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Archive for the ‘Horseshoe Lake’ Category

Sunset on Horseshoe Lake in Muskoka near the town of Rosseau, Ontario, Canada

Sunset on Horseshoe Lake in Muskoka, Ontario, Canada

Its hard to believe that another year has flown by and that we are now heading into 2016. It is also that time of year when I like to share with you some of my favorite images that I created throughout the past year. One of the highlights of the past year for me was to spend two weeks on the Caribbean island of Cayman Brac, where I quite literally spent more time in the ocean than I did on land, and while on land I spent much of that time photographing Brown Booby birds at the nest with chicks. The day before I boarded the plane for Cayman Brac I was rewarded with our resident, over-wintering Snowy Owl perching in a dead tree across the road from my home. I also spent quite a bit of time photographing frogs, as I usually do :), and created my most favorite Bullfrog-scape to date. My travels throughout much of the year was somewhat limited as I was staying closer to home to assist my elderly parents. I was however able to attend a personal invite to the Algonquin Radio Observatory on Lake Travers in Algonquin Provincial Park and do stay tuned as I will be setting up a workshop at this location during the summer months. In September I finally made the trek up to The Crack in Ontario’s Killarney Provincial Park despite a bad flare-up with my lower back and a bad right foot. My foot problem was corrected with a small surgical procedure that prevented me from doing much hiking in October and November, but I am all healed now and ready to hit the trails in 2016.

I hope you enjoy viewing these images again here in this Top 10 for 2015 post and do remember to click on each image to view the larger, sharper versions.

See ya in 2016 :)

Happy New Year to all and safe travels to those of you who are traveling during this time.

Bullfrog (male) in wetland on Horseshoe Lake Muskoka, Ontario, Canada

Bullfrog (male) in wetland on Horseshoe Lake
Muskoka, Ontario, Canada

 

Stonefish camouflaged on the ocean floor Cayman Brac, Cayman Islands, British West Indies

Stonefish camouflaged on the ocean floor
Cayman Brac, Cayman Islands, British West Indies

 

High-key Common Loon on Horseshoe Lake Muskoka, Ontario, Canada

High-key Common Loon on Horseshoe Lake
Muskoka, Ontario, Canada

 

Sunrise on Pollard Bay Cayman Brac, Cayman Islands, British West Indies

Sunrise on Pollard Bay
Cayman Brac, Cayman Islands, British West Indies

 

Snowy Owl in dead tree Thornton, Ontario, Canada

Snowy Owl in dead tree
Thornton, Ontario, Canada

 

Brown Booby (male) with chick Cayman Brac, Cayman Islands, British West Indies

Brown Booby (male) with chick
Cayman Brac, Cayman Islands, British West Indies

 

Octopus Cayman Brac, Cayman Islands, British West Indies

Octopus
Cayman Brac, Cayman Islands, British West Indies

 

The Crack over-looking Killarney Lake LaCloche Mountain Range Killarney Provincial Park, Ontario, Canada

The Crack over-looking Killarney Lake
LaCloche Mountain Range
Killarney Provincial Park, Ontario, Canada

 

Sunrise on Lake Travers Algonquin Provincial Park, Ontario, Canada

Sunrise on Lake Travers
Algonquin Provincial Park, Ontario, Canada

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Common Loon - juvenile Nikon D800, Nikon 200-500mm VR Lens @ 500mm ISO 1000, f9 @ 1/4000 sec

Common Loon – juvenile (Gavia immer)
Nikon D800, Nikon 200-500mm VR Lens @ 500mm
ISO 1000, f9 @ 1/4000 sec

Recently I have been using the new Nikon AF-S 200-500mm f5.6E ED VR Lens for my wildlife imagery and intimate landscape scenes. I will do a full review of the lens once I have had more time with it, but I must admit that so far I am lovin’ this lens – money well spent :)

