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Posts Tagged ‘landscape photography’

Halfway Log Dump
Bruce Peninsula National Park, Ontario

In May of 2016, I made a three day visit to Ontario’s Bruce Peninsula National Park. Today I revisited the folder of images from that trip to optimize several of the photographs that were tucked away due to my backlog in editing the files. Bruce Peninsula National Park can be found at the tip of the Bruce Peninsula near Tobermory, Ontario. It is also on the Niagara Escarpment – an UNESCO World Biosphere site. One section of the park lies on Lake Huron while the remainder of the park is facing beautiful Georgian Bay. Georgian Bay provides landscape photographs with a plethora of stunning vistas with ragged cliffs, cobblestone beaches, and unlimited shoreline details to photograph. A short distance out into Georgian Bay lies the Fathom Five National Marine Park, which is home to the famous Flower Pot Island. If you are a landscape photographer the Bruce Peninsula needs to be one of your bucket list items.

Halfway Log Dump
Bruce Peninsula National Park, Ontario

 

Indian Head Cove
Bruce Peninsula National Park, Ontario

 

Indian Head Cove
Bruce Peninsula National Park, Ontario

 

Flower Pot Island
Fathom Five National Marine Park, Ontario

 

The Grotto
Bruce Peninsula National Park, Ontario

 

Flower Pot Island
Fathom Five National Marine Park, Ontario

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Brown Booby in flight, Cayman Brac
Nikon D500, Nikon 28-300mm VR Lens @ 90mm
ISO 500, f6.3 @ 1/5000 sec.

Originally released in August of 2010 the Nikon 28-300mm VR lens has to be one the most versatile lenses available. Often you can find this lens in the used gear department for approximately $700 CDN. Like most folks, before I purchased this lens for my own gear bag I read several on-line reviews. I did not believe that the lens could really be as bad as folks were leading on. Here is a selection of some items that I noted during my internet readings:

  • softness in the center, sharpening up out towards the corners, and the some more corner softness
  • stopped-down results are downright blurry at the telephoto end of 300mm @ ƒ/36)
  • the 28-300 isn’t a really sharp lens and the corners are mush
  • zoom range exhibited shockingly poor off-axis image quality
  • is not a pro level lens nor one I’d use for critical shoots
  • I’m assuming this lens was defective as I couldn’t get a sharp picture no matter how hard I tried

I determined that in order to find out for myself I would need to add this lens to my gear bag. Right before I boarded the plane for my Cayman Brac Photo Tour in February I did just that. It is now one of my most favorite lenses. The lens does have one annoying habit, or at least my copy does. When the lens is pointed downward the zoom creep is very evident. Nonetheless, my honest opinion is that this lens does produce stellar results when good technique and creative vision is applied. Often I can be found in-the-field with my 28-300mm lens attached to one of my Nikons ready to capture those fleeting moments where changing lenses is not an option. The 28-300mm range is perfect for such circumstances.

I have never been one to trust the so-called internet experts. I much prefer to take gear out into the field and put it to the test. A real world review illustrating the quality of the lens with photographic examples.

Having the ability to zoom from 28mm to 300mm is a definite plus. On Cayman Brac I was able to photograph nesting Brown Boobies at close range and then quickly zoom out to 300mm to capture Brown Boobies in flight as they approached the cliff edge on their return to their nests.

Brown Booby pair at the nest, Cayman Brac
Nikon D500, Nikon 28-300mm VR Lens @ 55mm
ISO 800, f8 @ 1/400 sec.

I also find the lens to be a powerful tool for my landscape work as illustrated in the below image of a winter wheat field at sunset near my rural home in Thornton, Ontario. A Singh Ray 3-stop reverse Graduated Neutral Density Filter was also used in the capture of the sunset scene below.

Winter Wheat at Sunset, Thornton, Ontario
Nikon D800, Nikon 28-300mm VR Lens @ 82mm
ISO 100, f16 @ 3 seconds.

Having a minimum focusing distance of a mere 1.6 feet throughout the entire zoom range is also a huge bonus to my frog photography. In the past I would have to switch lenses to create my signature frog-scapes and close-up portraits. With the Nikon 28-300 I can simply zoom the lens from wide to telephoto and create both scenarios in mere seconds, as illustrated in the two Bullfrog images below.

