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Archive for the ‘Wildlife’ Category

Juvenile Eastern Painted Turtle, Horseshoe Lake, Muskoka, Ontario
Nikon D500, Nikkor 200-500mm lens at 500mm (35mm equivalent = 750mm)
ISO 400, f8 @ 1/250 sec
B&W Polarizing Filter

Try as I may I have yet to find any Bullfrogs within the wetland at my cottage on Horseshoe Lake near Parry Sound, Ontario. To date I have heard all but one male Bullfrog chorusing so far this season but locating him is another matter altogether. I believe the difficulty in finding the Bullfrogs may have something to do with the very cool and late start of the growing season as the waterlilies are well behind schedule in terms of water surface coverage and blooming. The lake level is also considerably higher this year, by as much as one foot. It is possible that the Bullfrogs are seeking refuge in the dense thickets of leatherleaf that surround the wetland edges and will emerge out into the more open areas of the wetland when the waterlilies provide more coverage.

On a recent exploration of the wetland I did however have the good fortune of locating some very co-operative turtles and water snakes. On one outing I located 12 Northern Water Snakes basking on a beaver lodge! The highlight of my excursions was finding a juvenile Eastern Painted Turtle that was small enough to be sunning on a yellow pond lily leaf. To create the opening photo I chose a low perspective by seating myself in the bottom of the canoe and carefully framed the scene to ensure I maintained the turtle’s reflection in the slice of open water between two lily pad leaves. By resting the lens on the gunwale of the canoe I was able to gain the additional support for this handheld capture. A polarizing filter is pretty much a necessity when photographing basking turtles to eliminate the unwanted glare from the vegetation and the turtle’s carapace, they are also very useful for eliminating the undesirable glare from the scales of snakes. My choice of polarizing filter for use on the Nikkor 200-500mm VR Lens is the B&W 95mm F-Pro Kaesemann High Transmission Circular Polarizing MRC Filter.

Snapping Turtle, Horseshoe Lake, Muskoka, Ontario
Nikon D500, Nikkor 200-500mm lens @ 340mm (35mm equivalent = 540mm)
ISO 800, f8 @ 1/125 sec.
B&W Polarizing Filter

The Common Snapping Turtle above was photographed in the exact same manner as the juvenile Eastern Painted Turtle although a passing cloud thankfully provided some temporary over-cast conditions, which eliminated the harsh shadows that were being cast from upward pointing branches on the log. Whenever I locate an overly co-operative subject such as this large snapping turtle I put away my long lens after creating a few images and reach for my wide angle lenses for an unique perspective as shown below.

Snapping Turtle-scape, Horseshoe Lake Wetland, Muskoka, Ontario
Nikon D800, Nikkor 18-35mm lens @ 35mm
ISO 800, f16 @ 1/50 sec
Nikon Polarizing Filter

 

Snapping Turtle, Horseshoe Lake, Muskoka, Ontario
Nikon D800, Nikkor 24-85mm lens @ 78mm
ISO 400, f16 @ 1/200 sec

Below are two Northern Water Snake images that were captured over the course of the last two weekends. The first water snake was discovered within the wetland complex at rest among the branches of a beaver lodge while the second was found resting on a rock beside my dock in late evening light. Each of these images makes use of killer features found on the Nikon D500. In the first image I could not get in as close I was wanted to due to the branches extending out into the water. The work around was to select the Nikon D500’s 1.3X sensor crop and presto – I had the composition I desired. Once again, seating myself in the canoe and using the gunwale to provide additional support and activating the Vibration Reduction on the Nikkor 200-500mm lens I was able to handhold the shot at the 35mm equivalent of a 1,000mm lens!

Northern Water Snake, Horseshoe Lake, Muskoka, Ontario
Nikon D500
Nikkor 200-500mm lens @ 500 (35mm equivalent = 1000mm)
ISO 500, f8 @ 1/160 sec
B&W Polarizing Filter

Often I will venture down to the dock in the evening to see what critters have begun to emerge and was delighted to find the water snake at rest on the rock beside the dock. The only way to effectively photograph the snake was to get into the water. Due to the fading light, hand-holding the image was going to be impossible so I set-up my tripod in the lake allowing me to mount my camera and lens just above the water’s surface. Once again I was wanting to create a slight tighter composition so I set the 1.3X sensor crop. To deal with the low light and slow shutter speed I set my self-timer to 2 seconds, activated the Live View feature, and since the Nikon D500’s LCD screen is a touch screen you can actually touch the screen where you want it to focus. Once focus is achieved an image will be captured. In this case, I touched the LCD screen where the snake’s right eye is and two seconds later the camera recorded the image you see below.

