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Posts Tagged ‘macro photography’

2020 has certainly been a challenging year for so many people throughout the world.

The past year really limited many of my photographic adventures from cancelling workshops to being locked down at home. Fortunately I was able to make my way to Cayman Brac for two weeks in late February. The world shut down shortly after my return in March. During the summer months I concentrated my efforts on extreme macro photography around my rural home, often not even having to leave my property. By the time autumn came around I was able to continue with my Muskoka Autumn Colour Spectacular Workshop and Lake Superior Wild & Scenic Photography Workshop. As a result my top 20 images for 2020 have been selected from my Cayman Brac trip, insect photography at home, autumn colour, and the Lake Superior coast.

I hope you enjoy viewing this selection of imagery.

Here’s to a better year in 2021!

Daybreak on the Caribbean Sea at Cayman Brac, BWI
Hawksbill Turtle (Eretmochelys imbricata) at Sylvia’s Reef, Cayman Brac, BWI
Spotted Scorpionfish (Scorpaena plumieri), Cayman Brac, BWI
Sister Island Rock Iguana (Cyclura nubila caymanensis)
Crab Spider
Baby Garden Spiders
Praying Mantis
Robberfly
Two-horned leafhopper (Ceresa diceros)
Georgian Bay, Parry Sound, Ontario, Canada
Late day light on Georgian Bay, Parry Sound, Ontario, Canada
Overcast Light on Geogrian Bay, Parry Sound, Ontario, Canada
Autumn colour and reflections at woodland pond in Seguin Township, Ontario, Canada
Winter on Lake Superior, Wawa, Ontario, Canada
Snow covered gorge along Lake SUperior’s north shore near Schreiber, Ontario, Canada
Hattie Cove in winter on Lake Superior, Pukaskwa National Park, Ontario, Canada
Winter storm at Sandy Beach on Lake Superior, Wawa, Ontario, Canada
Mink Creek, Marathon, Ontario
Spruce Grouse (Falcipennis canadensis) male, Neys Provincial Park, Ontario, Canada
Sunrise at Highland Pond in the Torrance Barrens, Muskoka, Ontario, Canada

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Red Milkweed Beetle (Tetraopes tetrophthalmus)

Red Milkweed Beetle (Tetraopes tetrophthalmus)

Things have been relatively quiet here over the course of the last few weeks as I have been recuperating from a surgical procedure. The recovery has gone very well, however, I will have at least one more month of having to take things easy. I have been feeling well enough to take a couple of walks around the yard each day in search of insects to photograph with the Laowa 100mm 2X Macro Lens.

The final four images in this post are preserved exotic specimens that I have re-hydrated and pinned into position. These preserved specimens offer fantastic opportunities to explore natural-like settings as well as creative edits (a feature for a future post).

If you are interested in learning more about the Laowa 100mm 2X Macro and purchasing the lens please consider doing so by using my affiliate link here.

Spur-throated Grasshopper (Melanopluas ponderosus)

Spur-throated Grasshopper (Melanopluas ponderosus)

 

Jagged Ambush Bug

Jagged Ambush Bug

 

Robberfly

Robberfly

 

Leafhopper

Leafhopper

 

Eupholus cuvieri

Eupholus cuvieri

 

Homoderus gladiator - preserved specimen

Homoderus gladiator – preserved specimen

 

Violin Beetle (Mormolyce phyllodes)

Violin Beetle (Mormolyce phyllodes)

 

Cyclommatus metallifer - preserved specimen

Cyclommatus metallifer – preserved specimen

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Crab Spider

Crab Spider on Ox-Daisy Blossom

Over the course of the last several months I have been using a Laowa 100mm f/2.8 2X Ultra Macro APO CA Dreamer lens that has been on loan to me from Venus Optics. As you read through this blog post you will learn my thoughts on this lens. In short, I was impressed enough with the lens that I purchased this loaner lens and promptly sold my workhorse Nikon 105mm f2.8D AF Micro-Nikkor.