Bullfrog, Horseshoe Lake, Parry Sound, Ontario
Nikon D500, Nikon 28-300mm VR Lens @ 48mm
ISO 500, f8 @ 1/800 sec.

 

Bullfrog, Horseshoe Lake, Parry Sound, Ontario
Nikon D500, Nikon 28-300mm VR Lens @ 300mm
ISO 500, f8 @ 1/640 sec.

While photographing Wood Ducks in Toronto, Ontario I am also able to create stunning portraits and close-up feather details due to the short, minimum focusing distance. While I was photographing feather details of a Wood Duck hen that had chose to sit beside me on a particular outing I had noticed that a lovely drake Wood Duck had also come into close proximity allowing me to zoom out and create a tight head shot of him. The versatility of the Nikon 28-300mm lens allowed me the opportunity to create both these images without the need to switch lenses , which would likely had caused one of the two birds, or both, to move further away.

Drake Wood Duck, Toronto, Ontario
Nikon D500, Nikon 28-300mm VR Lens @ 300mm
ISO 2000, f5.6 @ 1/250 sec.

 

Hen Wood Duck Feather Details, Toronto, Ontario
Nikon D500, Nikon 28-300mm VR Lens @ 300mm
ISO 1000, f11 @ 1/80 sec.

While walking along the shoreline of the Caribbean Ocean in Cayman Brac I came upon a dead crab. The shell of the dea crab was beautifully colored with interesting details too. To create the below macro shot of the crab shell details I used my Canon 500D Close-up Filter on the Nikon 28-300mm lens and stopped down to f22. There is some minor softness in the extreme corners of the image but this is due to the curvature of the shell. Ideally I should have used the focus stacking method to gain perfect sharpness in the corners.

Crab Shell Details, Cayman Brac
Nikon D500, Nikon 28-300mm VR Lens @ 300mm
Canon 500D Close-up Filter
ISO 100, f22 @ 1/40 sec.

For those of us longing for some cooler temperatures in this heat wave, I have included a winter river detail image from my Muskoka Winter Waterfall Spectacular Workshop this past January 🙂

Winter River Details, Muskoka, Ontario
Nikon D800, Nikon 28-300mm VR Lens @ 300mm
ISO 100, f16 @ 1.6 sec.

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Manfrotto Pro Light Redbee-210 Camera Backpack

For the last few months I have been using a new camera backpack for my nature excursions as well as my commercial photography assignments. Enter the Manfrotto Pro Light Redbee-210 Camera Backpack. When I head out on a commercial shoot or into the wilderness it is of the utmost importance to me to have two camera bodies and a wide assortment of lenses on hand and ready at a moments notice. The Manfrotto Pro Light Redbee-210 camera backpack allows me to do just that.

I do not normally carry a laptop or tablet with me on single day commercial assignments, but the Redbee-210’s back panel is designed to accommodate both for extended assignment work whereby I would need to carry such devices.  Not only have I found the Redbee-210 to be very versatile but it also provides me with the peace of mind that my gear is protected during periods of inclement weather due to the water repellent nature of the specially coated fabric and included rain protector. The flexible dividers to separate and protect the gear are easily changeable to suit the needs of any assignment. The Redbee-210 is also designed to be compliant with standard carry-on luggage requirements (as airline restrictions change this may also change).

I am able to easily pack the following gear for a typical nature excursion inside the bag:

  • Nikon D800
  • Nikon D500
  • Nikkor 200-500mm Lens (attached to the Nikon D500)
  • Nikkor 18-35mm Lens
  • Nikkor 28-300mm Lens
  • Nikkor 105mm Micro Lens
  • Laowa 12mm Zero D Lens
  • Filters, memory cards, cable release, camera batteries are stored inside the customized back panel

The main access to the gear bag is accomplished by unzipping the back panel, which in my honest opinion is a design I wish had been thought of sooner. I cannot recall how many I have had to set my bags down in wet, mucky soils. With this new design the back panel stays relatively clean and dry so that it is comfortable to put on again after setting it down. After unzipping the main back panel you will then see that your camera gear is protected by a second zippered mesh system. This is a very nice feature that I have found helps to protect gear from debris during blustery conditions.

