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Posts Tagged ‘creative visions’

Reflected Sky and Clouds on Horseshoe Lake. Parry Sound, Ontario
Nikon D500
Nikkor 200-500mm VR Lens @ 440mm (35 Equivalent = 660mm)
ISO 400
f16 @ 1/125 sec

 

Earlier this month while relaxing by the water of Horseshoe Lake near Parry Sound, Ontario I took notice of the patterns created by the gentle, undulating surface of the lake. The weather conditions at the time was mostly sunny with numerous puffy white, cotton clouds in the sky. In the sections of water that were cast in shade, the reflected sky and clouds were creating ever-changing patterns of white and blue. Using my Nikon D500 and Nikkor 200-500mm VR Lens I zoomed in on different sections of the water to record several images of these patterns as they evolved. I found it best to set the Nikon D500 to record the images at 10 frames per second so I would not miss any of the subtle changes in the patterns. After creating a rather ridiculous number of these images I narrowed down the keepers to these three images. Each of the images in this post are straight out of the camera with only minor adjustments to contrast and some cloning of debris floating on the surface of the water.

Please do remember to click on the photos to see the larger versions.

 

Reflected Sky and Clouds on Horseshoe Lake. Parry Sound, Ontario
Nikon D500
Nikkor 200-500mm VR Lens @ 200mm (35 Equivalent = 300mm)
ISO 400
f16 @ 1/125 sec

 

Reflected Sky and Clouds on Horseshoe Lake. Parry Sound, Ontario
Nikon D500
Nikkor 200-500mm VR Lens @ 440mm (35 Equivalent = 660mm)
ISO 400
f16 @ 1/125 sec

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Tri-colored Heron, Cayman Brac, Cayman Islands
Nikon D500, Nikkor 200-500mm lens
ISO 400
f8 @ 1/640 sec

High-Key lighting in portraiture has a very classic look and feel in the resulting imagery, with bright white, distraction free backgrounds and minimal shadows on the intended subject. While on my recent trip to Cayman Brac I had a few opportunities to explore using this high key technique on some very co-operative birdlife that I encountered. Each of these high key images were created using the Nikkor 200-500mm lens on a Nikon D500. Each of the birds were photographed in a backlit situation whereby I simply dialed in additional exposure to open up the shadows, allowing the background to fall where it may, ignoring any blinkies (highlight warnings) on the background, but ensuring there were no blinkies on the subject. While making my initial edits to each of the images in Adobe Camera Raw I varied the amount of brightness in the backgrounds, allowing the endangered West Indian Whistling Duck portrait to be the brightest as I felt it complimented the lighter tone of the ducks feathers.

Please do remember to click on each of the photos to view the larger, sharper version.

 

West Indian Whistling Duck, Cayman Brac, Cayman Islands
Nikon D500, Nikkor 200-500mm Lens
ISO 800
f8 @ 1/125 sec

 

Green Heron, Cayman Brac, Cayman Islands
Nikon D500, Nikkor 200-500mm Lens
ISO 400
f8 @ 1/200 sec

 

Tri-colored Heron, Cayman Brac, Cayman Islands
Nikon D500, Nikkor 200-500mm Lens
ISO 400
f8 @ 1/640 sec

 

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Winter Tree, Innisfil, Ontario Nikon D800, Nikon 18-35mm

Winter Tree, Innisfil, Ontario
Nikon D800, Nikon 18-35mm

 

One of my most favorite winter subjects to photograph is the skeletal forms of tree in winter. Living in a rural area in Essa Township provides me with ample opportunities to photograph these winter trees. Often I will head out at either sunrise or sunset to photograph them and when doing so I always search for the trees that are a slight rise in the terrain so that I can compose them against the sky being very careful not to allow any of the branches on the tree to merge with the horizon. It can also be rewarding to create artistic renderings of winter trees with a variety of photoshop plug-ins. In this post I am revealing two such creations that utilized the Topaz Labs plug-in Simplify. For the two artistic renderings at the end of this blog post I selected one of the sketch presets in Simplify and tweaked the sliders until I achieved the strong black and white treatment.

Winter Tree, Innisfil, Ontario Nikon D800, Nikon 24-85mm

Winter Tree, Innisfil, Ontario
Nikon D800, Nikon 24-85mm

 

Winter Tree, Innisfil, Ontario Nikon D800, Nikon 24-85mm

Winter Tree, Innisfil, Ontario
Nikon D800, Nikon 24-85mm

 

Winter Tree - Topaz Simplify

Winter Tree – Topaz Simplify

 

Winter Tree - Topaz Simplify

Winter Tree – Topaz Simplify

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American Toad (Bufo americanus) Artistic Rendering Using Topaz Glow

American Toad (Bufo americanus)
Artistic Rendering using Topaz Labs Glow – Glow Wire Preset

I have been very busy over the last few weeks with print sales, writing projects, and household renovations. Each of the images in this post have had an artistic rendering applied to them by using the Photoshop plug-in Glow by Topaz Labs. To check out various examples of what this great plug-in is capable of doing please have a look at the Topaz website by clicking here. I was very hesitant to give Topaz Glow a try when it was first released several months ago because I was so accustomed to using the Fractalius plug-in available from Redfield Plugins, however, with the release of the newest version of Fractalius I was very disappointed and found it virtually impossible to create my most favorite frog fracts that I used to do. With Topaz Glow I feel that my artistic frog imagery has been given new life and that I am able to create effects that I was never able to create with the Fractalius software. I was able to create a couple of nice custom settings with the new version of Fractalius, but do feel that I will revert to my older versions for my most favorite custom presets that were featured in the eBook Fractastic, which I co-wrote with the very talented Denise Ippolito.

