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Archive for the ‘Horseshoe Lake’ Category

Bullfrog in wetland_1503

Male Bullfrog in wetland on Horseshoe Lake, Ontario

Looking back over the past year I realized I probably photographed a little bit more wildlife than landscapes, which is some what different for me. Mostly I was photographing frogs and toads for various chapters in the frog book that I am currently writing. As a result it is easy to see why my top 12 images from 2012 contains a few frog photos :)

Here is a selection of a few of my favorite images created in 2012.

Tiny Marsh_9697

Tiny Marsh Provincial Wildlife Area, Ontario

Massassauga Rattlesnake_1773

Eastern Massassauga Rattlesnake, Killbear Provincial Park, Ontario

Rosseau River_734

Rosseau River at Lower Rosseau Falls, Ontario

Bullfrog_juvenile_1695

Over-under juvenile Bullfrog

Sandpiper_2172-1

Willet on Liebeck Lake, Ontario

Horseshoe Lake Sunset_2213

Horseshoe Lake wetland at sunset, Ontario

Common Loon (Gavia immer) with chick on Horseshoe Lake

Common Loon with chick on Horseshoe Lake, Ontario

Zimmerman's Poison Frog (Ranitomeya variabilis)_2921-1

Zimmerman’s Poison Frog

Beaver Pond_Algonquin_3429

Beaver Pond, Algonquin Provincial Park, Ontario

Horseshoe Lake_2459

View from the dock at sunset, Horseshoe Lake, Ontario

White-breasted Nuthatch_4543

White-breasted Nuthatch

The White-breasted Nuthatch image above represents the last photograph captured for 2012. It was visiting my suet feeder set-up frequently yesterday while I was out in the blind for another round of winter songbird photography.

Wishing everybody all the best in 2013.

Happy New Year!!!

Please remember to click on each of the photos to see the larger sharper version.

See ya soon!

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Horseshoe Lake at sunset

 

I have been busy catching up on my processing of images captured throughout the summer and thought I would share a collection of sunsets from Horseshoe Lake. The above image was created after an evening session of photographing Bullfrogs at dusk. While I was packing away my gear to begin canoeing back to the cottage I turned around to notice this impressive sunset and cloud formation in the sky. Since I was in the canoe and my tripod was back at the cottage I cranked up the ISO to 800, activated the Virtual Horizon feature on the Nikon D800 and fired away. With no grad filters on hand I exposed for the highlights and later in photoshop revealed a touch of detail from the shadows.

The two images below were photographed one after the other. Since the colours were somewhat lacking on this night I chose to use a Cokin Blue/Yellow Polarizer on the first image to add some colour to the scene. The final image portrays the natural colours as they were that night. Please do take a moment to indicate which of the two scenes is your favorite and why.

Remember to click on the photos to see the larger, sharper version of each.

Horseshoe Lake with Cokin Blue/Yellow Polarizer

Horseshoe Lake un-filtered

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Lower Rosseau Falls with the Sigma 8-16mm lens at 8mm

During my last trip up to the Parry Sound region Gentec International the distributor for Sigma lenses in Canada was kind enough to loan me a Sigma 8-16mm f4.5-5.6 DC HSM lens for a special project that I am working on at the moment. Since this lens is designed for use with DSLRs that have the APS-C sized sensors, I had originally planned to use this lens with my old Nikon D200, but I had also just received a call that my Nikon D800 had arrived and was waiting to be picked up. A new lens to play with and a camera body that I was unfamiliar with – Yikes! Fortunately, the Nikon D800 automatically crops/adjusts to lenses designed for use with APS-C sensors and with the ‘Live View’ feature and high ISO capabilities I knew this lens and camera combination would be perfect for the images I envisioned photographing with it. When the lens arrived I was immediately impressed with the build quality and the zoom and focus rings just felt right. The lens is an autofocus lens with manual over-ride just like all my Nikon lenses have. I  primarily wanted to use the lens for wetland related imagery and to take the lens over to a picturesque waterfall that was nearby. Due to the design of the front lens element filters cannot be attached to this lens, but that is no reason to pass up this little beauty. With a lens that provides such a wide angle of view you don’t really want to add a polarizer anyway, as you will certainly have lots of blotchy blues throughout the sky. There were a couple of instances where I would have liked to add a graduated neutral density filter into the mix but could not, however, these scenes are easily captured as HDR images nowadays, allowing you to over-come such situations. Knowing that filters cannot be attached you simply need to pick the time of day you photograph certain subjects a little more carefully, as a result I made my way over to Lower Rosseau Falls at dusk when the light would be low enough to allow for long exposures to blur river’s flow. It was a blustery evening though and you will notice much movement in the trees and leaves of the surrounding forest. I found this lens to extremely useful at Lower Rosseau Falls as some of vantage points are not possible unless you are using a wide lens such as this one. Below are two additional images from Lower Rosseau Falls.

