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Posts Tagged ‘landscape photography’

 

Andrew_McLachlan_Ontario_Landscape_Cover

I am pleased to announce that this evening I will be presenting my “A Photographer’s Guide to the Ontario Landscape” program for the Etobicoke Camera Club at the Humber Valley United Church ( 76 Anglesey Blvd. Etobicoke, Ontario) at 7:00 p.m. This is the presentation format of my popular eBook “A Photographer’s Guide to the Ontario Landscape” – the only extensive resource available for photographers on landscape photography in Ontario.

Also, a reminder to folks about the upcoming Frogs of the World Photographic Workshop on Saturday November 26th at 8:30 a.m. There are still a few spaces available for this one-of-a-kind workshop that will provide the opportunity to photograph some very interesting frogs from all around the world. Folks that are interested should contact me at info@andrewmclachlan.ca for further info.

frogs-of-the-world_november-26th

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Autumn color at Hatchery Falls, Muskoka, Ontario, Canada Nikon D800, Laowa 15mm Macro Lens ISO 100, f16 @ 0.8 sec. Singh Ray Thin Mount Warm-Tone Polarizing Filter

Autumn color at Hatchery Falls, Muskoka, Ontario, Canada
Nikon D800, Laowa 15mm Macro Lens
ISO 100, f16 @ 0.8 sec.
Singh Ray Thin Mount Warm-Tone Polarizing Filter

Now that the leaves have fallen from the trees I have found time to process some of this year’s newly created autumn scenes. I took the time to photograph a few typical fall color scenes with the brilliant reds and oranges of the sugar maple trees and the surrounding landscape as seen above and below, but mostly I noticed I focused on different elements of the season.

Georgian Bay near Parry Sound, Ontario, Canada Nikon D800, Nikon 24-85mm VR Lens @ 85mm ISO 100, f16 @ 1/10 sec Nikon Neutral Polarizing Filter

Georgian Bay near Parry Sound, Ontario, Canada
Nikon D800, Nikon 24-85mm VR Lens @ 85mm
ISO 100, f16 @ 1/10 sec
Nikon Neutral Polarizing Filter

 

Georgian Bay, North Shore Rugged Hiking Trail in Parry Sound, Ontario, Canada Nikon D800, Nikon 18-35mm lens " 18mm ISO 50, f16 @ 1/5 sec. Nikon Neutral POlarizing Filter Sing Ray 2-stop Graduated Neutral Density Filter

Georgian Bay, North Shore Rugged Hiking Trail in Parry Sound, Ontario, Canada
Nikon D800, Nikon 18-35mm lens @ 18mm
ISO 50, f16 @ 1/5 sec.
Nikon Neutral Polarizing Filter
Singh Ray 2-stop Graduated Neutral Density Filter

 

Oxtongue River, Dwight, Ontario, Canada Nikon D800, Nikon 18-35mm lens @ 18mm ISO 100, f16 @ 1/5 sec Nikon Neutral Polarizing Filter

Oxtongue River, Dwight, Ontario, Canada
Nikon D800, Nikon 18-35mm lens @ 18mm
ISO 100, f16 @ 1/5 sec
Nikon Neutral Polarizing Filter

As I began editing the new image files I noticed that many of the photos had a more intimate view of the season. The cinnamon tones of dying ferns, autumn colors reflecting in flowing rivers, and impressionistic-style blurs of a grander scene reflecting in quiet ponds. Below are a few of these intimate autumn scenes that were newly created this year during several excursions into the autumn woodlands. The autumn fern scene was created on a particularly blustery day that required me to dial in an ISO of 800 and wait for a bit of a lull in the persistent breeze. After a lengthy wait I was rewarded with a moment of stillness.

Interrupted Ferns, Torrance Barrens, Ontario, Canada Nikon D800, Nikon 18-35mm lens @ 18mm ISO 800, f8 @ 1/20 sec.

Interrupted Ferns, Torrance Barrens, Ontario, Canada
Nikon D800, Nikon 18-35mm lens @ 18mm
ISO 800, f8 @ 1/20 sec.

One afternoon I decided to park beside a small quiet pond to have my lunch when I noticed the interplay of reflected sugar maple trees and paper birch trunks on the surface of the pond. Using my Nikon 200-500mm lens I zoomed in on various sections of the reflection to create several impressionistic blurs of the scene.

