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Archive for the ‘Macro Photography’ Category

Green Mamba (Dendroaspis angusticeps), Captive ©Don Johnston

Green Mamba (Dendroaspis angusticeps) – Captive
©Don Johnston

In this post I want to feature some of the images created by two of the clients that attended my first Frogs of the World Workshop on March 5th. It was a pleasure to meet Don Johnston and Keith Carroll, and both created some very lovely images. Keith and Don had great success using off-camera flash and their 100mm Macro lenses during the frog portion of the workshop and Don used his Nikon 200mm Micro lens and off-camera flash to photograph some very impressive reptile images in the Reptilia Zoo. Don Johnston came up with an interesting idea and subsequent effect during the workshop by using a small plant mister to create a rainfall effect, and in his Red-eyed Tree Frog image the frog seems to be quite enjoying the little shower:)

For folks that may be interested, I am hosting my second Frogs of the World Workshop on April 30th. More information about that workshop can be found here. There are still some spaces available, but they are going quickly. Please contact me at info@andrewmclachlan.ca if you are ready to sign up for the workshop.

Please remember to click on each of the images to view the larger, sharper version and please let Don and Keith know which of their images are your favorites:)

 

Red-eyed Tree Frogs ©Keith Carroll

Red-eyed Tree Frogs – Captive
©Keith Carroll

 

American alligator (Alligator mississipiensis), Captive ©Don Johnston

American alligator (Alligator mississipiensis) – Captive
©Don Johnston

 

Red-eyed Tree Frog ©Keith Carroll

Red-eyed Tree Frog – Captive
©Keith Carroll

 

Green Tree Python (Morelia viridis, Captive ©Don Johnston

Green Tree Python (Morelia viridis) – Captive
©Don Johnston

 

Red-eyed Tree Frog (Agalychnis callidryas), Captive ©Don Johnston

Red-eyed Tree Frog (Agalychnis callidryas) – Captive
©Don Johnston

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Frogs of the World

On Saturday, April 30, 2016 I will be hosting my second Frogs of the World Workshop at Reptilia commencing at 8:00 a.m. sharp. The cost of the workshop will be $85, which includes admission to the Reptilia Zoo. We will photograph 5 species of frogs for the first 2 hours, before entering the zoo to photograph many species of snakes (both venomous and constrictors), alligators, and lizards. Generally  two to three hours provides ample time to photograph the reptiles located in the zoo portion, but we do have the remainder of the day available to spend in the zoo. This workshop will be limited to a maximum of 10 people, so do not delay if you are sitting on the fence. Payment for this workshop can be made via email transfer or by cheque. Please contact me at info@andrewmclachlan.ca if you are interested in this workshop and for further info on making your payment.

To photograph the frogs it is best to use a 100mm macro lens and off camera flash, preferably a flash bracket that will allow you to position the flash out over the lens will yield the best results. I have two spare off-camera macro flash brackets that folks can borrow for the day should they be in need of such a bracket. The room in which we photograph the frogs does have a tendency to get rather warm so you may wish to wear light clothing. To photograph the reptiles in the zoo afterwards generally a lens in the 200-300mm range will work well. Tripods have a tendency to become an excercise in frustration when photographing reptiles and amphibians, which is why I recommend using off camera flash and handholding so that you will have the mobility to capture these quick-moving subjects.

For this session we will photograph the following species of frogs:

  • Tomato Frog
  • Budgett’s Frog
  • Vietnamese Moss Frog
  • Green Tree Frog
  • Red-eyed Tree Frog

I am looking forward to meeting some new folks at this workshop. I will be featuring some images by past participants in a day or so. I had hoped to do so by now but unfortunately was hit with a brutal ice storm last Thursday that left me without hydro for 48 hours and devastating damage to almost every tree on my half acre rural lot, but fortunately only minor damage to my home’s eaves trough even though several large branches came down on my roof….funny thing is I was at a Chinese food restaurant on Thursday and my fortune cookie said “Good news is on the way”:)

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Red-eyed Tree Frog - captive Nikon D800, Nikon 105mm Micro Lens ISO 100 f22 @ 1/60 sec Nikon SB400 Speedlight on a Wimberley F-2 Macro Bracket

Red-eyed Tree Frog on Bromeliad Blossom
Nikon D800, Nikon 105mm Micro Lens
ISO 100
f22 @ 1/60 sec
Nikon SB400 Speedlight on a Wimberley F-2 Macro Bracket