Lower Rosseau Falls with the Sigma 8-16mm lens at 9mm

Lower Rosseau Falls with the Sigma 8-16mm lens at 8mm

The images below are some of the photos I envisioned capturing and they would not have been possible without the Sigma 8-16mm lens. Whenever I test out a potential new lens to include in my gear bag I consider them to be merely tools to do a job. I am seldom concerned with the high-tech stuff that you can read about on the internet. The Sigma 8-16mm lens turned out to be the perfect tool for me to capture the wetland imagery I had hoped too. Without the lens’ close focusing capabilities of 9.4 inches throughout the entire zoom range I would have been unable to create the bullfrog and water lily images you see. In fact, with the lens stopped down to about f16 the depth-of-field will allow you to focus a little closer than the 9.4″ minimum. The photographs below were all created, handheld, in ‘Live View’ mode while extending my arms out from the canoe to hold the camera and lens just above the surface of the water, often my left hand was partially submerged while doing this. To make sure that I was square with the world a bubble level was placed in the hot-shoe of the camera. By using the ‘Live View’ feature I was easily able to tell if I was too close for the lens to focus or not. If so I would simply back off a little until the frog or blossom came into focus. I had to make a few tries with the bullfrog before he began to tolerate the lens being only a few inches away. One thing that I noticed with using such a wide angle lens in close like this was the lens’ shadow on the surface of the water. This happened most often when trying to hold the lens just above the subject, but once the lens was positioned for a ‘frog’s eye view’ the shadow problem was eliminated.

Bullfrog with the Sigma 8-16mm lens at 14mm

Bullfrog with the Sigma 8-16mm lens at 8mm

Bullfrog with the Sigma 8-16mm lens at 16mm

Horseshoe Lake Wetland with the Sigma 8-16mm lens at 8mm

Bullfrog habitat with the Sigma 8-16mm lens at 8mm

Water Lilies with the Sigma 8-16mm lens at 16mm

Water Lily on Horseshoe Lake with the Sigma 8-16mm lens at 8mm

In short, this is a fun lens that delivers superb quality and sharpness throughout the zoom range. You may notice in the Water Lily image above and in the second Bullfrog image that there is a touch of out of focus in the foreground, those are simply areas that are too close for the lens to focus on, but I do think the images are still successful images. During my week long visit to the Parry Sound region this lens spent much of the time affixed to my D800. I loved it and the images I created with it were fun to shoot too. I can’t wait to add this lens to my everyday gear bag. Photography is about having fun creating photographs and this lens certainly delivers tons of fun. I highly recommend this lens for the big wide world. It is available in mounts for Canon, Nikon, Sony, Pentax and Sigma cameras.

Please remember to click on each photo to see a much larger and sharper version of the images and send us a note letting us know which is your favorite.

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I have just return from several days up near Parry Sound, Ontario at the family cottage on Horseshoe Lake where I spent much of time getting to know my new Nikon D800 and swimming in the lake with my daughter, who is now able, with floaties, to swim quite some distance out from the dock.

I will do a more in-depth look at the D800 in a future post, but first wanted to share these images of the Common Loon family that reside in our bay on the lake. They have two chicks and both seem to be doing very well, diving on their own and both have very healthy appetites. Last year one chick had perished but hopefully this year’s brood will survive. The first two images in this post were photographed from the canoe, using the handheld Nikon 80-400mm VR lens with an ISO setting of 800 and the last image was captured with an ISO setting of 1250. I did not need any additional focal length to create images of these loons on this particular day, but when I did need extra focal length I could easily select the 1.5 crop mode on the D800 and immediately convert the 80-400mm lens to a 120-600mm lens.

Please remember to click on each photo to view a much larger version.

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Male Bullfrog in wetland

Over the course of last weekend I photographed many Bullfrog images. I have had trouble locating the adults in the Horseshoe Lake wetland this year. Not because they are hard to find, but because their numbers have been decreasing over time. I remember when my parents first bought our cottage, 30 years ago, and how the Bullfrog’s calls would fill the night air, but now it seems that there are substantially less frogs singing. On another note, many bullfrog tadpoles have emerged from their watery home to begin their new life above the water’s surface. Hopefully many of these froglets will make it to adulthood and replenish some of the frog numbers here.

Many of these new Bullfrog images will round out the images I require for a project I will be beginning shortly that pertains to frogs. To photograph the ‘frogscape’ above I used my 12-24mm lens set to its closest focusing point, a polarizing filter, a 2-stop grad filter and a bubble level. While handholding the camera just above the water’s surface, I leveled the camera according to the bubble level and fired away.

Below is a collection of images of a large, rather plump male Bullfrog that was most cooperative while it was at rest on a floating section of waterlily roots. Aside from the usual assortment of predators (herons, snapping turtles & water snakes), the juvenile Bullfrogs are also preyed upon by the adult Bullfrogs that have voracious appetites. If they can stuff it in their mouths they will eat it.