Northern Water Snake, Horseshoe Lake, Muskoka, Ontario
Nikon D500
Nikkor 200-500mm lens @ 500mm (35mm equivalent = 1000mm)
ISO 500, f11 @ 1/15 sec

Please remember to click on each photo to see the larger, sharper version.

 

 

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Lake Superior, Ontario, Canada
Nikon D800, Nikkor 18-35mm lens @ 35mm
ISO 100, f11 @ 1/60 sec.

With each and every excursion I undertake into natural environs the negative effect of humans on our natural world is sadly noted. From the highly destructive nature of ATVs, to the illegal dumping of garbage, degradation of the environment through vandalism or trampling, and to photographers engaging in unethical practices for personal financial gain have become commonplace within our wild places. It is time for a change.

This is where the ‘League of Landscape Photographers’ comes into place. They are a group of artists that have bound themselves to photograph by a code of ethics. To better protect our wild places, the flora, and the fauna, developing a code of ethics in which we conduct ourselves is of the utmost importance to protect the places we love.

In my own photography I have always maintained a high ethical standard whereby the welfare of my photographic subject rises above any photographic opportunity. For me it is always about the experience first, with resulting images being an extension of the experience. Whenever possible I photograph the degradation of our environment and publish resulting images on social media to help raise awareness of such concerns. I show respect for the environment with each visit and to each individual I encounter along the way, hoping they will exhibit the same level of respect to me, to others, and to the environment. Education is also paramount to the protection of our environment, therefore, informing others on how the negative effects of their behaviour will impact a given situation is brought to their attention whenever it is safe to do so.

Please visit the League of Landscape Photographers by clicking here.

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The March / April 2017 issue of the on-line photography magazine Wildlife Photographic is now available on the Apple App Store & the Google Playstore. This issue features many great articles, by accomplished photographers and is accompanied by equally fantastic wildlife imagery. My Bullfrog image appears on the cover of the magazine and my FROG-scapes 101 article on how I go about creating my signature frog-scape photography. If you do not already subscribe to this magazine please use this code freetialwp to receive a free three month subscrition. At the end of the three month trial you will need to subscribe through regular methods to continue receiving this great magazine. Please follow these instructions to start your free three month trial:

Download Wildlife Photographic from the Apple App Store  http://bit.ly/1aKP3qR or on Google Play http://bit.ly/1JOhMcW

Tap ‘Subscribe’ on the app home page

Tap ‘Current Subscribers’ from the drop down menu

Enter code freetrialwp

This code will be available to use until April 30, 2017

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Red Fox in Winter

Red Fox, Algonquin Provincial Park, Ontario, Canada Nikon D500, Nikon 200-500mm lens @ 310mm ISO 100 f9 @ 1/500 sec

Red Fox, Algonquin Provincial Park, Ontario, Canada
Nikon D500, Nikon 200-500mm lens @ 310mm
ISO 100, f9 @ 1/500 sec

On the morning of Thursday February 9th I drove north to Ontario’s Algonquin Provincial Park for a day of wildlife photography with friend and colleague Don Johnston. It was a chilly morning with temperatures starting out at -17 degrees Celsius and warming up to about -7 degrees Celsius by early afternoon. After spending a number of hours photography Pine Marten we decided to try our luck with some of Red Foxes that have become overly habituated to human presence. Knowing this prior to my visit I instinctively knew that I wanted to try some wide angle close-up captures, so I took along my Nikon D800 with the Nikkor 18-35mm lens attached for the wide angle imagery and my Nikon D500 with the Nikkor 200-500mm lens for the telephoto captures. After a short trek along the unplowed winter road we could see two foxes out in the open area of the snow covered road. Once we arrived I decided to lay down in the snow and see what would happen. Since these foxes have become so accustomed to the human presence their curiosity brought them in close enough that I was able to capture a few wide angle close-up images of them. When they tired of me laying in the snow they wandered back closer to the forest’s edge whereby I was able to created numerous telephoto images of them. Here is a selection of my favorite images that I created of the Red Foxes in Ontario’s Algonquin Provincial Park. It was a great day and the foxes with their lush winter coat against the freshly fallen snow and clear blue skies was quite lovely however, it often too bright for the foxes as they would keep their eyes closed quite tightly due to the brightness of the day. I deleted a very large percentage of my image captures from this day simply due to the foxes having their eyes closed up too tightly.