Each image in this blog post is a single capture. No focus stacking techniques were deployed. Some images were photographed at 4X lifesize and this was accomplished by adding a Raynox DCR-250 Diopter to the front of the Laowa 100mm 2X Macro lens. All images, unless otherwise noted, were photographed handheld using the Meike MK-MT24 Flash Speedlite with 2.4G Wireless Trigger supported by a Wimberley dual arm F-2 Macro Bracket.

Gray Tree Frog (Dryophytes versicolor)

Gray Tree Frog chorusing at night

First and foremost, the full metal construction of the lens is in-line with the build quality of other Laowa lenses I own making them durable and able to stand the test of time. The CA Dreamer designation refers to the apochromatic design that significantly reduces, if not eliminates, chromatic aberration in both in-focus and out-of-focus areas of the image.

Robber Fly species

Robber Fly species with prey

The Laowa 100mm 2X Macro lens is a fully manual lens. There is no autofocus, no image stabilization, and the f-stop is selected by manually rotating the aperture ring to the desired setting. Being fully manual also means that no information will be transmitted to the camera, such as f-stop used. Do note that the Canon mount does not have an aperture ring as the f-stop can be selected by the camera. If you have grown accustomed to relying on autofocus and/or image stabilization you will have a bit of a learning curve on working with a manual macro lens. My first forays into macro photography were in the days of film whereby I used a Minolta X-700 with a Minolta 100mm Macro lens. It took me a couple of days to get back into the swing of manual focusing for macro work, as I had become reliant on autofocus, which can actually be a hindrance to successful macro photography.

Grasshopper

Grasshopper photographed at 4X lifesize with the Raynox DCR-250 Diopter attached

The “2X” designation for the lens refers to the ability to achieve twice lifesize at the minimum focusing distance of 9.7” which refers to the distance from the camera sensor to the subject. No other macro lens on the market today, in the 100mm range, offers the ability to achieve 2X magnification. I have often wished my old Nikon macro lens had the ability to focus closer than 1:1 magnification. At a very affordable price the Laowa 100mm 2X Macro lens provides twice lifesize and superb image quality.

Green Bottle Fly

Green Bottle Fly at 2X lifesize

The lens does come with a plastic lens hood, however, at 2X lifesize I recommend removing the lens hood as it will cast heavy shadow over subjects. I seldom use the lens hood because at infinity focus the front element of the lens is recessed in the lens barrel about 3 inches and moves towards the front of the lens barrel as you get closer to 2X lifesize. As a result, the lens barrel often acts as a lens hood.

Thistl-head Weevil (Rhinocyllus conicus)

Thistl-head Weevil (Rhinocyllus conicus) with Raynox DCR-250 Diopter attached

There is an optional tripod collar for the lens that can be purchased. I currently do not own the tripod collar, nor do I have any experience with using it. I have read some unfavorable reviews for the optional tripod collar, however, my thought on the tripod collar is that it may be a useful tool to support two flash units on small homemade brackets to keep the set-up compact rather than using brackets to hold flash units. I will provide an update on this after I have had time to test out my theory.

Baby Garden Spiders

Baby Garden Spiders with Raynox DCR-250 Diopter attached for 4X magnification

Venus Optics (Laowa) have clearly created another lens that offers superior image quality at a very affordable price point. I shudder to think what Canon, Sony, or Nikon would charge for a 100mm f2.8 2X Macro lens if they took the time to design one. Let’s compare pricing from Vistek and do note that the Laowa is the least expensive lens, offering superior results with the ability to capture subjects at twice lifesize:

  • Venus Optics Laowa 100mm f/2.8 2x Ultra Macro APO: $699.99 CAD
  • Sony FE 90mm Macro G OSS: $1499.99 CAD
  • Nikon Micro-Nikkor VR 105mm f/2.8: $1129.99 CAD
  • Canon EF 100mm f/2.8 Macro IS USM: $1199.99 CAD
  • Sigma 105mm f/2.8 EX DG OS HSM Macro: $769.99 CAD

Stink Bug nymph

Stink Bug nymph at 2X lifesize

I am often asked how I am able to manually focus on such tiny critters. It is not as hard as it looks when you practice and perfect good macro techniques. I tend to predetermine the magnification I desire for an intended subject. The next step is to use myself as a human focusing rail and slowly move in and out until sharp focus is achieved. I strongly recommend using inanimate objects placed on the kitchen table as practice subjects.