Redbee-210 Showing Back Panel Opened and Zippered Mesh System

 

Redbee-210 Showing Both Back Panel and Zippered Mesh System Opened

The shoulder straps are large and well padded for superior comfort and offer a sternum strap which I find invaluable on long hikes for the added comfort it provides. There is also a waist strap that is wide enough to be comfortable.

Redbee-210 Shoulder Straps

When the need to access gear must be swift there are also three external openings that will allow you to grab your your camera and lens combo very quickly. I have optimized my Redbee-210 to allow me to grab my Nikon D500 with the attached Nikkor 200-500mm lens through the top access opening. When one of those fleeting moments in nature occur I can simply unzip the top opening and pull out the camera and lens combo and am ready for the action.

Redbee-210 Top Opening Zipped Shut

 

Redbee-210 Top Opening Unzipped

The other two quick access openings are located on each side of the bag, near the bottom. Depending on how you customize the interior of your pack it is possible to have two camera bodies with lenses attached and positioned at a quick access opening giving you speedy access to two separate cameras when the need may arise.

Redbee-210 Quick Access Side Opening

The side, quick access opening have both zipperes and quick connect snaps for added security. All zippers on the Redbee-210 also have a pull tab which makes closing the zippers very quick and efficient.

Redbee-210 Zipper Tab and Quick Connect Safety Clip

In my honest opinion the Manfrotto Pro Light Redbee-210 Camera Backpack is a prime example of quality, durability and efficiency being well thought out and implemented during the design phase of this pack. I am able to carry my gear in total comfort down remote wilderness trails knowing that I am ready for anything at the spur of the moment.

 

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Tiny Marsh Provincial Wildlife Area, Ontario

I was pleased to sign-up two more participants for the Lake Superior Wild & Scenic Photography Retreat this morning. There are now only 4 spots remaining for this event. Folks that are sitting on the fence should act soon before they miss out on this amazing event being held in Ontario’s most scenic location!

On Sunday April 22nd during Tiny Marsh Teaching Moment Photographic Workshop we were blessed with gorgeous spring weather. Unfortunately we did have clear blue skies which are not ideal for sunrise but we were able to work with the conditions and create some lovely daybreak images nonetheless. receding ice on the wetland also provided us with some lovely foreground elements, as seen below. The stillness in the air also allowed for beautiful reflection imagery as seen in the cattail reflection image below and the shoreline forest reflection image also. In the coming weeks I will be announcing a second Tiny Marsh Teaching Moment Photographic Workshop. Folks that are interested in being contacted for this event should contact me here.

 

Tiny Marsh Provincial Wildlife Area, Ontario

 

Tiny Marsh Provincial Wildlife Area, Ontario

 

Tiny Marsh Provincial Wildlife Area, Ontario

 

Tiny Marsh Provincial Wildlife Area, Ontario

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We have two new dates for the Frogs of the World Photographic Workshops (with an optional add-on Photoshop session from 3:00 p.m. to 5:00 p.m.) that will be held at the Crinan Community Centre near London, Ontario. The dates are as follows:

Saturday, May 26, 2018 10:00a.m. – 3:00 p.m. (Optional Add-on Photoshop Session 3:00 p.m. to 5:00 p.m.)

Sunday May 27, 2018 10:00 a.m. – 3:00 p.m. (Optional Add-on Photoshop Session 3:00 p.m. to 5:00 p.m.)

The space for each workshop is limited to a maximum of 8 participants to allow ample time for folks to photograph each species of frog.

These are the only workshops available whereby you will be able to capture stunning imagery of 15 – 20 different species of frogs from all over the world. We will be photographing numerous varieties of dart frogs endemic to the Amazon rainforest, several tree frogs of Costa Rica and South America, as well as the bizarre Leaf Frog of the Malaysian jungle. It would cost tens of thousands of dollars to explore the jungles of the world on your own in hopes of photographing a mere fraction of these species. These workshops, in partnership with Understory Enterprises, will bring you an incredible opportunity to photograph these 15 – 20 species of frogs in a comfortable atmosphere with natural studio set-ups. The recommended gear for photographing these tiny frogs is a macro lens and off camera flash. Alternately, using high quality close-up filters such as the Canon 500D filters will allow many lenses such as the Nikon 80-400mm or Canon 100-400mm to focus close enough for these small subjects. Please contact me here if you have any equipment inquiries when registering for this workshop. I also have custom made flash diffusers that will allow folks to capture stunning imagery using camera mounted flash as well.