Please do remember to click on each image to view the sharper, larger version.

Red Fox in Winter, Algonquin Provincial Park, Ontario, Canada Nikon D800, Nikkor 18-35mm lens @ 35mm ISO 200 f8 @ 1/1000 sec

Red Fox in Winter, Algonquin Provincial Park, Ontario, Canada
Nikon D800, Nikkor 18-35mm lens @ 35mm
ISO 200, f8 @ 1/1000 sec

 

Red Fox in Winter, Algonquin Provincial Park, Ontario, Canada Nikon D800, Nikkor 200-500mm lens @ 200mm ISO 100 f8 @ 1/800 sec

Red Fox in Winter, Algonquin Provincial Park, Ontario, Canada
Nikon D500, Nikkor 200-500mm lens @ 200mm
ISO 100, f8 @ 1/800 sec

 

Red Fox in Winter, Algonquin Provincial Park, Ontario, Canada Nikon D800, Nikkor 18-35mm lens @ 35mm ISO 200 f8 @ 1/800 sec

Red Fox in Winter, Algonquin Provincial Park, Ontario, Canada
Nikon D800, Nikkor 18-35mm lens @ 35mm
ISO 200, f8 @ 1/800 sec

 

Red Fox in Winter, Algonquin Provincial Park, Ontario, Canada Nikon D800, Nikkor 200-500mm lens @ 270mm ISO 500 f8 @ 1/1000 sec

Red Fox in Winter, Algonquin Provincial Park, Ontario, Canada
Nikon D500, Nikkor 200-500mm lens @ 270mm
ISO 500, f8 @ 1/1000 sec

 

Red Fox in Winter, Algonquin Provincial Park, Ontario, Canada Nikon D800, Nikkor 18-35mm lens @ 35mm ISO 200 f8 @ 1/1000 sec

Red Fox in Winter, Algonquin Provincial Park, Ontario, Canada
Nikon D800, Nikkor 18-35mm lens @ 35mm
ISO 200, f8 @ 1/1000 sec

 

Red Fox in Winter, Algonquin Provincial Park, Ontario, Canada Nikon D800, Nikkor 200-500mm lens @ 200mm ISO 500 f8 @ 1/3200 sec

Red Fox in Winter, Algonquin Provincial Park, Ontario, Canada
Nikon D500, Nikkor 200-500mm lens @ 200mm
ISO 500, f8 @ 1/3200 sec

 

Red Fox in Winter, Algonquin Provincial Park, Ontario, Canada Nikon D800, Nikkor 200-500mm lens @ 200mm ISO 100 f8 @ 1/400 sec

Red Fox in Winter, Algonquin Provincial Park, Ontario, Canada
Nikon D500, Nikkor 200-500mm lens @ 200mm
ISO 100, f8 @ 1/400 sec

 

Red Fox in Winter, Algonquin Provincial Park, Ontario, Canada Nikon D800, Nikkor 200-500mm lens @ 200mm ISO 100 f8 @ 1/400 sec

Red Fox in Winter, Algonquin Provincial Park, Ontario, Canada
Nikon D500, Nikkor 200-500mm lens @ 200mm
ISO 100, f8 @ 1/400 sec

 

Red Fox in Winter, Algonquin Provincial Park, Ontario, Canada Nikon D800, Nikkor 18-35mm lens @ 35mm ISO 200 f8 @ 1/800 sec

Red Fox in Winter, Algonquin Provincial Park, Ontario, Canada
Nikon D800, Nikkor 18-35mm lens @ 35mm
ISO 200, f8 @ 1/800 sec

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Pine Marten - Algonquin Provincial Park, Ontario Nikon D500, Nikkor 200-500mm lens @ 500mm ISO 1000 f8 @ 1/160 sec