Green Burgundy Stink Bug (Banasa dimidiata)

Green Burgundy Stink Bug (Banasa dimidiata)

Another techniques I will often use if the subject is cooperative is to physically hold the leaf or stem the subject is on and move it towards the lens until sharp focus is achieved. By utilizing this technique I often find that I am able to support the front of the lens on my left hand for added support, especially when photographing at 4 times lifesize!

Gray Wall Jumping Spider (Menemerus bivittatus)

Gray Wall Jumping Spider at 2X lifesize

The Gray Wall Jumping Spider above was discovered on the brickwork of my home. I carefully encourage it to climb onto a small twig that I could have more control over and move towards the lens until the spider’s eyes became sharp in the viewfinder. After grabbing a few quick images I let the spider go back to its business on the brickwork of my home.

Swamp Milkweed Leaf Beetle (Labidomera clivicollis)

Swamp Milkweed Leaf Beetle at 2X lifesize

Many of these images were created during self-isolating on my half acre country home. It is quite amazing what can be found hiding in plain sight when we take the time to explore the microcosm

Ambush Bug with prey

Ambush Bug with prey at 2X lifesize

The Ambush Bug above was preoccupied with its prey and the Milkweed Beetles below were preoccupied with each other and this allowed me to use my technique of holding the stem and leaf to take better control of the situation and to focus more easily on the insects.

Red Milkweed Beetle (Tetraopes tetrophthalmus)

Red Milkweed Beetle (Tetraopes tetrophthalmus)

Since many of my images were being photographed at either 2X or 4X lifesize I did select an aperture of f22 for maximum depth of field. I think you would agree that the lens performs very well stopped down 🙂

Lichens

Lichens photographed using ambient light and tripod

Having a lens such as the Laowa 100mm 2X Macro in your gear bag will allow you the luxury of being able to photograph tight details, itty bitty critters, or large animals such as the portrait of the 3 foot Ball Python below.

Royal python (Python regius) - captive bred

Royal Python (Python regius) – captive bred

Below is a single frame at 2X lifesize of a butterfly wing. While photographing the fine details of the butterfly wing, even at f22 it was critical to keep the the sensor plane parallel to the wing to ensure sharp focus throughout the image, otherwise the delete key would have been utilized 🙂

Papilio multicaudata (Mexico)Dead specimen from private collection

Papilio multicaudata (Mexico) Dead specimen from private collection

A couple of nights ago at dusk I lucked out and found a Gray Wall Jumping Spider exploring the lichen encrusted bark of one of my large Silver Maple trees. Rather than go in for the tighter images I deliberately stepped back to create a scene that illustrates the spider’s ability to blend in to its surroundings.

Gray Wall Jumping Spider (Menemerus bivittatus)

Gray Wall Jumping Spider camouflaged on tree trunk

As I mentioned in the opening paragraph of this post I loved the Laowa 100mm f2.8 2X Macro APO lens so much that I purchased it and sold my Nikon 105mm Micro lens. This is my third Laowa lens that I have added to my gear bag. First was the incredible 15mm 1;1 Wide Angle Macro that allows me to capture my signature frog-scapes. The second Laowa lens added was the 12mm Zero D lens, which quickly became my workhorse lens for both landscapes and architectural photography. If you are intrigued by the Laowa 100mm 2X Macro please consider purchasing the lens through my affiliate link by clicking here.

Leafhopper nymph - Coelidia olitoria

Leafhopper nymph with Raynox DCR-250 Diopter attached for 4X magnification

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Dednrobates tinctorius - captive

The next Frogs of the World Photographic Workshop will be held on Saturday March 14, 2020 at Lifelike Imaging in Mississauga, Ontario (10:00 am to 3:00 pm)

The space for this workshop is limited to a maximum of 8 participants to allow ample time for folks to photograph each species of frog.