Saturday March 5th was the day of my first ever captive frog photography workshop. I will be announcing a second workshop in the coming weeks. Do contact me if interested to have your name added to the short list. We had three participants for this inaugural workshop and after some initial instruction on the use of a macro flash bracket and flash positioning they were off and running, creating fabulous images. I will share some of their images here on the blog once they are able to process and send me some low-res image files. Without a doubt, the ever-popular Red-eyed Tree Frogs stole the show. Tree frogs have a way of doing that with their fabulous expressions and long-gangly legs making for great poses. Here are a few images that I created in between assisting the workshop participants. I also created a mini-pond for some aquatic set-ups with the Tomato Frog and Budgett’s Frog and a large piece of lichen covered tree bark was used to compliment the Vietnamese Moss Frog’s superior camouflaged coloration. A BIG thanks also to the amazing staff at Reptilia Zoo for all their superb assistance during the entire workshop. Since the workshop also included the cost of admission to the zoo, we were able to spend several hours photographing some of the highly venomous and lethal snakes in their enclosures, such as the Black Mamba and King Cobra. Stay tuned for those images in a future blog post.

 

Red-eyed Tree Frog on Bromeliad Blossom Nikon D800, Nikon 105mm Micro Lens ISO 1  , f22 @ 1/60 sec Nikon SB400 Speedlight on a Wimberley F-2 Macro Bracket

Red-eyed Tree Frog on Bromeliad Blossom
Nikon D800, Nikon 105mm Micro Lens
ISO 1 , f22 @ 1/60 sec
Nikon SB400 Speedlight on a Wimberley F-2 Macro Bracket

 

ed-eyed Tree Frog on Bromeliad Blossom Nikon D800, Nikon 105mm Micro Lens ISO 1  , f22 @ 1/60 sec Nikon SB400 Speedlight on a Wimberley F-2 Macro Bracket

Red-eyed Tree Frog on Bromeliad Blossom
Nikon D800, Nikon 105mm Micro Lens
ISO 1 , f22 @ 1/60 sec
Nikon SB400 Speedlight on a Wimberley F-2 Macro Bracket

 

Budgett's Frog emerging from the water Nikon D800, Nikon 105mm Micro Lens ISO 1  , f22 @ 1/60 sec Nikon SB400 Speedlight on a Wimberley F-2 Macro Bracket

Budgett’s Frog Emerging From the Water
Nikon D800, Nikon 105mm Micro Lens
ISO 1 , f22 @ 1/60 sec
Nikon SB400 Speedlight on a Wimberley F-2 Macro Bracket

 

Tomato Frog on rock in mini-pond Nikon D800, Nikon 105mm Micro Lens ISO 1  , f22 @ 1/60 sec Nikon SB400 Speedlight on a Wimberley F-2 Macro Bracket

Tomato Frog on Rock in Mini-pond
Nikon D800, Nikon 105mm Micro Lens
ISO 1 , f22 @ 1/60 sec
Nikon SB400 Speedlight on a Wimberley F-2 Macro Bracket

 

Vietnamese Moss Frog on Lichen Covered Tree Bark Nikon D800, Nikon 105mm Micro Lens ISO 1  , f22 @ 1/60 sec Nikon SB400 Speedlight on a Wimberley F-2 Macro Bracket

Vietnamese Moss Frog on Lichen Covered Tree Bark
Nikon D800, Nikon 105mm Micro Lens
ISO 1 , f22 @ 1/60 sec
Nikon SB400 Speedlight on a Wimberley F-2 Macro Bracket

 

Vietnamese Moss Frog on Lichen Covered Tree Bark Nikon D800, Nikon 105mm Micro Lens ISO 1  , f22 @ 1/60 sec Nikon SB400 Speedlight on a Wimberley F-2 Macro Bracket

Vietnamese Moss Frog on Lichen Covered Tree Bark
Nikon D800, Nikon 105mm Micro Lens
ISO 1 , f22 @ 1/60 sec
Nikon SB400 Speedlight on a Wimberley F-2 Macro Bracket

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Pre-dawn Light at The Torrance Barrens  Nikon D800, Nikon 18-35mm lens @ 22mm ISO 100 f16 @ 1.6 seconds

Pre-dawn Light at The Torrance Barrens / Dark Sky Reserve
Nikon D800, Nikon 18-35mm lens @ 22mm
ISO 100
f16 @ 1.6 seconds

On Friday February 26th I finally had some free time to get out and spend a day in the field creating some fresh winter landscapes. The first stop on my list was to visit Torrance Barrens / Dark Sky Reserve near Gravenhurst, Ontario. This is one of my favorite locations in summer and fall, but I had never explored it in the dead of winter. It was a very chilly morning with a cloudless sky, which meant there would not be mush of a decent sunrise so I chose to frame these scraggly spruce trees against the western sky and wait for the rising sun to cast a pinkish glow on the western horizon.