Pine Marten – Algonquin Provincial Park, Ontario
Nikon D500, Nikkor 200-500mm lens @ 500mm (750mm equivalent)
ISO 1000
f8 @ 1/160 sec

 

On the morning of January 25th I awoke early and made the two hour trek north to Ontario’s Algonquin Provincial Park to spend the day photographing Pine Martens with my new Nikon D500. It turned out to be a very productive visit with many wonderful opportunities. I mounted my Nikkor 200-500mm lens on the Nikon D500 as this combination as been proving to be quite deadly, especially given the fact that the Nikon D500 has an APS-C size sensor, therefore the 200-500mm lens becomes the 35mm equivalent of a 300-750mm lens. Here are a few of the Pine Marten images that were created during this visit to Algonquin. All images were created with the Nikon D500 and Nikkor 200-500mm lens firmly mounted to my tripod with a Wimberely Sidekick attached to my ballhead.

Please do remember to click on each of the images to view the larger, sharper versions.

Pine Marten - Algonquin Provincial Park, Ontario Nikon D500, Nikkor 200-500mm lens @ 220mm ISO 1000 f8 @ 1/800 sec

Pine Marten – Algonquin Provincial Park, Ontario
Nikon D500, Nikkor 200-500mm lens @ 220mm (330mm equivalent)
ISO 1000
f8 @ 1/800 sec

 

Pine Marten - Algonquin Provincial Park, Ontario Nikon D500, Nikkor 200-500mm lens @ 500mm ISO 1000 f8 @ 1/80 sec

Pine Marten – Algonquin Provincial Park, Ontario
Nikon D500, Nikkor 200-500mm lens @ 500mm (750mm equivalent)
ISO 1000
f8 @ 1/80 sec

 

Pine Marten - Algonquin Provincial Park, Ontario Nikon D500, Nikkor 200-500mm lens @ 310mm ISO 1000 f8 @ 1/320 sec

Pine Marten – Algonquin Provincial Park, Ontario
Nikon D500, Nikkor 200-500mm lens @ 310mm (465mm equivalent)
ISO 1000
f8 @ 1/320 sec

 

Pine Marten - Algonquin Provincial Park, Ontario Nikon D500, Nikkor 200-500mm lens @ 420mm ISO 1000 f8 @ 1/320 sec

Pine Marten – Algonquin Provincial Park, Ontario
Nikon D500, Nikkor 200-500mm lens @ 420mm (630mm equivalent)
ISO 1000
f8 @ 1/320 sec

 

Pine Marten - Algonquin Provincial Park, Ontario Nikon D500, Nikkor 200-500mm lens @ 400mm ISO 1000 f8 @ 1/420 sec

Pine Marten – Algonquin Provincial Park, Ontario
Nikon D500, Nikkor 200-500mm lens @ 400mm (600mm equivalent)
ISO 1000
f8 @ 1/420 sec

 

Pine Marten - Algonquin Provincial Park, Ontario Nikon D500, Nikkor 200-500mm lens @ 640mm ISO 1000 f8 @ 1/320 sec

Pine Marten – Algonquin Provincial Park, Ontario
Nikon D500, Nikkor 200-500mm lens @ 320mm (480mm equivalent)
ISO 1000
f8 @ 1/640 sec

 

Pine Marten - Algonquin Provincial Park, Ontario Nikon D500, Nikkor 200-500mm lens @ 270mm ISO 1000 f8 @ 1/640 sec

Pine Marten – Algonquin Provincial Park, Ontario
Nikon D500, Nikkor 200-500mm lens @ 270mm (405mm equivalent)
ISO 1000
f8 @ 1/640 sec

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Daybreak at Marie Louise Lake in Ontario's Sleeping Giant Provincial Park

Daybreak, Sleeping Giant Provincial Park, Ontario

 

Looking back over the past year I came to the realization that I created some of my own personal favorites during 2016. As this year comes to a close here is the selection of my most favorite images. From the stunning daybreak display above on Marie Louise Lake in Ontario’s Sleeping Giant Provincial Park, to the Bullfrogs on Horseshoe Lake, to beautiful vistas along the Niagara Escarpment in Bruce Peninsula National Park, to winter scenes close to home, and to the highest cliffs in Ontario at the Top of the Giant Trail over-looking Lake Superior. I arrived just in time to capture nature’s beauty when she was ready to put on a stellar show!