These are the only workshops available in Canada whereby you will be able to capture stunning imagery of 15 – 20 different species of frogs and toads from all over the world. We will be photographing numerous varieties of dart frogs endemic to the Amazon rainforest, and several other species of frogs from Costa Rica, South America, and Madagascar. It would cost tens of thousands of dollars to explore the jungles of the world, with hired guides, on your own, in hopes of photographing a mere fraction of these species. These workshops, in partnership with Understory Enterprises, will bring you an incredible opportunity to photograph these 15 – 20 species of frogs in a comfortable atmosphere with natural, pleasing studio set-ups.

Epipedobates tricolor

The recommended gear for photographing these tiny frogs is a macro lens and off camera flash. Alternately, using high quality close-up filters such as the Canon 500D filters will allow many lenses such as the Nikon 80-400mm or Canon 100-400mm to focus close enough for these small subjects. Please contact me here if you have any equipment inquiries when registering for this workshop. I also have custom made flash diffusers that will allow folks to capture stunning imagery using camera mounted flash as well. A note about flash use; you should possess a basic understanding of how to operate your flash and make +/- adjustments to flash output.

Coffee, tea and snacks will be provided during the workshop.

La Palma Glass Frog (Hyalinbatrachium valerioi) - captive

To register for this workshop contact me by clicking here .

Payments can be made via email transfer or by cheque made payable to Andrew McLachlan.

Hope to see you there!

The one day cost of the workshop is $195 CDN plus applicable taxes ($195 +$25.35 HST = $220.35 CDN).

Cancellation Policy:

31 days prior to workshop date 50% refund

30 days prior to workshop date no refund

Ranitomeya imitator 'nominal' - captive

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Wimberley F-2 Dual Arm Set Up With AP7 Cold Shoes_9950

Wimberley F-2 Macro Bracket Dual Arm Set-up with AP-7 Cold Shoe Flash Adapters Attached

Several years ago I did a review of the Wimberley F-2 Macro Bracket Single Arm Set-up, which can be found by clicking here. I do stand by my comments from 2012 that this is by far the best design and the most user friendly macro flash bracket on the market today! Fast forward to today and Wimberley have created a new lighter version of the F-2 Macro Bracket and it is just a sturdy as the original design. Please do note that the F-2 Macro Brackets configured into the dual arm set-up pictured above are attached to a M-8 Perpendicular Plate. Wimberley have also developed and released the optional AP-7 Cold Shoe Flash Adapter that enables rapid attachment of flashes to the brackets. In nature photography being able to move quickly can mean the difference in getting or missing the shot.

AP7 Cold Shoe Flash Adapters_9953

Wimberley AP-7 Cold Shoe Flash Adapters

In the photo below you can see my personal set-up using the Wimberley F-2 Macro Bracket Dual Arm Set-up with the Meike MK-MT24 Dual Flash Speedlight Trigger. Each of the two flashes have a homemade diffuser affixed to them. These diffusers were made from two small Rubbermaid containers, lined with foil and 3 layers of polystyrene foam sheeting to effectively diffuse the light emitted from the flash tubes.

Dual Macro Flash Set Up_9942

My Wimberley Dual Arm Set-up using the Meike Dual Macro Flash System

This dual flash set-up is now my go-to system for photographing invertebrates as it provides a beautiful even light around the subjects without any distracting shadows, which is often results when using a single speedlight. I can easily revert this set-up back to a single arm set-up for photographing frogs. The flexibility of the Wimberley F-2 Macro Bracket Dual Arm Set-up allows me to position the speedlights in any manner that I desire, to create the lighting I want. This feature is indispensable when the speedlights may need to be positioned around objects that may otherwise block the light emitted from the flash, or when you may wish to have one flash illuminate the subject while the second flash illuminates more of the background. The possibilities for enhanced creativity are endless with this design. This flexibility is the result of the clamshell locking mechanisms. The clamshell locking design of the F-2 brackets also allows me to ‘fold’ the brackets so that they fit into my gear bag effortlessly. The AP-7 Cold Shoe Flash Adapters allow me to quickly attach my wireless flash heads or sync cord by means of the thumbscrew locking mechanism.