Autumn Reflections, Muskoka, Ontario, Canada Nikon D800, Nikon 200-500mm lens @ 500mm ISO 100, f16 @ 0.3 sec.

Autumn Reflections, Muskoka, Ontario, Canada
Nikon D800, Nikon 200-500mm lens @ 500mm
ISO 100, f16 @ 0.3 sec.

On another afternoon I found myself at McCutcheon’s Falls on the Black River in the village of Vankoughnet. After creating a few various compositions of the waterfall and surrounding autumn color I became drawn to a small section of the river where a sunlit sugar maple tree was reflecting off the river’s surface. Once again using my Nikon 200-500mm lens I zoomed the lens out to this section of the river to create this intimate view of the flowing water with stunning, blazing color as it reflected on the water.

Autumn Reflections, Muskoka, Ontario, Canada Nikon D800, Nikon 200-500mm lens @ 450mm ISO 100, 16 @ 0.3 sec.

Autumn Reflections, Muskoka, Ontario, Canada
Nikon D800, Nikon 200-500mm lens @ 450mm
ISO 100, 16 @ 0.3 sec.

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Hattie Cove on Lake Superior in Pukaskwa National Park Sleeklens Light Rays Overlay Applied for Creative Effect

Hattie Cove on Lake Superior in Ontario’s Pukaskwa National Park
Sleeklens Light Rays Overlay Applied for Creative Effect

 

Recently I was given the opportunity to try some overlays by Sleeklens on my landscape imagery. I was drawn to the Light Leaks and Light Rays overlays for their effectiveness in regards to enhancing the sun for a “natural” creative look. When the right image is chosen to apply one of these overlays the result can be pleasing and not over-the-top in terms of it’s creative effect.

In the fisheye scene above of Hattie Cove on Lake Superior in Ontario’s Pukaskwa National Park I composed the early morning scene to catch a sunburst effect with the fisheye lens. By applying a Light Rays overlay I was able to give the sunburst a more pronounced and dramatic appearance within the scene. Converting the image to black & white was not my initial intention but I felt it brought the image together for a natural look.

In the below photograph of a misty morning on Horseshoe Lake near Parry Sound, Ontario I chose to apply the same Light Rays overlay that was used in the Hattie Cove image above. Once the overlay is brought into Photoshop I can easily maneuver the rays around using the Move Tool or the Transform Tool. Since the overlay is on its own layer the Opacity of that layer can be adjusted to taste easily as well. Here I chose to reduce the opacity significantly so that the rays of light were just becoming visible through the misty conditions of the morning.

Misty Morning Sunrise on Horseshoe Lake. Parry SOund, Ontario Sleeklens Light Rays Overlay Applied for Creative Effect

Misty Morning Sunrise on Horseshoe Lake. Parry Sound, Ontario
Sleeklens Light Rays Overlay Applied for Creative Effect

Below is a photo created along the Georgian Bay Rugged Hiking Trail in the town of Parry Sound, Ontario with a Light Leaks overlay applied. This image would express the most creative use I applied, but I do like the added interest it gives to this mid-day scene. To created the desaturated look to this image I originally was creating a B&W conversion in Nik’s Silver Effects 2 but later decided to reduce the opacity of the Silver Effects to bring back a touch of colour to the image.

Georgian Bay Rugger Hiking Trail. Parry Sound, Ontario Sleeklens Light Leaks Overlay Applied for Creative Effect

Georgian Bay Rugged Hiking Trail. Parry Sound, Ontario
Sleeklens Light Leaks Overlay Applied for Creative Effect

While these Light Rays and Light Leaks overlays may not be everybody’s cup of tea, they do work for me when applied to the right situation. I often create artistic renderings of many of my landscape and wildlife imagery and the Sleeklens overlays now give me another option in my toolkit to utilize along the creative pathway. If you also like to explore the artistic / creative rendering side of your imagery, then you may also find the Sleeklens Photoshop Overlays to be a useful tool and rewarding option too.

 

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Marie Louise Lake at Daybreak Nikon D800, Nikon 18-35mm Lens ISO 100, f8 @ 1/8 sec. Photo Captured at 7:33 a.m.

Marie Louise Lake at Daybreak, Sleeping Giant Provincial Park
Nikon D800, Nikon 18-35mm Lens @ 18mm
ISO 100, f8 @ 1/8 sec.
Photo created at 7:33 a.m.