The next stop on my list was to make a first-ever winter trip over to Lower Rosseau Falls. Fortunately the road in was plowed and there was even a clearing plowed to allow a car or two to park near the river. Hiking through the woods down to the base of the falls was a little treacherous as there was significant ice build-up beneath a foot of fresh snow – I fell flat on my butt several times.

Due to the bright conditions on this day, to slow down the exposure times to blur the rushing waters I dialed in an ISO of 50 on my Nikon D800 and also used a Nikon Polarizing Filter to further extend the exposure times. I was in such a rush to get out the door and on my way on this day that I also forgot to take along my cable release. To overcome this I simply framed my compositions as I normally would, then activated the Live View feature, as this will lock up the mirror to allow live viewing on the LCD screen, and then finally I selected the 2 second self-timer to trip the shutter.

 

Lower Rosseau Falls in Winter Nikon D800, Nikon 18-35mm lens @ 29mm ISO 50 f22 @ 1/10 sec.

Lower Rosseau Falls on the Rosseau River in Winter
Nikon D800, Nikon 18-35mm lens @ 29mm
ISO 50
f22 @ 1/10 sec.

 

Lower Rosseau Falls on the Rosseau River Nikon D800, Nikon 18-35mm lens @ 23mm ISO 50 f22 @ 1/5 sec.

Lower Rosseau Falls on the Rosseau River in Winter
Nikon D800, Nikon 18-35mm lens @ 23mm
ISO 50
f22 @ 1/5 sec.

After a successful shoot at Lower Rosseau Falls I made the short drive over to Hatchery Falls on the Skeleton River. There was not a lot of interesting ice development at Hatchery Falls mostly due to high water levels in the river not allow any interesting formations to develop. Nonetheless, the hike in to Hatchery Falls was beautiful and I had the entire location all to myself to enjoy:)

Hatchery Falls on the Skeleton River near Rosseau, Ontario Nikon D800, Nikon 18-35mm lens @ 23mm ISO 50 f22 @ 1 second

Hatchery Falls on the Skeleton River in Winter
Nikon D800, Nikon 18-35mm lens @ 23mm
ISO 50
f22 @ 1 second

 

Frogs of the World Workshop Space Available

For folks that may have missed the announcement for my Frogs of the World Workshop there are still some spaces available should you be interested. The date of the workshop is Saturday, March 5th at 8:00 a.m. with a cost of $85. Please contact me directly at info@andrewmclachlan.ca if you are interested in attending this workshop. For more information about the workshop please click here to see the official announcement.

Frogs of the World Workshop

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Sigma 180 Macro_4363

In 2012 Sigma released the Sigma 180mm f2.8 APO Macro EX DG HSM OS Lens. In July of this year I had the opportunity to spend about a week with the lens, to give a thorough workout, as it was on loan to me from Gentec International, the Canadian distributor for Sigma lenses. The Sigma 180mm Macro lens is physically a large lens yet does handle very nicely. It is equipped with Sigma’s Optical Stabilization feature, which will compensate for about 4 stops. At the time of this lens’ release it was the only 180mm Macro lens to offer such superb stabilization. It is also a fast lens with a maximum aperture of f2.8 therefore the viewfinder is bright making manual focus easy (should you prefer to manually focus your macro lenses – I generally do). Since my main objective was to use this lens handheld from the canoe for frog photography and wetland details too, I was very eager to put the Optical Stabilizer to the test. Some other features that are noteworthy to mention for this high-performance lens are:

  • Three low dispersion glass elements for excellent correction of both axial chromatic aberration and lateral chromatic aberration.
  • Hyper Sonic Motor delivers auto-focusing that is quiet, fast, and accurate.
  • Multi-layer coatings to minimize flare and ghosting.
  • Accepts 86mm size filters.
  • Tripod collar to easily switch from horizontal to vertical orientations.
  • Minimum focusing distance of 18.5 inches.
  • Magnification ratio of 1:1 at the minimum focusing distance.