Below is a selection of imagery recently created using the Wimberley F-2 Macro Bracket Dual Arm Set-up with the AP-7 Cold Shoe Adpaters to securely hold the Meike MK-MT24 Dual Speedlights. As you can see in the Tan Jumping Spider images there are two catchlights in the eyes, but I find these to be acceptable for invertebrate photography. When photographing frogs however, I do find the presence of two catchlights to be very distracting. As a result, in each of the frog photos below I have evicted one cathclight from each eye for a more pleasing look.

Tan Jumping Spider (Platycryptus undatus)

Tan Jumping Spider (Platycryptus undatus)

La Palma Glass Frog_2667

La Palma Glass Frog (Hyalinobatrachium valerioi) – captive

Argentine Horned Frog_2647

Argentine Horned Frog (Ceratophrys ornata) – captive

Madagascar Rain Frog_2645

Madagascar Rain Frog (Scaphiophryne madagascariensis) – captive

Tan Jumping Spider (Platycryptus undatus)

Tan Jumping Spider (Platycryptus undatus)

The new lightweight design of the Wimberley F-2 Macro Brackets configured into a dual arm set-up is an integral part of my macro photography now and I cannot wait for the invertebrates to emerge from hibernation in the spring so that I can get out and photograph the wealth of subject matter that will be available.

All of today’s featured images were photographed using a Nikon D500 with a Nikkor f2.8 105mm Micro Lens (non-VR version) with the exception of the Tan Jumping Spiders whereby I affixed a Raynox DCR-250 Diopter to the Nikkor 105mm Micro Lens for added magnification. The Meike MK-MT24 Speedlights were affixed to the Wimberley F-2 Macro Brackets configured into the dual arm set-up by means of the AP-7 Cold Shoe Flash Adapters.

If you are interested in photographing macro subjects in nature with a dual flash system I highly recommend using the Wimberley F-2 Macro Brackets configured into the dual arm set-up. The sturdy, lightweight design and the simplicity of positioning flash heads allows me to concentrate on my photography and not with the frustrations associated with cheaper, inferior products.

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Frogs of the World Photographic Workshop

Mark your calendars!

The next Frogs of the World Photographic Workshop to be held at LifeLike Imaging in Mississauga, Ontario has been scheduled!.

Saturday, February 16, 2019 10:00a.m. – 3:00 p.m.

The space for this workshop is limited to a maximum of 8 participants to allow ample time for folks to photograph each species of frog.

These are the only workshops available whereby you will be able to capture stunning imagery of 15 – 20 different species of frogs from all over the world. We will be photographing numerous varieties of dart frogs endemic to the Amazon rainforest, and several tree frogs of Costa Rica and South America. It would cost tens of thousands of dollars to explore the jungles of the world, with hired guides, on your own in hopes of photographing a mere fraction of these species. These workshops, in partnership with Understory Enterprises, will bring you an incredible opportunity to photograph these 15 – 20 species of frogs in a comfortable atmosphere with natural studio set-ups.

The recommended gear for photographing these tiny frogs is a macro lens and off camera flash. Alternately, using high quality close-up filters such as the Canon 500D filters will allow many lenses such as the Nikon 80-400mm or Canon 100-400mm to focus close enough for these small subjects. Please contact me here if you have any equipment inquiries when registering for this workshop. I also have custom made flash diffusers that will allow folks to capture stunning imagery using camera mounted flash as well.

Coffee, tea and snacks will be provided during the workshop.

To register for this workshop contact me by clicking here .

Payments can be made via email transfer or by cheque made payable to Andrew McLachlan.

Hope to see you there!

The cost of the workshop is $195 CDN plus taxes.

Cancellation Policy

Full refund, less a $25 administration fee, 61 days prior to the workshop date.

No Refunds 60 days prior to the workshop date.

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On Saturday May 5, 2018 join me for “Micro Fauna of the Desert – A Teaching Moment Photographic Workshop” What is a Teaching Moment Photographic Workshop? They are a series of inexpensive, half day workshops that give back to the participants! Just how will they give back? For every 5 Teaching Moment Photographic Workshops that a participant attends they will receive a $50 (Canadian currency) voucher redeemable on a future workshop of their choice.