On the morning of September 14th, while on my recently concluded trip along the north shore of Lake Superior, I awoke in Sleeping Giant Provincial Park on the Sibley Peninsula, near Thunder Bay, Ontario. I was staying at the Marie Louise Lake Campground within the park, which provides an excellent view of the “sleeping giant.” Ojibway legend describes the “giant” as Nanabijou, the spirit of deep water that turned to stone when the secret location of a silver mine in Silver Islet was revealed to white men. I had set my alarm to be up well before sunrise as I had hope for some early morning imagery before packing up and heading to my next destination on the north shore. When I arose the sky appeared very cloudy and I was facing a westerly direction so I decided to start packing and make an early getaway. As I was packing I turned and noticed a faint glow on the Marie Louise Lake. The sun had found a clearing in the clouds as it was rising and was starting to illuminate the clouds in the west quite nicely. I grabbed my gear and made my way down to the shoreline of the lake.

The images in this blog post were created within 13 minutes of each other, with the last image being created as most of the color had faded from the scene. The best lighting on this scene really only lasted for 9 minutes and the changes of the light’s intensity can be seen in each of the images as the minutes roll by. Please note the time that each image was created in the captions for each image. Splendid moments like this are fleeting, but when witnessed leave a lasting impression. Being in the right place at the right time and being prepared allowed me to capture this amazing display that Mother Nature revealed on this morning.

This scene also reminded me of one of my most favorite quotes by photographer Ansel Adams – “Sometimes I do get to places just when God’s ready to have somebody click the shutter.

Please do remember to click on each of the images to see the larger sharper version and please take a moment to let me know which is your most favorite of these daybreak scenes on Marie Louise Lake.

Marie Louise Lake at Daybreak Sleeping Giant Provincial Park Nikon D800, Nikon 18-35mm Lens @ 35mm ISO 100, f8 @ 1/5 sec. Photo created at 7:36 a.m.

Marie Louise Lake at Daybreak, Sleeping Giant Provincial Park
Nikon D800, Nikon 18-35mm Lens @ 35mm
ISO 100, f8 @ 1/5 sec.
Photo created at 7:36 a.m.

 

Marie Louise Lake at Daybreak, Sleeping Giant Provincial Park Nikon D800, Nikon 18-35mm Lens @ 26mm ISO 100, f8 @ 1/8 sec Photo created at 7:38 a.m.

Marie Louise Lake at Daybreak, Sleeping Giant Provincial Park
Nikon D800, Nikon 18-35mm Lens @ 26mm
ISO 100, f8 @ 1/8 sec
Photo created at 7:38 a.m.

 

Marie Louise Lake at Daybreak, Sleeping Giant Provincial Park Nikon D800, Nikon 18-35mm Lens @ 35mm ISO 100, f16 @ 0.3 sec. Photo created at 7.42 a.m.

Marie Louise Lake at Daybreak, Sleeping Giant Provincial Park
Nikon D800, Nikon 18-35mm Lens @ 35mm
ISO 100, f16 @ 0.3 sec.
Photo created at 7.42 a.m.

 

Marie Louise Lake at Daybreak, Sleeping Giant Provincial Park Nikon D800, Nikon 18-35mm Lens @ 18mm ISO 100, f16 @ 1/4 sec Photo created at 7:46 a.m.

Marie Louise Lake at Daybreak, Sleeping Giant Provincial Park
Nikon D800, Nikon 18-35mm Lens @ 18mm
ISO 100, f16 @ 1/4 sec
Photo created at 7:46 a.m.

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Nikon D800, Nikon 18-35mm @ 35 mm, ISO 100, f16 @ 2.5 seconds, Singh - Ray 3 - stop Reverse Graduated Neutral Density Filter

One of my most favorite trails for landscape photography is the Georgian Bay Rugged Hiking Trail located in the town of Parry Sound, Ontario. The trail head can be found at the salt docks. This is a 5km linear trail that offers stunning scenery with each step forward along the rugged granite coastline. I am currently up on Horseshoe Lake and am planning another hike along the trail this week. The image featured in today’s post was created three weeks ago. The hike was rather difficult as I made my way out to this spot very carefully during a severe flare up of lower back pain – no pain no gain they say :)  All I took with me for the hike to ensure the lightest load possible was my tripod, camera body, one lens, and my trusty, never leave home without it, Singh-Ray 3-stop Reverse Graduated Neutral Density Filter. Now that my back pain has subsided I am good as new and ready for a longer hike along the trail.