Male Bullfrog

Male Bullfrog

Male Bullfrog

Male Bullfrog

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Beaver Pond and Fall Colour

Over the last few days I was up at Horseshoe Lake and took advantage of the over-cast, rainy conditions to shoot some backwoods beaver ponds that I frequently explore. As usual, there are always a few trees that go into peak autumn foliage several weeks early than the rest of the trees. I made my way to this pond by following along several older beaver ponds and streams that connect the ponds, making note of the bear tracks along the way. As I made my way around a large fallen log at the edge of one pond I heard a splash in the water. I looked down to see my Lowepro lens case that I keep my Nikon 12-24mm lens floating in the pond. I jumped in to fetch the lens, unzipped the case and drained out the small amount of water that had leaked in. After drying the lens off with my t-shirt I began to examine the lens and it appeared that no water had leaked into the lens and no water reached the lens contacts. I further dried the lens with some micro-fiber cleaning cloths and created the image above, mostly to test the lens for moisture. So far all looks well, but just to be sure the lens will spend the next few days in a bag of silica gel that will absorb any moisture that cannot be seen. Being prepared for mishaps, should they unfortunately arrive, may just save the day. I always take along several micro-fibre cleaning cloths, clear plastic bags (for rain), knife, bear spray, electrical tape and an assortment of other things including my asthma inhaler. Many of these items are never needed, but you never know when they will be required.

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Above is the original version of a dewy spider web I shot while canoeing through a wetland on Horseshoe Lake. I was immediately drawn to the way that the dead, lichen covered, black spruce branch was framing this particular web. I also knew that once I returned home and began processing my images that this was going to be a good candidate for the photoshop plugin Fractalius. below you will see my two alternate versions of this image with the Fractalius filter applied. Which do you prefer?

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Horseshoe Lake at daybreak

I have spent the last 9 days up at my family’s cottage on Horseshoe Lake near Parry Sound, Ontario. Each morning I would be in the canoe well before sunrise, my favorite time of day, paddling to some of my most favorite spots on the lake. The days were filled with lots of sunshine and the nights were cool. These cool nights are perfect for mist rising off the lake’s surface as it begins to cool down with the changing of the seasons. Unfortunately, the best vantage points for many of these scenes is out on the lake where the use of a tripod is rather difficult to say the least. As a result, handholding the camera is the only option. When I am handholding the camera from the canoe I always use my grid-lines on the focusing screen to keep things level and wait for the canoe to settle after paddling into position. My two favorite lenses for shooting from the canoe are the Nikon 80-400 VR lens and Nikon 12-24mm lens. When shooting from the canoe the 80-400 mm lens is used with the VR activated at all times and the 12-24mm lens is most useful for shoreline details.

On one morning, while I was canoeing about a mile from the cottage I found our boat that was stolen a year earlier. A fellow cottager had found it across the bay from their cottage, half-submerged in the lake. They managed to bail it out and then took it back to their cottage and pulled it up on shore. It appears that the thieves decided to pull the drain plug out after removing the motor, but the boat has significant floatation in it so it did not fully sink to the bottom of the lake.

In the days to come I will post many more images from this past stay at the lake. I was presented with many nice situations on my morning outings. Hope you like the images.

Horseshoe Lake at daybreak

Early morning light on Horseshoe Lake

Shoreline details on Horseshoe Lake

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Yellow Pond Lilies in Horseshoe Lake Wetland

A quick post from one of my most favorite locations to photograph on Horseshoe Lake near Parry Sound, Ontario. I love shooting the water lilies in this wetland from my canoe. I will use a wide angle lens set to focus as close as it will allow, select an f-stop of around f16, hang-out over the edge of the canoe holding the camera just above the water’s surface, in front of a waterlily blossom and fire away.  I find it to be beneficial to remove the lens hood from the lens for such photography otherwise you will find the lens hood casts unpleasantly shaped shadows on the foreground lily pad leaves. It usually takes a few tries before I get the exact framing that I want, but it gives a different perspective of the wetland environment – a frog’s eye view if you will :)

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Horseshoe Lake at sunset

One evening while at Horseshoe lake in Ontario’s Parry Sound / Muskoka region I was watching the sky for possible sunset photography when I noticed the clouds were blowing by fairly quickly. Although there wasn’t much in the way of color, I thought the movement in the cloud formations would provide an interesting element to the composition that would make-up for the lack of stunning sunset colors. I knew that I wanted to record the forest at the edge of the lake as a silhouette to hide the boats and docks so I did not use a grad filter to even out the lighting. I exposed for the sky and allowed the forest to go black. An exposure time of 30 seconds recorded nice movement to the blowing cloud formations.

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