This workshop will run from 8:00 a.m. to 12:00 p.m. The cost of this event is $125 plus HST, which includes admission to the Reptilia Zoo.

During Micro Fauna of the Desert we will cover the fundamentals of working with flash to capture incredible imagery of these fascinating, nocturnal animals. We will also incorporate some creative options for these critters such as white backdrops and mirrors. We will photograph scorpions under ultraviolet lighting – did you know they glow under such illumination! We will photograph  several species of tarantulas as well as two incredibly colourful  lizards – the Tokay Gecko and the Leopard Gecko. Time permitting we may be able to include a Madagascar Day Gecko too!

These various species will be photographed under controlled conditions using natural, table top set-ups, for approximately two hours. Afterwards we will explore the displays in the Reptilia Zoo and have opportunities to photograph many species of venomous snakes through the safety of their glass enclosures. Although the workshop will concluded at 12:00 p.m. participants are permitted to spend the remainder of the day exploring the displays within the Reptilia Zoo.

The recommended gear for this Teaching Moment Photographic Workshop is a macro lens and flash. Ideally a flash bracket to get the flash off camera will work best but is not mandatory. I have devised various options for working with camera mounted flash for macro work. If you do not own a macro lens you could always rent one for the day from either Henry’s or Vistek. Alternately, using a high quality close-up filter on a telephoto lens is another option to make such lenses focus close enough. If you are uncertain whether your lenses will be suitable for this event please do inquire so that I can provide you with the best advice and solution. A tripod will be required to photograph the scorpions under ultraviolet lighting.

To register your self for this Teaching Moment Photographic Workshop please contact me by clicking here. Payment can be made by email transfer or by cheque made payable to Andrew McLachlan.

Cancellation Policy: no refunds 30 days prior to the workshop date.

Hope to see you there 🙂

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A male Green Frog in wetland Nikon D800, Laowa 15mm Macro Lens ISO 400, f16 @ 1/125 sec

A male Green Frog in wetland
Nikon D800, Laowa 15mm Macro Lens
ISO 400, f16 @ 1/125 sec (Handheld – 1.5 DX CROP)

In June 2015 Venus Optics announced the release of their Laowa 15mm f4 1:1 Macro Lens. I discovered this lens a few months ago and became quite intrigued by it’s specifications, most notably the ability to focus down to 4.7mm from the front element of the lens. There is currently no other lens on the market that is capable of doing what this lens can do. It is a master at wide-angle macro imagery. I had a hunch that this lens would be deadly for creating my frog-scape style imagery even though the lens requires 100% manual operation, including focusing and setting of the diaphragm as there is no coupling to the camera meter. I had hoped to include within this review the results of how the lens performs for landscape photography but unfortunately I suffered a very painful flare-up of my chronic lower back problems. As a result my mobility has been severely limited for the last week or so. I will do an update to this review at a later date to give my impressions of the lens’ performance for landscape use.

A handheld Nikon D800 was used for each of the images in this review and were photographed using the full frame sensor or the 1.5 DX crop. Notations within the image captions will indicate FULL FRAME or 1.5 DX CROP.

Each of the featured images in today’s blog post were created in my favorite wetland on Horseshoe Lake in Muskoka near Parry Sound, Ontario, Canada.

Lens Barrel of the Laowa 15mm f4 Macro Lens The inner ring controls focusing The outer ring controls the diaphram

Lens Barrel of the Laowa 15mm f4 Macro Lens
The inner ring controls focusing
The outer ring controls the diaphragm