Please do click on the image to see the larger sharper version.

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Sunrise on Horseshoe Lake Nikon D800, Nikon 24-85mm VR Lens @ 34mm ISO 400, f16 @ 1/200 sec Handheld

Sunrise on Horseshoe Lake, Parry Sound, Ontario, Canada
Nikon D800, Nikon 24-85mm VR Lens @ 34mm
ISO 400, f16 @ 1/200 sec
Handheld from canoe

I spent last week up at the family cottage on Horseshoe Lake near Parry Sound, Ontario. On the morning of July 17th we were treated to a rather refreshing break from the heatwave we have been enduring with a morning temperature of 10 degrees Celsius. This drop in temperature created the perfect conditions for autumn-like mist to blanket the entire lake. Seeing these conditions I abandoned my plans of heading off in search of a cow Moose and her calf that I had seen the day before in favor of a paddle on the lake. The mist was so thick at times I could barely see the tip of the canoe as I paddled across the lake to a couple of small islands that the sun would soon be rising behind. This was a very special morning whereby the heavy mist conditions persisted for roughly three hours past sunrise, before the sun had rose high enough in the sky to burn off the mist. Best of all I had the entire lake to myself. It was such a tranquil morning to be out on the water enjoying the beauty of the moment and listening to the sounds of nature with no motor boats to rudely disturb the moment.

Each of these images were created handheld while seated in my canoe with various lenses (see captions for details).

Please remember to click on each image to view the larger, sharper version.

Sunrise on Horseshoe Lake, Parry Sound, Ontario Nikon D800, Nikon 24-85mm VR Lens @ 24mm ISO 100, f16 @ 1/160 sec Handheld from canoe

Sunrise on Horseshoe Lake, Parry Sound, Ontario, Canada
Nikon D800, Nikon 24-85mm VR Lens @ 24mm
ISO 100, f16 @ 1/160 sec
Handheld from canoe

 

Sunrise on Horseshoe Lake, Parry Sound, Ontario Nikon D800, Nikon 24-85mm VR Lens @ 62mm ISO 200, f16 @ 1/160 sec Handheld from canoe

Sunrise on Horseshoe Lake, Parry Sound, Ontario, Canada
Nikon D800, Nikon 24-85mm VR Lens @ 62mm
ISO 200, f16 @ 1/160 sec
Handheld from canoe

 

Misty sunrise over forest, Parry Sound, Ontario Nikon D800, Nikon 200-500mm VR Lens @ 500mm ISO 400, f16 @ 1/250 sec Handheld from canoe

Misty sunrise over forest, Parry Sound, Ontario, Canada
Nikon D800, Nikon 200-500mm VR Lens @ 500mm
ISO 400, f16 @ 1/250 sec
Handheld from canoe

 

Sunrise on Horseshoe Lake, Parry Sound, Ontario Nikon D800, Nikon 24-85mm VR Lens @ 24mm ISO 200, f16 @ 1/160 sec Handheld from canoe

Sunrise on Horseshoe Lake, Parry Sound, Ontario, Canada
Nikon D800, Nikon 24-85mm VR Lens @ 24mm
ISO 200, f16 @ 1/160 sec
Handheld from canoe

 

Sunrise and Island on Horseshoe Lake, Parry Sound, Ontario Nikon D800, Nikon 18-35mm Lens @ 18mm ISO 100, f16 @ 1/60 sec Handheld from canoe

Sunrise on Horseshoe Lake, Parry Sound, Ontario, Canada
Nikon D800, Nikon 18-35mm Lens @ 18mm
ISO 100, f16 @ 1/60 sec
Handheld from canoe

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Halfway Log Dump, Bruce Peninsula National Park Nikon D800, Nikon 18-35mm lens ISO 50, f16 @ 3 seconds Singh-Ray 3-Stop Reverse Graduated Neutral Density Filter

Halfway Log Dump, Bruce Peninsula National Park
Nikon D800, Nikon 18-35mm lens
ISO 50, f16 @ 3 seconds
Singh-Ray 3-Stop Reverse Graduated Neutral Density Filter

It has been roughly 10 years since my last trip to Ontario’s stunning Bruce Peninsula National Park. Last week I made a much needed return trip to to the park and spent several days exploring familiar locations within the park as well as discovering some new sections too. From the endless cobblestone beach at Halfway Log Dump, to the iconic view of Georgian Bay from atop Halfway Rock Point, to sunsets in the town of Tobermory, to finding new perspectives from which to photograph the extremely popular Indian Head Cove, this post highlights some initial edits of my favorite images from the trip. As you read the captions you will notice that I opted to use my Singh-Ray 3-Stop Reverse Graduated Neutral Density Filter for the sunrise and sunset images. I never leave home with this filter as it is the one piece of gear I consider critical to creating my sunrise and sunset imagery. You will also notice that I chose to use long shutter speeds for the sunrise and sunset scenes as this will cause the water to blur to a smooth, glass-like surface that will not distract the viewer or compete for attention within the image.