On the weekend past, the Canadian Thanksgiving weekend, I was up at Horseshoe Lake near Parry Sound, Ontario to close-up the family cottage for the winter. Amid doing the various chores that needed tending to before closing up the cottage I noticed a juvenile Common Loon slowly making its way along the shoreline of the lake. I quickly grabbed my gear and jumped into the canoe and paddled towards the loon. This youngster will hang out on the lake for about another couple of weeks before flying to southern, coastal waters where it will remain for 2-3 years prior to flying north again. As I made my approach I slowed down to ensure I did not startle the loon and was glad to see that it was going to be a co-operative. Once I had the canoe into position I sat in the bottom of the canoe to gain a slightly lower perspective and photographed the loon while it swam about the canoe looking for a fish dinner below. On occasion the loon would come in almost too close to the canoe and I would have to wait for it to swim further away from my position. I experimented with using the lens in both the Full Frame format and the 1.5 DX Sensor Crop feature on the Nikon D800. I will select this sensor crop on the Nikon D800 when I wish for a little more “reach” as it will create an effective focal length that would be roughly the equivalent to adding a 1.4 Teleconverter onto the lens, however, there is no loss of f-stops. When working with the 1.5 DX Sensor Crop the 200-500mm lens becomes a 300-750mm lens.

Here is a sampling of some of the photos I created of this juvenile Common Loon with the new Nikon 200-500mm VR Lens. Please do remember to click on each image to view the sharper, larger versions.

Common Loon - juvenile Nikon D800, Nikon 200-555mm VR Lens @ 500mm ISO 800, f8 @ 1/1250 sec

Common Loon – juvenile (Gavia immer)
Nikon D800, Nikon 200-500mm VR Lens @ 500mm
ISO 800, f8 @ 1/1250 sec

 

Common Loon - juvenile Nikon D800 (1.5 DX Sensor Crop selected) Nikon 200-500mm VR Lens @ 440mm (660mm effective focal length) ISO 1000, f10 @ 1/1000 sec

Common Loon – juvenile (Gavia immer)
Nikon D800 (1.5 DX Sensor Crop selected)
Nikon 200-500mm VR Lens @ 440mm (660mm effective focal length)
ISO 1000, f10 @ 1/1000 sec

 

Common Loon - juvenile Nikon D800, Nikon 200-500mm VR Lens @ 480 mm ISO 1000, f10 @ 1/1000 sec

Common Loon – juvenile (Gavia immer)
Nikon D800, Nikon 200-500mm VR Lens @ 480 mm
ISO 1000, f10 @ 1/1000 sec

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Sigma 180 Macro_4363

In 2012 Sigma released the Sigma 180mm f2.8 APO Macro EX DG HSM OS Lens. In July of this year I had the opportunity to spend about a week with the lens, to give a thorough workout, as it was on loan to me from Gentec International, the Canadian distributor for Sigma lenses. The Sigma 180mm Macro lens is physically a large lens yet does handle very nicely. It is equipped with Sigma’s Optical Stabilization feature, which will compensate for about 4 stops. At the time of this lens’ release it was the only 180mm Macro lens to offer such superb stabilization. It is also a fast lens with a maximum aperture of f2.8 therefore the viewfinder is bright making manual focus easy (should you prefer to manually focus your macro lenses – I generally do). Since my main objective was to use this lens handheld from the canoe for frog photography and wetland details too, I was very eager to put the Optical Stabilizer to the test. Some other features that are noteworthy to mention for this high-performance lens are:

  • Three low dispersion glass elements for excellent correction of both axial chromatic aberration and lateral chromatic aberration.
  • Hyper Sonic Motor delivers auto-focusing that is quiet, fast, and accurate.
  • Multi-layer coatings to minimize flare and ghosting.
  • Accepts 86mm size filters.
  • Tripod collar to easily switch from horizontal to vertical orientations.
  • Minimum focusing distance of 18.5 inches.
  • Magnification ratio of 1:1 at the minimum focusing distance.

Let’s head out into the Horseshoe Lake wetland in the canoe and see what we can find. Do note additional info that is provided in the image captions.

Bullfrog Nikon D800, Sigma 180mm f2.8 APO EX DG HSM OS Lens ISO 800, f11 @ 1/160 sec.

Bullfrog
Nikon D800, Sigma 180mm f2.8 APO Macro EX DG HSM OS Lens
ISO 800, f11 @ 1/160 sec.

 

Bullfrog Nikon D800, Sigma 180mm f2.8 APO Macro EX DG HSM OS Lens ISO 800, f11 @ 1/100 sec.

Bullfrog
Nikon D800, Sigma 180mm f2.8 APO Macro EX DG HSM OS Lens
ISO 800, f11 @ 1/100 sec.