Let’s head out into the Horseshoe Lake wetland in the canoe and see what we can find. Do note additional info that is provided in the image captions.

Bullfrog Nikon D800, Sigma 180mm f2.8 APO EX DG HSM OS Lens ISO 800, f11 @ 1/160 sec.

Bullfrog
Nikon D800, Sigma 180mm f2.8 APO Macro EX DG HSM OS Lens
ISO 800, f11 @ 1/160 sec.

 

Bullfrog Nikon D800, Sigma 180mm f2.8 APO Macro EX DG HSM OS Lens ISO 800, f11 @ 1/100 sec.

Bullfrog
Nikon D800, Sigma 180mm f2.8 APO Macro EX DG HSM OS Lens
ISO 800, f11 @ 1/100 sec.

One of the first things that did take some getting used to on my part was working with the greater minimum focusing distance. Since I am most accustomed to using my Nikon 105mm Micro Lens which has a minimum focusing distance of 12 inches I often found that I was getting in too close with the Sigma 180mm Macro lens and would have to adjust my positioning to accommodate for the greater minimum focusing distance. This is by no means a hindrance though, in fact the greater minimum focusing distance has many benefits to it. If you enjoy photographing butterflies, small lizards, snakes or other often difficult to approach subjects, the Sigma lens will permit photographing from a greater distance which in-turn will lessen the chance of entering the animals comfort zone causing them to take flight.

Hand-holding the Sigma 180mm f2.8 APO Macro EX DG HSM OS Lens in the Horseshoe Lake wetland was a very enjoyable experience and allowed me to create numerous images that would have been difficult to do otherwise, as it would have been impossible to set-up a tripod in the soft mucky bottom. Do note that macro lenses as a rule are some of the best optics available and I will often use them for landscape imagery as well, including some of the intimate wetland scenes below.

Fragrant White Water Lily Blossom Nikon D800, Sigma 180mm f2.8 APO Macro EX DG HSM OS Lens ISO 200, f16 @ 1/80 sec.  Hand-Held

Fragrant White Water Lily Blossom
Nikon D800, Sigma 180mm f2.8 APO Macro EX DG HSM OS Lens
ISO 200, f16 @ 1/80 sec.
Hand-Held

 

Spatulate Leaved Sundew Nikon D800, Sigma 180mm f2.8 APO Macro EX DG HSM OS Lens ISO 800, f11 @ 1/50 sec. Hand-Held

Spatulate Leaved Sundews at the Edge of the Wetland
Nikon D800, Sigma 180mm f2.8 APO Macro EX DG HSM OS Lens
ISO 800, f11 @ 1/50 sec.
Hand-Held

 

Wetland Details Nikon D800, Sigma 180mm APO Macro EX DG HSM OS Lens ISO 800, f8 @ 1/250 sec Hand-Held

Wetland Details
Nikon D800, Sigma 180mm APO Macro EX DG HSM OS Lens
ISO 800, f8 @ 1/250 sec
Hand-Held

 

Arrowheads at Edge of Wetland Nikon D800, Sigma 180mm APO Macro EX DG HSM OS Lens ISO 800, f11 @ 1/80 sec. Hand-Held

Arrowheads at Edge of Wetland
Nikon D800, Sigma 180mm APO Macro EX DG HSM OS Lens
ISO 800, f11 @ 1/80 sec.
Hand-Held

After photographing several different scenarios in the wetland environment I decided to head into the woods with my tripod and photograph some woodland details. Many years ago I used spend much of my time in woodlands photographing woodland plants, tree bark details and any bugs that I could find. It was a ton of fun to take the Sigma 180mm Macro lens into the woods to re-visit my photographic roots.

Staghorn Sumac Leaves Close-up Nikon D800, Sigma 180mm APO Macro EX DG HSM OS Lens ISO 400, f16 @ 0.6 sec Tripod Mounted with OS off

Staghorn Sumac Leaves Close-up
Nikon D800, Sigma 180mm APO Macro EX DG HSM OS Lens
ISO 400, f16 @ 0.6 sec
Tripod Mounted with OS turned off

 

Silver Birch Tree Bark Detail Nikon D800, Sigma 180mm f2.8 APO Macro EX DG HSM OS Lens ISO 200, f29 @ 6 seconds Tripod Mounted with OS turned off

Silver Birch Tree Bark Detail
Nikon D800, Sigma 180mm f2.8 APO Macro EX DG HSM OS Lens
ISO 200, f29 @ 6 seconds
Tripod Mounted with OS turned off

