Posted in Animals, Caribbean, Tips and Techniques, tagged APTATS 2, ghost crabs, jamaica, nature photography, photography, port antonio, san san beach on April 1, 2013 |
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Ghost Crab on San San Beach, Port Antonio, Jamaica
Above is an optimized photo of a Ghost Crab captured on San San Beach in Port Antonio, Jamaica. These crabs are relatively easy to photograph but you do need to remain very still. Often they will disappear into their tunnels in the sand if they detect the slightest movement made by a ‘potential predator.’ In this case that was me, but by lying on the sand motionless this crab soon emerged again to forage on the beach for food. As the crab began moving further to my left I found it difficult to contort my position on the sand to suitably follow it and wound up creating the image below with the crab practically walking out of the frame. How did I fix this composition? I used a series of quick masks, layer masks, move tool, and some touch-up work with the clone stamp tool to create the optimized version. I learned how to perform such fixes to such images by reading Robert O’Toole’s APTATS 2. APTATS stands for Advanced Photoshop Tips and Techniques and for $30 is well worth the investment. Final tweaking to the image above was performed by using Nik Software’s (now Google) Viveza 2 and Color Efex Pro’s Detail Extractor filter.
Original RAW Capture of the Ghost Crab
Sigma Scholarship Contest Note:
Only one month left to enter Sigma’s Scholarship Contest. Please click on the link in the sidebar of the blog for more information on contest rules and how to enter. Best of luck to all entries!
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Posted in Frogs and Toads, Tips and Techniques, tagged amplexus, bufo americanus, frogs, image optimization, nature photography, ontario, photography, toads, wetlands on May 6, 2012 |
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American Toads in amplexus
On Friday night after a significant rainfall I made my way out to the ponds in the abandoned cattle pasture behind my home, lured by the resonating trills of the male American Toads in full chorus. I found many pairs in amplexus (latin for embrace), which is where the male toad grasps the female toad during mating and egg laying. At one point during the night as I sat in the pond, I was surrounded by several pairs of toads that were in the process of laying eggs. It can be difficult to capture decent images of the pairs in amplexus as I find when you try to fit both toads in the frame too many distracting elements from the pond enter the composition. On this night, I decided to concentrate on fitting the males, or at least most of them, in the composition and let the female toad become clipped, but I still made sure that the female toad was a prominent part of the composition by making sure she was front and center within the frame. Above and below are two of my favorite amplexus images from the night.
American Toads in amplexus (note the eggs)
One of the biggest problems with photographing frogs and toads at night is a result caused by using flash to illuminate the subjects. The flash will always create undesirable spectral highlights. The skin of the frogs and toads is wet, as is the vegetation in the pond, and this creates the perfect conditions for the flash to cause such highlights. I spend a significant amount of time (sometimes up to an hour per image) removing these flash generated highlights. Often I will work on an image very large (600-800%) to successfully evict the highlights and quite often I will use the clone stamp tool and vary the opacity (0-50%) depending on where in the image I am cloning. I will be including a chapter that deals exclusively with how I optimize my frog and toad imagery in my forthcoming guide to photographing frogs and toads (I hope to have the book completed and ready to publish by the end of the summer). While some folks to tend shy away from such evictions, I see nothing wrong with performing this type of image clean-up during the optimization process of the photographs. I don’t believe that it changes the natural integrity of the image. Below you will see a before and after example of a male American Toad, with vocal sac inflated, while serenading for a mate. The two images above of the toads in amplexus have already been optimized with all flash generated highlights removed.
Before – unedited raw capture
After – the optimized image file
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A Black-capped Chickadee recently photographed from inside my photo blind that is set up in the backyard for winter songbird photography. Below you will see an assortment of photo blind images. Please note while looking at the images of my photo blind that I do lack many architectural and interior design skills, but it seems to do the trick. On the inside of the blind you will notice a pail full of potential perches that I collect regularly. Since it is winter, I cannot use leafy or flowery perches, so I look for fallen branches that may have lots of lichen on them, mullein seed pods, sumac seed heads, or small sections of pine branches for some additional interest. The second pail contains some seeds for the feeder. You will also notice the small space heater on the floor of the blind that I use to stay warm and toasty while inside, and the walls have been insulated with 2 inches of styrofoam that was glued to the inside of the blind with sprayfoam insulation. This spray foam insulation was also used to fill in all the seams in the styrofoam. The framework for this blind was built using 2 X 2′s screwed into pre-made, galvanized corner pieces that I purchased from Home Depot. You will also see that the blind is sitting on a plastic skid to keep my feet about 6 inches above the frozen ground, and the old wooden chair has some foam duct taped to it for added comfort and warmth as well. The roof is covered with a piece of vapor barrier plastic to protect it from the elements. As I said, “it ain’t much to look at, but…”
Inside view of blind
Inside view of blind
The photos below show the outside of the blind and the feeder set-up. An old sweatshirt works perfect for the camera lens and a small hole above and off center holds a small Nikon SB400 flash for the days when I want to add a touch of fill flash. The long slit in the blind wall above the lens is for me to watch the action at the feeders. In the feeder image I have several perches, an old stump with suet cakes on the backside, and do note the burlap that I have fastened to the inside branches of the cedar tree background. This burlap is absolutely necessary to eliminate unwanted light from the field behind my home, to ensure a clean background to the resulting bird images. I have also included a photo that illustrates the surrounding are where I have set-up this blind. There is lots of cover nearby, which will help the success rate of the resulting images. The more cover that is present will often result in more activity at the feeding station. This cover is also helpful to the songbirds when they need to hide from our resident Sharp-shinned Hawks. Without this surrounding cover they are easy prey for such skilled birds of prey. I do make it a habit to only fill the feeder once or twice a week so that the birds are forced to forage for additional foods, however, when their is no snow present the birds are seldom seen at the feeder, as they are out foraging for other food sources.