One of the first things that did take some getting used to on my part was working with the greater minimum focusing distance. Since I am most accustomed to using my Nikon 105mm Micro Lens which has a minimum focusing distance of 12 inches I often found that I was getting in too close with the Sigma 180mm Macro lens and would have to adjust my positioning to accommodate for the greater minimum focusing distance. This is by no means a hindrance though, in fact the greater minimum focusing distance has many benefits to it. If you enjoy photographing butterflies, small lizards, snakes or other often difficult to approach subjects, the Sigma lens will permit photographing from a greater distance which in-turn will lessen the chance of entering the animals comfort zone causing them to take flight.

Hand-holding the Sigma 180mm f2.8 APO Macro EX DG HSM OS Lens in the Horseshoe Lake wetland was a very enjoyable experience and allowed me to create numerous images that would have been difficult to do otherwise, as it would have been impossible to set-up a tripod in the soft mucky bottom. Do note that macro lenses as a rule are some of the best optics available and I will often use them for landscape imagery as well, including some of the intimate wetland scenes below.

Fragrant White Water Lily Blossom Nikon D800, Sigma 180mm f2.8 APO Macro EX DG HSM OS Lens ISO 200, f16 @ 1/80 sec.  Hand-Held

Fragrant White Water Lily Blossom
Nikon D800, Sigma 180mm f2.8 APO Macro EX DG HSM OS Lens
ISO 200, f16 @ 1/80 sec.
Hand-Held

 

Spatulate Leaved Sundew Nikon D800, Sigma 180mm f2.8 APO Macro EX DG HSM OS Lens ISO 800, f11 @ 1/50 sec. Hand-Held

Spatulate Leaved Sundews at the Edge of the Wetland
Nikon D800, Sigma 180mm f2.8 APO Macro EX DG HSM OS Lens
ISO 800, f11 @ 1/50 sec.
Hand-Held

 

Wetland Details Nikon D800, Sigma 180mm APO Macro EX DG HSM OS Lens ISO 800, f8 @ 1/250 sec Hand-Held

Wetland Details
Nikon D800, Sigma 180mm APO Macro EX DG HSM OS Lens
ISO 800, f8 @ 1/250 sec
Hand-Held

 

Arrowheads at Edge of Wetland Nikon D800, Sigma 180mm APO Macro EX DG HSM OS Lens ISO 800, f11 @ 1/80 sec. Hand-Held

Arrowheads at Edge of Wetland
Nikon D800, Sigma 180mm APO Macro EX DG HSM OS Lens
ISO 800, f11 @ 1/80 sec.
Hand-Held

After photographing several different scenarios in the wetland environment I decided to head into the woods with my tripod and photograph some woodland details. Many years ago I used spend much of my time in woodlands photographing woodland plants, tree bark details and any bugs that I could find. It was a ton of fun to take the Sigma 180mm Macro lens into the woods to re-visit my photographic roots.

Staghorn Sumac Leaves Close-up Nikon D800, Sigma 180mm APO Macro EX DG HSM OS Lens ISO 400, f16 @ 0.6 sec Tripod Mounted with OS off

Staghorn Sumac Leaves Close-up
Nikon D800, Sigma 180mm APO Macro EX DG HSM OS Lens
ISO 400, f16 @ 0.6 sec
Tripod Mounted with OS turned off

 

Silver Birch Tree Bark Detail Nikon D800, Sigma 180mm f2.8 APO Macro EX DG HSM OS Lens ISO 200, f29 @ 6 seconds Tripod Mounted with OS turned off

Silver Birch Tree Bark Detail
Nikon D800, Sigma 180mm f2.8 APO Macro EX DG HSM OS Lens
ISO 200, f29 @ 6 seconds
Tripod Mounted with OS turned off

 

Daddy Long-Legs on White Birch Tree Nikon D800, Sigma 180mm f2.8 APO Macro EX DG HSM OS Lens ISO 200, f32 @ 8 seconds Tripod Mounted with OS turned off

Daddy Long-Legs on White Birch Tree
Nikon D800, Sigma 180mm f2.8 APO Macro EX DG HSM OS Lens
ISO 200, f32 @ 8 seconds
Tripod Mounted with OS turned off

And last but not least, I could not resist the temptation to create a pleasing blur of a lovely cluster of ferns growing alongside of the cottage road. To create the blurred effect I simply stood at the edge of the road, looking down upon the ferns and using an in-camera sideways motion with a shutter speed of 1/15 created an image that revealed the subject matter, yet had a pleasing amount of blur to it as well. This is a technique that I learned from colleague, mentor and friend Denise Ippolito.

