On Friday morning I made a quick trip up to Tiny Marsh for some sunrise photography. Tiny Marsh, located just west of Barrie, Ontario, is one of my favorite destinations for sunrise photography and wetland wildlife images too. Don’t let the name fool you, this is a very large wetland. The wetland section of this location is 600 hectares in size and is surrounded by 300 hectares of forest and fields. It is managed, in part, by Ducks Unlimited Canada. This was my first visit to the marsh this year as I have been too busy to get here sooner. I often arrive long before sunrise to allow time to walk out across the wetland trails to be where I want to be when the show begins. It is always a pleasure to listen to the sounds of the marsh as it awakens with the new day. Black Terns, Pied-billed Grebe, Osprey, Trumpeter Swans, Least Bitterns, Otters and many other critters abound here.
I have begun to use a Singh Ray 3-stop reverse graduated filter for sunrise photos where the sun is just above the horizon. The reverse graduated filter does a wonderful job at holding back the bright sun as it rises above the horizon. This filter yields more pleasing results for these type of images as opposed to using an ordinary graduated filter.
While waiting for the sun to rise don’t forget to look over your shoulder. Often you will find some rather pleasing colors in the sky. For the image below I used a combination of a Singh Ray 2-stop soft edge graduated filter with a Singh Ray Color Intensifier. The original image was composed with some wild rice poking into the foreground. To include the cloud formation reflections I was forced to include them in the composition and then evict them later in post processing.
As I was walking out along the wetland trail towards my car, the sun was much higher in the sky and broke through an opening in the cloud cover producing rays of light that shone down on the wetland. For the image below I used a 2-stop graduated filter and a Cokin Blue and Yellow Polarizing Filter. I don’t particularly like using the blue and yellow filter, but do find that it has its place when used sparingly. Often when using this type of filter with digital capture some adjustment to white balance and color temperature is required. If you are interested in using this type of filter I would suggest you purchase the Singh Ray version (I keep putting it off, but need to replace the Cokin one with this one) which is called ‘Gold-N-Blue” and to use if effectively refer to Darwin Wiggett’s blog entry at Focus on Singh Ray Filters.