A few of the images within this post were created with the Sigma 12-24mm Lens, which I rented specifically for use during this trip. The stunning shoreline along Georgian Bay within the park begs for extreme wide-angle lenses to be used. I will do a review of the Sigma 12-24mm lens at a later date as time permits.

Please do click on the images to view the larger, sharper versions.

Halfway Log Dump, Bruce Peninsula National Park Nikon D800, Nikon 18-35mm lens ISO 100, f16 @ 1/6 sec Nikon Polarizing Filter

Halfway Log Dump, Bruce Peninsula National Park
Nikon D800, Nikon 18-35mm lens
ISO 100, f16 @ 1/6 sec
Nikon Polarizing Filter

 

Sunrise on Georgian Bay, Bruce Peninsula National Park Nikon D800, Nikon 18-35mm lens ISO 100, f16 @ 1.6 seconds Singh-Ray 3-Stop Reverse Graduated Neutral Density Filter

Sunrise on Georgian Bay, Bruce Peninsula National Park
Nikon D800, Nikon 18-35mm lens
ISO 100, f16 @ 1.6 seconds
Singh-Ray 3-Stop Reverse Graduated Neutral Density Filter

 

Halfway Rock Point, Bruce Peninsula National Park Nikon D800, Sigma 12-24mm lens ISO 100, f16 @ 1/5 sec

Halfway Rock Point, Bruce Peninsula National Park
Nikon D800, Sigma 12-24mm lens
ISO 100, f16 @ 1/5 sec

 

Halfway Rock Point, Bruce Peninsula National Park Nikon D800, Sigma 12-24mm lens

Halfway Rock Point, Bruce Peninsula National Park
Nikon D800, Sigma 12-24mm lens

 

Sunset on Georgian Bay, Tobermory, Ontario Nikon D800, Nikon 18-35mm lens ISO 100, f16 @ 8 seconds Singh-Ray 3-Stop Reverse Graduated Neutral Density Filter

Sunset on Georgian Bay, Tobermory, Ontario
Nikon D800, Nikon 18-35mm lens
ISO 100, f16 @ 8 seconds
Singh-Ray 3-Stop Reverse Graduated Neutral Density Filter

 

Indian Head Cove, Bruce Peninsula National Park Nikon D800, Nikon 18-35mm Lens ISO 100, f16 @ 1/8 sec.

Intimate View of Indian Head Cove, Bruce Peninsula National Park
Nikon D800, Nikon 18-35mm Lens
ISO 100, f16 @ 1/8 sec.

 

Indian Head Cove, Bruce Peninsula National Park Nikon D800, Nikon 18-35mm Lens ISO 100, f22 @ 0.4 sec. Nikon Polarizing Filter

Indian Head Cove, Bruce Peninsula National Park
Nikon D800, Nikon 18-35mm Lens
ISO 100, f22 @ 0.4 sec.
Nikon Polarizing Filter

 

Indian Head Cove details, Bruce Peninsula National Park Nikon D800, Nikon 18-35mm Lens ISO 100, f16 @ 1/8 sec.

Indian Head Cove details, Bruce Peninsula National Park
Nikon D800, Nikon 18-35mm Lens
ISO 100, f16 @ 1/8 sec.

 

Sunset on Georgian Bay, Tobermory, Ontario Nikon D800, Nikon 18-35mm Lens ISO 100, f16 @ 8 seconds. Singh-Ray 3-Stop Reverse Graduated Neutral Density Filter In-Camera HDR

Sunset on Georgian Bay, Tobermory, Ontario
Nikon D800, Nikon 18-35mm Lens
ISO 100, f16 @ 8 seconds.
Singh-Ray 3-Stop Reverse Graduated Neutral Density Filter
This image utilized In-Camera HDR feature on the Nikon D800

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