Pleasing Fern Blur Nikon D800, Sigma 180mm f2.8 APO Macro EX DG HSM OS Lens ISO 800, f8 @ 1/15 sec Hand-Held with a Sideways Movement

Pleasing Fern Blur
Nikon D800, Sigma 180mm f2.8 APO Macro EX DG HSM OS Lens
ISO 800, f8 @ 1/15 sec
Hand-Held In-camera Blur with a Sideways Movement

Conclusion: The Sigma 180mm f2.8 APO Macro EX DG HSM OS Lens was an absolute joy to use. The 18.5 inch minimum working distance took some getting used to on my part, but is very beneficial to photographing subjects that are prone to spook very easily. The Optical Stabilization feature’s performance is superb offering a stable solution to creating hand-held imagery in often difficult situations. While I mainly used the lens hand-held, the tripod collar did make switching from horizontal to vertical orientations effortless when a tripod was in use. Alternately, the tripod collar would offer an excellent and very simple solution to mounting an off-camera flash for night-time macro photography, much like I do for my night-time frog imagery whereby I use flash 100% of the time. I would highly recommend this lens to anyone looking for a macro lens, or looking to upgrade to a longer focal length macro lens. It is a large, sturdy, and well built lens that delivers superb image results. I only wish that I had more time to fully explore the capabilities this lens has to offer.

Please do click on each of the images to see the larger, sharper versions.

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Milky Way Over Horseshoe lake near Parry Sound, Ontario Nikon D800, Nikon 18-35mm lens @ 18mm ISO 6400, f3.5 at 20 seconds

Milky Way Over Horseshoe lake near Parry Sound, Ontario
Nikon D800, Nikon 18-35mm lens @ 18mm
ISO 6400, f3.5 at 20 seconds

 

For those who embark on photographing the night sky for the first time are sure to find it addictive. It is a ton of fun to say the least. A few days ago I wanted to try something a little different and rather than create a sharply focused starry night sky, I opted for an image of star trails above Horseshoe Lake. The two photographs that accompany this post are the exact same scene photographed with two different techniques.

After creating some initial starry sky scenes from Ontario’s Algonquin Provincial Park several weeks ago a colleague pointed me in the direction of an eBook by Royce Bair – “Milky Way Nightscapes.” I highly recommend this eBook to anyone interested in photographing the night sky. This 140 page eBook is jam packed with all the info you will need to get started with photographing the night sky and applying the special processing techniques to eliminate any noise generated from using very high ISO numbers.

Essentially the scene above was created to confirm my composition before commencing with the star trail scene below. Do note the different settings used in each of the images to capture the desired effect. While I do enjoy the 30 minute exposure at f4 for the star trails, I am wishing that I had selected a one hour exposure at f5.6 for a longer trail. I tried to do this on the next evening but storm clouds rolled in. When creating these night scapes do be sure to activate the long exposure noise reduction feature and since this feature is creating a second “black” frame to analyze the data and reduce noise, a 30 minute exposure will take an additional 30 minutes for the camera to process. Subsequently, if an one hour exposure is selected an additional one hour will be required by the camera, therefore, it is also important to ensure that you are using freshly charged batteries for long exposure star trail imagery. Shooting a quick frame to confirm the composition will reduce the need to retake the one hour star trail scene…after all you would only be able to create one image every two hours.

Hope you enjoy the starry night imagery.

Which scene do you prefer – star trails or pin-point stars?

Please remember to click on each of the images to view the larger, sharper version.

Star Trails Above Horseshoe Lake near Parry Sound, Ontario Nikon D800, Nikon 18-35mm lens @ 18mm ISO 125, f4 @ 30 minutes

Star Trails Above Horseshoe Lake near Parry Sound, Ontario
Nikon D800, Nikon 18-35mm lens @ 18mm
ISO 125, f4 @ 30 minutes

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The Milky Way Over Horseshoe Lake, Parry Sound, Ontario Nikon D800, Nikon 18-35mm lens @ 18mm ISO 6400, f3.5 @ 30 seconds

The Milky Way Over Horseshoe Lake, Parry Sound, Ontario
Nikon D800, Nikon 18-35mm lens @ 18mm
ISO 6400, f3.5 @ 30 seconds