These blind images were photographed yesterday. Note how little snow is on the ground. Normally, by this time we have a least two feet of snow on the ground.
Front view of blind
Feeder set-up with burlap draped inside the cedar trees
The backyard set-up
And the reason I am always on the lookout for new perches, is because some of them fall victim to my dog Koko. Koko is a five year old, female, black lab mix and she regularly mulches the branches that fall off the silver maple and ash trees on my property.
Koko mulching an old perch
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Posted in Creative Visions, Fractalius, Software Solutions, Tips and Techniques, tagged a guide to creative filters and effects, creative adventure, creative filters, denise ippolito, fotosketcher, fractalius, mini world, photography, photoshop plugins, stock photography on April 14, 2011 |
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I am lagging behind in my blog posts lately as I have been busy photographing the frogs that have begun to sing in the vernal ponds behind my rural home. In addition to my recent adventures in the frog pond, I have been enjoying Denise Ippolito’s eBook “A Guide To Creative Filters and Effects” and very inspired by her creativity. If you want one book on how to create stunning artistic renderings of your photographs, buy this book. There is a wealth of tips and techniques packed into the 166 pages, with before and after images to accompany them. Towards the end of the book you will find links to the various photoshop plugins and stand-alone filters discussed within the book’s pages. Some of these filters are free downloads while some require a purchase. Denise is a highly accomplished photographer and a moderator for the “Out Of The Box” forum at BirdPhotographers.net. I am often left in awe with her creative, artistic renderings. The images in this post were all created using various techniques and filters discussed in this amazing guide. To find out more about this guide and to purchase your copy please click here. To follow Denise’s adventure in creativity check out her blog in the link on the side-bar. I can’t wait to try the Flaming Pear “Twist” and “Swerve” filters next. Thanks a ton for sharing your creativity Denise!
“Mini-World” of the Toronto skyline at night
Gerbera Daisy – desaturated zoom blur with Fractalius
Winter Farm – Fotosketcher watercolor with Fractalius
Pincushion Protea – multi-zoom blur
Abandoned Car in Killarney Provincial Park – Denise’s texture technique
Yellow Gerbera Daisy – Fractalius Glow 100
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Posted in Tips and Techniques, tagged APTATS, arthur morris, birds as art, nature photography, photography, photoshop techniques, photoshop tips, robert o'toole, stock photography on October 19, 2010 |
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As you know, from the majority of my posts on this blog I am mostly a landscape photographer. I do, however, love to shoot wildlife subjects also. When shooting landscapes we usually have time to think our way through our compositions to achieve the results we are seeking. There are some circumstances in landscape photography that require you to work quickly so that you can capture that fleeting moment of light. As for wildlife photography, I find it totally different. If your subjects are uncooperative, there is usually not enough time to try various compositions. If the action is fast paced and you are panning with the subject your sharpest capture and best pose may be the worst in terms of composition. At least that is how it always turns out for me. I am hopeless at panning.
Nowadays, before I hit the delete key on my sharp, poorly composed wildlife images, I turn to my APTATS tutorial CDs. APTATS stands for “Advanced Photoshop Techniques and Tips Simplified.” These inexpensive tutorials are available through Birds As Art. There are two E-Books available. I highly recommend both. They will speed up your workflow and have you feeling like a photoshop whiz-kid in no time. APTATS 1 is available here and APTATS 2 is available here. These techniques and tips have been developed by Robert O’Toole and with the help of Arthur Morris have been assembled into PDF Tutorials that are very simple to follow. Numerous screen captures will guide you through the process to the end result. My personal favorites are the “Quick Mask Object Removal” and “Composition Correction without Cropping.” Check out these tutorials to see what other amazing techniques you can learn that will fill your photoshop tool box with image optimizing tricks. The small monetary investment to purchase these two tutorial e-books may just be one of the best investments you may make to improve your photoshop skills. It was for me.
Below I have posted some before and after images to illustrate the effectiveness of these tutorials. Hope you enjoy them.
This first image, I thought would look great with the Great Blue Heron dead center for possible calendar use. Wrong! The head position is all wrong for such a composition. So, without cropping the image I adjusted the composition, so that it would be more pleasing, using the composition correction tutorial.
I never saw the ladder in the image below when shooting this captive Barn Owl in flight. Somehow it showed up on my monitor though Using both the composition correction technique and the quick mask object removal I was able to save this image from the recycle bin.
In the Blue Jay image below I actually like both versions, however, the version with composition adjusted without cropping may be more suitable for use as a magazine cover shot someday.
Below is a Beaver that I photographed at Humber Bay on Lake Ontario in Toronto last winter. I was laying on the ice when the beaver emerged from the water. I knew if I moved it would flee, but I also knew that using the quick mask removal technique from APTATS I could remove all the distracting concrete in about a minute. So my solution was to fire away and not worry about those distracting elements.
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