 220mm (330mm equivalent)
ISO 1000
f8 @ 1/800 sec

 

Pine Marten - Algonquin Provincial Park, Ontario Nikon D500, Nikkor 200-500mm lens @ 500mm ISO 1000 f8 @ 1/80 sec

Pine Marten – Algonquin Provincial Park, Ontario
Nikon D500, Nikkor 200-500mm lens @ 500mm (750mm equivalent)
ISO 1000
f8 @ 1/80 sec

 

Pine Marten - Algonquin Provincial Park, Ontario Nikon D500, Nikkor 200-500mm lens @ 310mm ISO 1000 f8 @ 1/320 sec

Pine Marten – Algonquin Provincial Park, Ontario
Nikon D500, Nikkor 200-500mm lens @ 310mm (465mm equivalent)
ISO 1000
f8 @ 1/320 sec

 

Pine Marten - Algonquin Provincial Park, Ontario Nikon D500, Nikkor 200-500mm lens @ 420mm ISO 1000 f8 @ 1/320 sec

Pine Marten – Algonquin Provincial Park, Ontario
Nikon D500, Nikkor 200-500mm lens @ 420mm (630mm equivalent)
ISO 1000
f8 @ 1/320 sec

 

Pine Marten - Algonquin Provincial Park, Ontario Nikon D500, Nikkor 200-500mm lens @ 400mm ISO 1000 f8 @ 1/420 sec

Pine Marten – Algonquin Provincial Park, Ontario
Nikon D500, Nikkor 200-500mm lens @ 400mm (600mm equivalent)
ISO 1000
f8 @ 1/420 sec

 

Pine Marten - Algonquin Provincial Park, Ontario Nikon D500, Nikkor 200-500mm lens @ 640mm ISO 1000 f8 @ 1/320 sec

Pine Marten – Algonquin Provincial Park, Ontario
Nikon D500, Nikkor 200-500mm lens @ 320mm (480mm equivalent)
ISO 1000
f8 @ 1/640 sec

 

Pine Marten - Algonquin Provincial Park, Ontario Nikon D500, Nikkor 200-500mm lens @ 270mm ISO 1000 f8 @ 1/640 sec

Pine Marten – Algonquin Provincial Park, Ontario
Nikon D500, Nikkor 200-500mm lens @ 270mm (405mm equivalent)
ISO 1000
f8 @ 1/640 sec

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Gargantua Harbour, Lake Superior Provincial Park Nikon D800, Nikon 18-35mm lens @ 26mm Singh-Ray 3-stop Reverse Graduated Neutral Density Filter

Sunset at Gargantua Harbour, Lake Superior Provincial Park, Ontario
Nikon D800, Nikon 18-35mm lens @ 26mm
Singh-Ray 3-Stop Reverse Graduated Neutral Density Filter

 

I finally had a chance to go through my image files from my September trip along the shore of Lake Superior Provincial Park. One of my most favourite locations within the park is that of Gargantua Harbour. A long, winding dirt road brings you to within walking distance of the lake, where you will come to a fantastic beach to the left and to the right the shoreline is scattered with large boulders which have been rounded and smoothed by the waves of Lake Superior. A couple of other bays that are often quite productive for landscape photography are Old Woman Bay and Katherine Cove. As you view the images make note of the captions and you will notice that for some of the imagery I chose to use my B+W 10-Stop Neutral Density Filter. I will often resort to this filter when I am wishing to blur the wave action to a silky smooth texture, but the ambient light is still too bright to facilitate this, therefore, I will add the 10-Stop ND filter and presto I can usually go down to 30 second exposures with easy. When using this very dark filter I find it is best to use Live View and open up the aperture of the lens to compose the scene and focus the lens. I will then stop the lens down to my desired f-stop and click the shutter.

Please do remember to click on the images to view the larger, sharper versions.

Gargantua Harbour, Lake Superior Provincial Park Nikon D800, Nikon 18-35mm lens @ 18mm 30 Second Exposure B+W 10-Stop Neutral Density Filter

Gargantua Harbour, Lake Superior Provincial Park, Ontario
Nikon D800, Nikon 18-35mm lens @ 18mm
30 Second Exposure
B+W 10-Stop Neutral Density Filter

 

Gargantua Harbour, Lake Superior Provincial Park Nikon D800, Nikon 18-35mm lens @ 18mm Nikon Neutral Polarizing Filter

Gargantua Harbour, Lake Superior Provincial Park, Ontario
Nikon D800, Nikon 18-35mm lens @ 18mm
Nikon Neutral Polarizing Filter

 

Old Woman Bay, Lake Superior Provincial Park Nikon D800, Nikon 18-35mm lens @ 24mm Singh-Ray 3-Stop Reverse Graduated Neutral Filter

Old Woman Bay, Lake Superior Provincial Park, Ontario
Nikon D800, Nikon 18-35mm lens @ 24mm
Singh-Ray 3-Stop Reverse Graduated Neutral Filter

 

Katherine Cove, Lake Superior Provincial Park Nikon D800, Nikon 18-35mm lens @ 20mm 25 Second Exposure B+W 10-Stop Neutral Density Filter

Katherine Cove, Lake Superior Provincial Park, Ontario
Nikon D800, Nikon 18-35mm lens @ 20mm
25 Second Exposure
B+W 10-Stop Neutral Density Filter

 

Katherine Cove, Lake Superior Provincial Park Nikon D800, Nikon 18-35mm lens @ 35mm 25 Second Exposure B+W 10-Stop Neutral Density Filter

Katherine Cove, Lake Superior Provincial Park, Ontario
Nikon D800, Nikon 18-35mm lens @ 35mm
25 Second Exposure
B+W 10-Stop Neutral Density Filter

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Red-eyed Tree Frog

Red-eyed Tree Frog – captive

Today’s post will feature imagery from Tim Harding. I first met Tim a couple of years ago at Tiny Marsh near Elmvale, Ontario. Tim signed up for my recently concluded frog and reptile photographic workshop that was held at Reptilia on January 7th and captured some lovely images. We had a great turn out of talented folks and I hope to feature more imagery from the workshop participants as they submit their images. Here are a few images that Tim was able to create during the workshop. As usual, the Red-eyed Tree Frogs performed perfectly and posed very co-operatively atop the pink bromeliad blossom. The Vietnamese Moss Frogs with their superb, camouflage coloring blend in nicely on a large, lichen covered piece of tree bark. The dendrobates auratus dart frog with its incredibly bright colors really pops when placed on a few old dried oak leaves to create a forest floor-like setting. And finally the Fire Salamander gives us a nice pose while it is crawling around on a large section of moss. Tim was using a small softbox on his off camera flash to help soften the light. Using small softboxes is an excellent way to soften the harsh light of a bare flash bulb and often they will help to reduce some, but not all, of the flash generated spectral highlights as well.

Vietnamese Moss Frog - captive

Vietnamese Moss Frog – captive

 

Dendrobates auratus - captive

Dendrobates auratus – captive

 

Fire Salamander - captive

Fire Salamander – captive

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