I have just returned from another week up on Horseshoe Lake near Parry Sound, Ontario. During the past seven days I spent a lot of time exploring the night sky. Photographing the starry night sky is quite addictive and each night, roughly two hours after sunset I would head down to the dock and create images of the Milky Way above the lake. Fortunately, the Milky Way can easily be seen from the dock, however, there is some noticeable light pollution from the town of Parry Sound, visible on the right side of the images. In the above photo I was quite surprised by the subtle green and pink hues present when I viewed the images on the computer the next morning. I did not see any of these colors in the sky as I created the images. In addition, I was also quite surprised at how each of the night scenes photographed considering that each was created at roughly the same time each night. Isn’t nature amazing :)

Here are a couple of additional photos of the starry sky above Horseshoe Lake. In an upcoming post I will cover the learning curve to creating and the special processing techniques to these addictive images. I found on my Nikon D800 that I was getting the best pin-point stars at 20 second exposures. In the opening image the 30 second exposure the stars are not all quite pin-points, some have tiny trails starting.

Please remember to click on each of the images to view the larger, sharper versions.

 

Milky Way Above Horseshoe Lake, Parry Sound, Ontario Nikon D800, Nikon 18-35mm lens @ 20mm ISO 6400, f3.8 @ 20 seconds

Milky Way Above Horseshoe Lake, Parry Sound, Ontario
Nikon D800, Nikon 18-35mm lens @ 20mm
ISO 6400, f3.8 @ 20 seconds

Milky Way Above Horseshoe Lake near Parry Sound, Ontario Nikon D800, Nikon 18-35mm lens @ 18mm ISO 6400, f3.5 @ 20 seconds

Milky Way Above Horseshoe Lake near Parry Sound, Ontario
Nikon D800, Nikon 18-35mm lens @ 18mm
ISO 6400, f3.5 @ 20 seconds

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Bullfrog Among Lily Pads on Horseshoe Lake Nikon D800 (with 1.5 sensor crop activated), Sigma EX DG f2.8 15mm Fisheye Lens ISO 800, f8 @ 1/60 sec

Bullfrog Among Lily Pads on Horseshoe Lake
Nikon D800 (with 1.5 sensor crop activated), Sigma 15mm f2.8 EX DG Fisheye Lens
ISO 800, f8 @ 1/60 sec

Without a doubt my most often go-to lens for Bullfrog in the wetland on Horseshoe Lake is my Sigma 15mm f2.8 EX DG Fisheye Lens, and more often than not I select the Nikon D800’s 1.5 sensor crop when creating these images. By selecting the 1.5 sensor crop I am effectively using a 22mm fisheye lens with a close focusing distance of 5.5 inches. The close focusing capabilities of the Sigma 15mm Fisheye lens are hard to beat when it comes to creating these Bullfrog portraits. To view a larger selection of my fisheye imagery on the Sigma Canada website please click here.

Please remember to click on the images to see the larger, sharper version.

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Horseshoe Lake at Sunset, Parry Sound, Ontario, Canada Nikon D800, Nikon 18-35mm lens @ 19mm ISO50, f16 @ 1.6 sec.

Horseshoe Lake at Sunset, Parry Sound, Ontario, Canada
Nikon D800, Nikon 18-35mm lens @ 19mm
ISO50, f16 @ 1.6 sec.

I have just returned from a week long stay at the cottage on Horseshoe Lake near Parry Sound, Ontario and can’t wait to head back up for another week-long stay in a few days. It was a very productive week for wildlife imagery that I will share with you in an upcoming post. On the evening of Saturday July 18th there was a splendid sunset. The lay of the land at the cottage does not usually allow for too many sunset opportunities unless there is a spectacular display. I quickly grabbed my Nikon 18-35mm lens and ran down to the dock when I saw the colors developing in the sky, but the downside was too much wave action from passing motor boats ruining the foreground water. The solution? Create two images. After composing the scene I created one exposure for the sky and then one with a long exposure for the water. This long exposure would “smooth” the surface of the lake hiding the wave action of the passing boats. I then loaded both images into Adobe Camera Raw and made some initial tweaks before opening both images into Photoshop. I am using Photoshop CS6 for my processing of image files so I simply selected the sky image and using the Move Tool moved that image onto the image with the smooth water. I now had each image on its own layer. Next I selected the Eraser Tool and erased the wavy water from the sky image to reveal the smooth water of the second image with the longer exposure.

A simple but effective technique to utilize technology and over-come a challenging situation. If I had waited for the waves to die down the colors in the sky would have been gone.

Please remember to click on the image to see the larger, sharper version.

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