 

Daddy Long-Legs on White Birch Tree Nikon D800, Sigma 180mm f2.8 APO Macro EX DG HSM OS Lens ISO 200, f32 @ 8 seconds Tripod Mounted with OS turned off

Daddy Long-Legs on White Birch Tree
Nikon D800, Sigma 180mm f2.8 APO Macro EX DG HSM OS Lens
ISO 200, f32 @ 8 seconds
Tripod Mounted with OS turned off

And last but not least, I could not resist the temptation to create a pleasing blur of a lovely cluster of ferns growing alongside of the cottage road. To create the blurred effect I simply stood at the edge of the road, looking down upon the ferns and using an in-camera sideways motion with a shutter speed of 1/15 created an image that revealed the subject matter, yet had a pleasing amount of blur to it as well. This is a technique that I learned from colleague, mentor and friend Denise Ippolito.

Pleasing Fern Blur Nikon D800, Sigma 180mm f2.8 APO Macro EX DG HSM OS Lens ISO 800, f8 @ 1/15 sec Hand-Held with a Sideways Movement

Pleasing Fern Blur
Nikon D800, Sigma 180mm f2.8 APO Macro EX DG HSM OS Lens
ISO 800, f8 @ 1/15 sec
Hand-Held In-camera Blur with a Sideways Movement

Conclusion: The Sigma 180mm f2.8 APO Macro EX DG HSM OS Lens was an absolute joy to use. The 18.5 inch minimum working distance took some getting used to on my part, but is very beneficial to photographing subjects that are prone to spook very easily. The Optical Stabilization feature’s performance is superb offering a stable solution to creating hand-held imagery in often difficult situations. While I mainly used the lens hand-held, the tripod collar did make switching from horizontal to vertical orientations effortless when a tripod was in use. Alternately, the tripod collar would offer an excellent and very simple solution to mounting an off-camera flash for night-time macro photography, much like I do for my night-time frog imagery whereby I use flash 100% of the time. I would highly recommend this lens to anyone looking for a macro lens, or looking to upgrade to a longer focal length macro lens. It is a large, sturdy, and well built lens that delivers superb image results. I only wish that I had more time to fully explore the capabilities this lens has to offer.

Please do click on each of the images to see the larger, sharper versions.

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Amazon Milk Frog Nikon D800, Nikon 105mm Micro Lens Nikon Speedlight SB400 on a Wimberley F-2 Macro Bracket ISO 100, f16 @ 1/60

Amazon Milk Frog
Nikon D800, Nikon 105mm Micro Lens
Nikon Speedlight SB400 on a Wimberley F-2 Macro Bracket
ISO 100, f16 @ 1/60

A few months ago there was a wonderful exhibit of tropical frogs at Ontario’s Royal Botanical Gardens in Burlington. One day in April I made a trip out to see and photograph some of the species that were on display. Photographing such animals through the glass walls of their enclosures can often be a bit troublesome due to finger prints and scratches on the glass, however, there are few simple techniques that can be employed for success. When I photograph captive subjects through the glass walls of their enclosures I will always get as close to the glass as possible to eliminate / reduce the risk of scratches and fingerprints from showing up in the resulting images. To get as close to the glass as possible I ensure that I am using my rubber lens hood so that I do not become one of those individuals that has left unsightly scratches on the enclosures. A relatively large rubber lens hood aligned flush with the glass wall of the enclosure will often reduce the risk of the flash from reflecting off the glass, ruining the photos when it fires.

Rubber Lens Hood on Nikon 105mm Micro Lens

Rubber Lens Hood on Nikon 105mm Micro Lens

At public exhibits I often find it too difficult to work with a tripod, mostly due to the number of visitors and elementary school class trips that attend. As a result I do much prefer to work with flash and when I photogenic subject and pose is noticed I can then quickly grab a few photos without affecting the other visitors that are also there.