Please click on each of the images to view the larger, sharper version and let me know what you think of these Topaz Glow amphibian creations 🙂

American Toad (Bufo americanus) Topaz Glow Fur & Feathers II Preset

American Toad (Bufo americanus)
Artistic Rendering using Topaz Labs Glow – Fur & Feathers II Preset

 

Bullfrog (Rana catesbeiana) Topaz Labs Glow - Heavy Metal Preset

Bullfrog (Rana catesbeiana)
Artistic Rendering using Topaz Labs Glow – Heavy Metal Preset

 

Amazon Milk Frog (Trachycephalus resinifictrix)  Topaz Labs Glow - Fur & Feathers II Preset

Amazon Milk Frog (Trachycephalus resinifictrix)
Artistic Rendering using Topaz Labs Glow – Fur & Feathers II Preset

 

Bullfrog (Rana catesbeiana) Topaz Labs Glow - Glow Wire Preset

Bullfrog (Rana catesbeiana)
Artistic Rendering using Topaz Labs Glow – Glow Wire Preset

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Stones on Lake Superior Shoreline. Nion D800, Nikon 80-400mm VR Lens, ISO 200, f22 @ 25 seconds.

Lake Superior Shoreline Details. Nikon D800, Nikon 80-400mm VR Lens, ISO 200, f22 @ 25 seconds.

I have been busy trying to catch-up on a back-log of image processing over the last few days. Today I spent some time optimizing some of my images from my 2013 trip to Lake Superior Provincial Park. I remember this mid-September evening well, the temperatures were getting chilly, the sun had all but gone, and I was playing around with some long, intimate landscapes of shoreline details at Old Woman Bay. These small stones are often a mix of colors and are rounded and smooth as silk, from centuries of wave action.

Please do click on each image to see the larger, sharper version.

Lake Superior Shoreline Details. Nikon D800, Nikon 80-400mm VR Lens, ISO 500, f22 at 30 seconds.

Lake Superior Shoreline Details. Nikon D800, Nikon 80-400mm VR Lens, ISO 500, f22 @ 30 seconds.

Lake Superior Shoreline Details. Nikon D800, Nikon 80-400mm VR Lens, ISO 100, f6.3 @ 1.6 seconds

Lake Superior Shoreline Details. Nikon D800, Nikon 80-400mm VR Lens, ISO 100, f6.3 @ 1.6 seconds

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An Intimate View of Muskoka's Rosseau River

An Intimate View of Muskoka’s Rosseau River

 

A couple of days ago friend and colleague Kyle McDougall posted a very inspiring short film on his blog. Kyle is a very talented photographer, filmmaker, and cinematographer. The film is centered around landscape painter Terry Gill, who creates very impressive works of art in a unique style. Please do follow this link to Kyle’s blog post and scroll down to the video, click the white triangle to hear Terry’s message. I think you will be glad you did 🙂

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The Art of Flower Photography

On August 13th Denise Ippolito and Arthur Morris released their latest eBook ‘The Art of Flower Photography.’  As I read my way through the pages of this wonderful new eBook the imagery within has been filling me with the inspiration to get out and start photographing flowers again. When I first became interested in photography I began by photographing wildflowers and accumulated thousands of 35mm slides before switching to digital, and subsequently stopped photographing flowers as often.

Throughout the eBook Denise and Arthur explain how they approach flower photography, which is interesting as they each have different methods of doing so. Denise will often handhold a 100mm macro lens with impressive results, while Arthur won’t shy away from using a 600mm or 800mm lens to create stunning portraits. This eBook contains 203 pages and discusses various topics including; composition, lighting, selective focus, high key imagery, flower-scapes, light pads, pleasing blurs, multiple exposures, and lens / gear choices. There are also various ideas for creating artistic renderings with Photoshop plug-ins like Topaz Labs Simplify and Fractalius. And let’s not forget Denise’s signature flowers with texture overlays and how to apply these texture overlays to your own photos.

This is a must have eBook for anyone who enjoys flower photography. You will be inspired to take your own photography to the next level as you explore these creative ideas with your own imagery. For further inspiration from Denise and Arthur be sure to follow along on their respective blogs, which can be found by clicking on their names in the side-bar under the Blogroll section.

The Art of Flower Photography can be purchased by clicking here.

 

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