New to these two workshops will be an optional 2 hour add-on Photoshop session for folks that wish to see learn how I edit and optimize my frog photography. I will also be on hand to guide each participant through optimizing a couple of their own images from the day.

Coffee, tea and snacks will be provided during the workshop.

To register for this workshop folks may contact me by clicking here for availability and for making arrangement for payments, which are accepted by email transfer or by cheque made payable to Andrew McLachlan.

The cost of the workshop is $195 plus taxes. Folks that wish to sign-up for the 2 hour add-on Photoshop session please add $65 plus taxes.

Please specify when registering for these workshops if you wish to sign-up for the Photoshop session afterwards.

Cancellation Policy

Full refund, less a $25 administration fee, 31 days prior to the workshop date

No Refunds 30 days prior to the workshop date

Hope to see you there!

 

On an alternate note, due to the severe inclement weather this weekend the Tiny Marsh Teaching Moment Photographic Workshop has been rescheduled to Sunday April 22nd. Please contact me by clicking here at your earliest convenience if you wish to join this event at one of south-central Ontario’s largest and most impressive wetland complexes.

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Join me on Sunday, April 15, 2018 at Tiny Marsh Provincial Wildlife Area for a Teaching Moment Photographic Workshop that focuses on photographing sunrise imagery. Tiny Marsh is located near Elmvale, Ontario on the Tiny Flos Townline Road. With sunrise being at 6:48 a.m. we will meet in the parking lot at 5:45 a.m. This will allow us time to cover some basic information while we walk out along Trotter Dyke to our best vantage points for photographing sunrise. This event will conclude at 11:00 a.m.

During this workshop you will learn the principles of photographing sunrise. Topics covered will include composition, filters, seeing the shot and much more. After sunrise is over we will continue to explore other areas of Tiny Marsh in search of more landscape opportunities as well as any wildlife / birdlife opportunities that we may find.

Tiny Marsh is a designated Important Birding Area (IBA) and at this time of year it is a major staging area for numerous waterfowl, geese, trumpeter swans and many other species of birds. While birds will not be our main focus of this workshop do note that there may be opportunities to photograph such species after sunrise. Bringing a long lens is highly recommended for both sunrise and wildlife / birdlife opportunities. While our chances of a stellar sunrise our at the mercy of the current weather pattern of the day, I have often been rewarded with sunrises at Tiny Marsh. One of the best advantages of Tiny Marsh is that there is always something to photograph.

All walking trails at Tiny Marsh are flat and by no means strenuous.

The cost of this Teaching Moment Photographic Workshop is $65 plus applicable taxes. To register for this event please contact me here for further information. The maximum number of participants for this event is 8.

During Teaching Moment Photographic Workshops you will receive friendly, in-the-field instruction and guidance. Do remember that attending A Teaching Moment Photographic Workshop allows you to earn rewards – after attending 5 of these events you will receive a $50 discount on any future workshop of your choice! Please note that attendance at any of my workshops will also earn you an automatic $50 discount to the Lake Superior Wild & Scenic Photography Retreat.

Cancellation Policy for Teaching Moment Photographic Workshops: Due to the small group / shorter notice of these events participants are encouraged to check their schedules carfefully as a no refund policy does apply.

 

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On Tuesday March, 27, 2018 I will be presenting my “Ontario & Beyond – Wild Places Wild Faces” program for the Ajax Photography Club at the Ajax Community Centre located at 75 Centennial Road in the HSM Room. The doors open at 6:30 p.m. and the presentation will begin at 7:00 p.m. Guests are welcome to attend for a $10 admission fee. Mark the date in your calendars and come on out for an enjoyable evening of nature photography and learn the secrets behind how I capture and optimize my my landscape and wildlife imagery.

Hope to see you there 🙂

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