Dendrobates auratus Nikon D800, Nikon 105mm Micro Lens Nikon Speedlight SB400 on a Wimberley F-2 Macro Bracket ISO 100, f22 @ 1/60

Dendrobates auratus
Nikon D800, Nikon 105mm Micro Lens
Nikon Speedlight SB400 on a Wimberley F-2 Macro Bracket
ISO 100, f22 @ 1/60

For the image above of the Dendrobates auratus I was able to get a very low perspective and a pleasing background by placing the lens flush with the glass wall at the moment the dart frog jumped to the front of the enclosure. Dart frogs are often very quick and sometime difficult to photograph, but this image gives the impression that I am lying flat on the ground in their rainforest home, yet I was dry and comfy:)

African Bullfrog Nikon D800, Nikon 105mm Micro Lens Nikon Speedlight SB400 on a Wimberley F-2 Macro Bracket ISO 100, f22 @ 1/60

African Bullfrog
Nikon D800, Nikon 105mm Micro Lens
Nikon Speedlight SB400 on a Wimberley F-2 Macro Bracket
ISO 100, f22 @ 1/60

Pictured above is an African Bullfrog. What is not to love about a frog with teeth! These frogs will eat anything they can stuff in their mouths from insects to full grown mice. You will notice that in this image the camera was pointed downwards, with the lens close to the glass and in a downward postion the flash will not reflect back into the resulting images, however, if I tried the same perspective after taking a few steps backwards the flash would be noticeable and the images would be deleted.

Argentine Horned Frog Nikon D800, Nikon 105mm Lens Nikon Speedlight SB400 on a Wimberley F-2 Macro Bracket ISO 100, f22 @ 1/60

Argentine Horned Frog
Nikon D800, Nikon 105mm Lens
Nikon Speedlight SB400 on a Wimberley F-2 Macro Bracket
ISO 100, f22 @ 1/60

Warty skinned frogs such as the above Argentine Horned Frog do pose some challenges with flash generated spectral highlights. In Photoshop I will often evict the most noticeably distracting highlights, for many of the smaller ones as seen above I will open Selective Color and add a touch of Black to the White channel which tones them down a bit.

Waxy Monkey Treefrog Nikon D800, Nikon 105mm Micro Lens Nikon Speedlight SB400 on a Wimberley F-2 Macro Bracket ISO 100, f16 @ 1/60

Waxy Monkey Treefrog
Nikon D800, Nikon 105mm Micro Lens
Nikon Speedlight SB400 on a Wimberley F-2 Macro Bracket
ISO 100, f16 @ 1/60

Treefrog specimens are usually very uncooperative subjects as they are mostly nocturnal so when one is encountered alert and wide-eyed grab as many photos as you can because they will probably go back to sleep very soon.

Below is a Fire-belly Toad which is an Asiatic species and very common in the pet trade. Believe it or not I actually used to keep Fire-belly Toads in a large terrarium many years ago and they lived for roughly 21 years.

Fire-belly Toad Nikon D800, Nikon 105mm Micro Lens Nikon Speedlight SB400 on a Wimberley F-2 Macro Bracket ISO 100, f16 @ 1/60

Fire-belly Toad
Nikon D800, Nikon 105mm Micro Lens
Nikon Speedlight SB400 on a Wimberley F-2 Macro Bracket
ISO 100, f16 @ 1/60

After photographing many of these wonderful frog species from around the globe in a single afternoon I thought it would be fun to take one of the images and create a frog fract using the Photoshop plug-in Fractalius. Below is a Goliath Frog skeleton. The Goliath Frog is the largest frog in the world, they live alongside streams and such in Cameron, in Africa.

Please do remember to click on each of the images to see the larger, sharper versions:)

Goliath Frog Skeleton Fractalius Rendering

Goliath Frog Skeleton
Fractalius Rendering

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Nikon D800, Nikon 105mm Micro Lens, Nikon Speedlight SB400                                                   ISO 400, f16 @ 1/100 sec.

Nikon D800, Nikon 105mm Micro Lens, Nikon Speedlight SB400, ISO 400, f16 @ 1/100

Water Tiger is the common name given to the larval stage of the Predacious Diving Beetle. During my forays out to the frog ponds I often encounter bizarre, alien-like waterbugs, so recently I decided to use a small 2.5 gallon aquarium and and photograph a few of these interesting critters. The Water Tiger has a voracious appetite and will often devour tadpoles, salamander larva, other aquatic bugs, and small fish. The large sickle-like jaws allow them to over-power prey larger than themselves. My aquarium set-up was quite productive allowing me to successfully create numerous images of various subjects. I will share in a future post soon exactly what worked best for the set-up and how I processed each of the image files.

Please do click on each of the images to see the larger, sharper versions.

Nikon D800, Nikon 105mm Micro Lens, Nikon Speedlight SB400, ISO 400, f16 @ 1/60

Nikon D800, Nikon 105mm Micro Lens, Nikon Speedlight SB400, ISO 400, f16 @ 1/60

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