The Laowa 15mm f4 1:1 Macro Lens is a well built lens of metal construction. The front lens cap, rear lens cap, and lens hood are of plastic construction. Do note I did not use the lens hood for any of the images within this post as the lens hood would have either shadowed the subject or created unpleasant reflections in the foreground water due to focusing so closely on the subjects. The lens will accept 77mm threaded filters and I was quite pleased to see that my Singh-Ray 77mm Warm-Tone Thin Mount Polarizer did not vignette when used. The lens also incorporates a shift mechanism that allows for 6mm of upward or downward shift, but I did not test this feature as I did not photograph any landscapes as of yet. The focusing and diaphragm rings both have smooth and easy operation. One downfall of the lens is that it does have strong barrel distortion, but since I am primarily using the lens for my frog-scape imagery it is of little concern to me – each of the images featured in today’s post have had no distortion correction applied to them. Chromatic aberration is very well controlled and when present is easily corrected. Center sharpness is excellent but corners do get a little soft, which improves when the lens is stopped down and is seldom worrisome at macro distances such as those in the featured imagery.

In the next series of photos I will illustrate how I go about creating my frog-scape imagery while handholding this set-up.

Arms extended outwards to pull the camera strap tight around my neck for added stability. Live View  and Virtual Horizon activated Thumb is positioned on Zoom Button Index and Middle Finger are positioned on the Focusing Ring

Arms extended outwards to pull the camera strap tight around my neck for added stability.
Live View and Virtual Horizon activated
Thumb of left hand is positioned on Zoom Button
Index and Middle Finger of left hand are positioned on the Focusing Ring

 

While in Live View my left thumb will zoom into the scene. I would then place the frog's eyeball within the area of the red square and using my index and middle-finger on my left hand, rotate the focusing ring until sharp focus is achieved.

While in Live View my left thumb will zoom into the scene. I would then place the frog’s eyeball within the area of the red square and using my index and middle-finger on my left hand, rotate the focusing ring until sharp focus is achieved.

 

Left index finger and middle-finger positioned on the focusing ring to adjust focus

Left index finger and middle-finger positioned on the focusing ring to adjust focus

The Laowa 15mm f4 1:1 Macro Lens is a versatile lens that is capable of producing dramatic wildlife imagery when focused closely on the subject matter. There are many pros to this lens such as:

  • low chromatic aberration
  • excellent center sharpness
  • 1:1 Macro capability
  • Focuses down to 4.7mm from the front element of the lens
  • smooth focusing
  • smooth aperture control
  • shift mechanism
  • inexpensive at approximately $499 US

The only downfalls I  noticed were the barrel distortion and soft corners. When focusing in at macro distances and stopping down to f16 I found the corners to be more than acceptable for my frog-scape style images. The barrel distortion while more noticeable in some images than others again is of little concern to me. In nature we do not encounter perfectly straight lines that often, therefore, I find the distortion to be not too big a deal and can sometimes be used to one’s advantage for creative effect. I will likely not be using this lens for architectural work or for ocean sunrises where the barrel distortion would become very problematic.

Here are a few additional images that I created using the Laowa 15mm f4 1:1 Macro Lens.

Bullfrog in Wetland Nikon D800, Laowa 15mm Macro Lens ISO 800, f16 @ 180 sec Handheld FULL FRAME

Bullfrog in Wetland
Nikon D800, Laowa 15mm Macro Lens
ISO 800, f16 @ 180 sec
Handheld
FULL FRAME

 

Bullfrog Nikon D800, Laowa 15mm Macro Lens ISO 400, f16 @ 1/60 sec Handheld 1.5 DX CROP

Bullfrog
Nikon D800, Laowa 15mm Macro Lens
ISO 400, f16 @ 1/60 sec
Handheld
1.5 DX CROP

 

Bullfrog Nikon D800, Laowa 15mm Macro Lens ISO 4000, f16 @ 1/20 sec Handheld FULL FRAME

Bullfrog
Nikon D800, Laowa 15mm Macro Lens
ISO 4000, f16 @ 1/20 sec
Handheld
FULL FRAME

 

Bullfrog Nikon D800, Laowa 15mm Macro Lens ISO 2500, f16 @ 1/80 sec Handheld FULL FRAME

Bullfrog
Nikon D800, Laowa 15mm Macro Lens
ISO 2500, f16 @ 1/80 sec
Handheld
FULL FRAME

 

Bullfrog Nikon D800, Laowa 15 mm Macro Lens ISO 400, f16 @ 1/125 sec Handheld FULL FRAME