I am eagerly anticipating the arrival of 2017 as I will commence several new ventures with my photography, including a schedule of upcoming workshops that I will announce shortly.

I would like to take a moment to thank you all for your support of my work and to wish you all a very Happy New Year and all the best for the year ahead.

Please do remember to click on each of the images to view the sharper, larger version.

HAPPY NEW YEAR!!!

Bullfrog in Wetland on Horseshoe Lake, Ontario

Bullfrog in Wetland on Horseshoe Lake, Parry Sound, Ontario

 

Halfway Log Dump, Bruce Peninsula National Park, Ontario

Halfway Log Dump, Bruce Peninsula National Park, Ontario

 

Winter Stream in Thornton, Ontario

Winter Stream in Thornton, Ontario

 

Daybreak on Horseshoe Lake, Ontario

Daybreak on Horseshoe Lake, Parry Sound, Ontario

 

Red-eyed Tree Frog - captive

Red-eyed Tree Frog – captive

 

Top of the Giant, Sleeping Giant Provincial Park, Ontario

Top of the Giant, Sleeping Giant Provincial Park, Ontario

 

Interrupted ferns in autumn in woodland setting, Torrance Barrens, Ontario, Canada

Ferns in Autumn Woodland, Torrance Barrens, Ontario

 

Northern Water Snake, Horseshoe Lake, Ontario

Northern Water Snake, Horseshoe Lake, Parry Sound, Ontario

 

Night Scape on Marie Louise Lake in Sleeping Giant Provincial Park, Ontario, Canada. Minor crop applied to fix tilted horizon.

Night-scape, Sleeping Giant Provincial Park, Ontario

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Northern Shoveler drake Nikon D800, Nikon 200-500mm VR Lens ISO 400, f8 @ 1/2500 sec

Northern Shoveler – drake
Nikon D800, Nikon 200-500mm VR Lens
ISO 400, f8 @ 1/2500 sec

A couple of weeks ago I made my way down to Humber Bay Park in Toronto, along the Lake Ontario shoreline. I was pleased to see a beautiful Northern SHoveler drake in one of the ponds however, he was not being the most co-operative fellow. Yesterday I return for a follow-up visit to see if he was still hanging around. To my surprise there were numerous Northern Shoveler drakes present at the pond and they were being most co-operative. In roughly two hours I had created hundreds of image files of these ducks that have eluded me for a very long time. To gain the low angle perspective I laid down on one of the boardwalks beside the pond. This low perspective will give the resulting imagery a duck’s eye view and help create the soft out-of-focus background. Here is a selection of images created during yesterday’s visit.

Any folks that are interested in private-in-the-field instruction to hone their waterfowl photography skills can contact me at info@andrewmclachlan.ca to discuss booking a session for four hours of my undivided attention.

Northern Shoveler Drake Nikon D800, Nikon 200-500 VR Lens ISO 400, f8 @ 1/1600 sec

Northern Shoveler – drake
Nikon D800, Nikon 200-500 VR Lens
ISO 400, f8 @ 1/1600 sec

 

Northern Shoveler Drake Nikon D800, Nikon 200-500 VR Lens ISO 400, f8 @ 1/2500 sec

Northern Shoveler – drake
Nikon D800, Nikon 200-500 VR Lens
ISO 400, f8 @ 1/2500 sec

 

Northern Shoveler Drake - wing flap Nikon D800, Nikon 200-500 VR Lens ISO 400, f8 @ 1/2500 sec

Northern Shoveler – drake – wing flap
Nikon D800, Nikon 200-500 VR Lens
ISO 400, f8 @ 1/2500 sec

 

Northern Shoveler Drake - wing flap Nikon D800, Nikon 200-500 VR Lens ISO 400, f8 @ 1/2500 sec

Northern Shoveler – drake – wing flap
Nikon D800, Nikon 200-500 VR Lens
ISO 400, f8 @ 1/2500 sec

 

Northern Shoveler Drake Nikon D800, Nikon 200-500 VR Lens ISO 400, f8 @ 1/1250 sec

Northern Shoveler – drake
Nikon D800, Nikon 200-500 VR Lens
ISO 400, f8 @ 1/1250 sec

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