Bullfrog
Nikon D800, Laowa 15 mm Macro Lens
ISO 400, f16 @ 1/125 sec
Handheld
FULL FRAME

 

Bullfrog Nikon D800, Laowa 15mm Macro Lens ISO 400, f16 1/80 sec Handheld 1.5 DX CROP

Bullfrog
Nikon D800, Laowa 15mm Macro Lens
ISO 400, f16 1/80 sec
Handheld
1.5 DX CROP

 

Bullfrog Nikon D800, Laowa 15mm Marco Lens ISO 5000, f16 @ 1/25 sec Handheld FULL FRAME

Bullfrog
Nikon D800, Laowa 15mm Marco Lens
ISO 5000, f16 @ 1/25 sec
Handheld
FULL FRAME

 

Bullfrog Nikon D800, Laowa 15mm Macro Lens ISO 500, f16 @ 1/160 sec Handheld FULL FRAME

Bullfrog
Nikon D800, Laowa 15mm Macro Lens
ISO 500, f16 @ 1/160 sec
Handheld
FULL FRAME

 

Bullfrog Nikon D800, Laowa 15mm Macro Lens ISO 800, f16 @ 180 sec Handheld FULL FRAME

Bullfrog
Nikon D800, Laowa 15mm Macro Lens
ISO 800, f16 @ 180 sec
Handheld
FULL FRAME

 

Bullfrog Nikon D800, Laowa 15mm macro Lens ISO 4000, f16 @ 1/25 sec Handheld FULL FRAME

Bullfrog
Nikon D800, Laowa 15mm macro Lens
ISO 4000, f16 @ 1/25 sec
Handheld
FULL FRAME

And one B-Roll image from the wetland. A very co-operative Northern Watersnake that was found sunning itself on a log within the wetland. The front element of the lens is roughly one inch away from the snake’s head in the photo below. This extreme close focusing capability of the Laowa 15mm f4 1:1 Macro Lens makes it my new go to, never leave home without it lens. It is quite simply to versatile and deadly for creating up-close and personal photos of wildlife subjects within their habitat. Spending my hard-earned money on this amazing lens was a good investment!

Please do remember to click on each of the images to view the sharper, larger versions.

Northern Watersnake Nikon D800, Laowa 15mm Macro Lens ISO 800, f16 @ 1/160 sec Handheld FULL FRAME

Northern Watersnake
Nikon D800, Laowa 15mm Macro Lens
ISO 800, f16 @ 1/160 sec
Handheld
FULL FRAME

 

 

 

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Cuban Treefrog, Cayman Brac, Cayman Islands

Cuban Treefrog (adult), Cayman Brac, Cayman Islands

For those folks who missed the quiz please read the early blog post here. So what lens did I use? Edith Levy was closest with her answer of the 70-200mm lens. I actually used my Nikon 80-400mm VR lens to created all of my Cuban Treefrog photos that were created on the island of Cayman Brac in the Cayman Islands. Do note that this is the earlier version of the Nikon 80-400mm VR lens (yes the lens that folks like to trash in their on-line reviews). This lens has a minimum focusing distance of roughly 7 feet, so how was I able to create close-up images of adult and juvenile Cuban Treefrogs? To find out how please follow this link to my most recent article in  the Creative Photography e-mini Magazine, which is published and available for free each month by friend, colleague, and highly talented Denise Ippolito. I have learned a ton of creative stuff from Denise, and you can too by simply following along on her blog and the articles that are feature in the eMini Magazine every month by many creative and talented folks.

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There always seems to be a lull in subjects to photograph in the time between autumn and winter…..or is there? I personally love this time of the year. This is when I await the frosty mornings, grab my macro lens and go photograph pre-winter details. Often there is very little colour remaining, but I love looking for patterns in the monochromatic leaves, that lay on the ground, coated in frost crystals. In my opinion, this time of year just can’t be beat for photographic opportunities. Hope you enjoy this selection of images.

Okay, this last one, below, isn’t monochromatic, but I love the ice crystals on the green aspen leaf.

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